It is not entirely clear if modern Chinese is a monosyllabic or disyllabic language. Although a disyllabic prosodic unit of some sort has long been considered by many to be at play in Chinese grammar, the intuition is not always rigidly fleshed out theoretically in the area of Chinese morphology. In this book, Shengli Feng applies the theoretical model of prosodic morphology to Chinese morphology to provide the theoretical clarity regarding how and why Mandarin Chinese words are structured in a particular way. All of the facts generated by the system of prosodic morphology in Chinese provide new perspectives for linguistic theory, as well as insights for teaching Chinese and studying of Chinese poetic prosody.
This ground breaking study dispels the common belief that Chinese 'doesn't have words' but instead 'has characters'. Jerome Packard's book provides a comprehensive discussion of the linguistic and cognitive nature of Chinese words. It shows that Chinese, far from being 'morphologically impoverished', has a different morphological system because it selects different 'settings' on parameters shared by all languages. The analysis of Chinese word formation therefore enhances our understanding of word universals. Packard describes the intimate relationship between words and their components, including how the identities of Chinese morphemes are word-driven, and offers new insights into the evolution of morphemes based on Chinese data. Models are offered for how Chinese words are stored in the mental lexicon and processed in natural speech, showing that much of what native speakers know about words occurs innately in the form of a hard-wired, specifically linguistic 'program' in the brain.
In the two volumes of Prosodic Syntax in Chinese, the author develops a new model, which proposes that the interaction between syntax and prosody is bi-directional and that prosody not only constrains syntactic structures but also activates syntactic operations. All of the facts investigated in Chinese provide new perspectives for linguistic theories as well as insights into the nature of human languages. The subtitles of the two volumes are Theory and Facts and History and Change respectively, with each focusing on different topics (though each volume has both theoretical and historical descriptive concerns). This book has shown that prosody has played a crucial role in triggering the many changes in the diachronic development of Chinese. On the one hand, this book investigates the existence of SOV structures in Early Archaic Chinese, a SVO language, and then demonstrates the role of VO prosody in causing the disappearance of the remnant structures after the Han Dynasty. On the other hand, this book surveys the historical evidence for analyses of bei passives and Ba-constructions, and then offers a prosodic analysis on the origin of these two sentence patterns in Chinese. It is claimed that prosody can be an important factor in triggering, balancing and finally terminating changes in the syntactic evolution of Chinese.
Prosodic morphology concerns the interaction of morphological and phonological determinants of linguistic form and the degree to which one determines the other. This is the first book devoted to understanding the definition and operation of canonical forms - the invariant syllabic shapes of morphemes - which are the defining characteristic of prosodic morphology. Dr Downing discusses past research in the field and provides a critical evaluation of the current leading theory which, she shows, is empirically inadequate. She sets out an alternative approach and tests this in a cross-linguistic analysis of phonological and morphological forms over a wide range languages, including several not previously been studied from this perspective. Prosodic morphology has been the testing ground for theoeretical developments in phonology over the past twenty years, from autosegmental theory to optimality theory. This book will be of central interest to specialists in phonology and morphology, as well as to advanced students of these fields and of linguistic theory more generally.
In the light of Chinese prosody and various mutually illuminating major cases from the original English, Chinese, French, Japanese and German classical literary texts, the book explores the possibility of discovering “a road not taken” within the road well-trodden in literature. In an approach of “what Wittgenstein calls criss-crossing,” this monographic study, the first ever of this nature, as Roger T. Ames points out in the Foreword, also emphasizes a pivotal “recognition that these Chinese values [revealed in the book] are immediately relevant to the Western narrative as well”; the book demonstrates, in other words, how such a “criss-crossing” approach would be unequivocally possible as long as our critical attention be adequately turned to or pivoted upon the “trivial” matters, a posteriori, in accordance with the live syntactic-prosodic context, such as pauses, stresses, phonemes, function words, or the at once text-enlivened and text-enlivening ambiguity of “parts of speech,” which often vary or alter simultaneously according to and against any definitive definition or set category a priori. This issue pertains to any literary text across cultures because no literary text would ever be possibleif it were not, for instance, literally enlivened by the otherwise overlooked “meaningless” function words or phonemes; the texts simultaneously also enliven these “meaningless” elements and often turn them surreptitiously into sometimes serendipitously meaningful and beautiful sea-change-effecting “les mots justes.” Through the immeasurable and yet often imperceptible influences of these exactly “right words,” our literary texts, such as a poem, could thus not simply “be” but subtly “mean” as if by mere means of its simple, rich, and naturally worded being, truly a special “word picture” of dasDing an sich. Describable metaphorically as “museum effect” and “symphonic tapestry,” a special synaesthetic impact could also likely result from such les-mots-justes-facilitated subtle and yet phenomenal sea changes in the texts.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
This book examines the acquisition of L2 Mandarin prosody, a less explored area in SLA. While acknowledging that tone acquisition is one of the most important aspects in acquiring L2 Mandarin phonology, the book demonstrates that phrase- and utterance-level prosody is equally important. Specifically, this book discusses the acquisition of Mandarin lexical tones and utterance-level prosody, the interaction of tones and intonation, the acquisition of Tone 3 sandhis, the temporal differences between L1 and L2 Mandarin discourse, and the relationship between intelligibility, comprehensibility and foreign accent perception in L2 Chinese. In addition, a whole chapter is exclusively devoted to the pedagogy of L2 Mandarin prosody. Studies in this book further our understanding of speech prosody in L1 and L2 and showcase the interesting interaction of phonetics, phonology, and pedagogy in SLA. This book will be of great interest to SLA researchers and graduate students, applied linguists, Chinese linguists, and Chinese practitioners.
This handbook presents detailed accounts of current research in all aspects of language prosody, written by leading experts from different disciplines. The volume's comprehensive coverage and multidisciplinary approach will make it an invaluable resource for all researchers, students, and practitioners interested in prosody.
The nine essays in this volume present the most recent developments in the study of Chinese linguistic research using functional approaches. Topics discussed in the volume include Chinese typology, word order variation, word formation, semantic change, cognition, discourse analysis, interface among syntax, semantics, and pragmatics, and grammaticalization. Studies of Chinese Linguistics will be a valuable and stimulating reference for graduate students and researchers interested in functional linguistics. Readers in general and applied linguistics will also appreciate the insights it offers into the interaction of Chinese form and function.
