Encyclopedia of Nineteenth-Century Photography
Encyclopedia of Nineteenth-Century Photography

Author: John Hannavy

Publisher: Routledge

Published: 2013-12-16

Total Pages: 1629

ISBN-13: 1135873275

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The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.

Copper Plate Photogravure
Copper Plate Photogravure

Author: David Morrish

Publisher: CRC Press

Published: 2003-04-03

Total Pages: 224

ISBN-13: 1136092544

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Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice. Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to: · produce a full-scale film positive from a photographic negative · sensitize the gravure tissue to prepare it for exposure to the positive · prepare the plate and develop the gelatin resist prior to etching · prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale · rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons · use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high quality print A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.

Albers and Moholy-Nagy
Albers and Moholy-Nagy

Author: Achim Borchardt-Hume

Publisher: Yale University Press

Published: 2006-01-01

Total Pages: 204

ISBN-13: 030012032X

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Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.

Lo-Fi Photography
Lo-Fi Photography

Author: John Beaver

Publisher: Royal Society of Chemistry

Published: 2024-07-15

Total Pages: 266

ISBN-13: 1839169303

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Of all the arts, photography has perhaps the closest association with science and technology: the physics of light and colour combined with chemistry to capture images. Lo-Fi Photography is an ideal introduction to the science that lies behind photography and the array of simple methods that can be used to capture light and create images. From making homemade cameras to accessible techniques, the goal of this book is to provide all readers with access to this interesting form of creative photography via how-to guides, plans and some tips and tricks. In addition to the theory and hands-on guidance, this book also explores Lo-Fi photography as a distinct art form and provides further reading and excellent sources for diving even deeper into the world of experimental photography. Lo-Fi Photography is both a superb introduction to anyone curious about the science of photography and a first-rate guide to the world of experiemental photography for inquisitive photographers.

Light, Paper, Process
Light, Paper, Process

Author: Virginia Heckert

Publisher: Getty Publications

Published: 2015-04-14

Total Pages: 184

ISBN-13: 1606064371

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From its beginnings, photography has been shaped by the desire to understand and explore the essence of the medium. Light, Paper, Process features the work of seven artists—Alison Rossiter, Marco Breuer, James Welling, Lisa Oppenheim, Chris McCaw, John Chiara, and Matthew Brandt—who investigate the possibilities of analog photography by finding innovative, surprising, and sometimes controversial ways to push light-sensitive photographic papers and chemical processing beyond their limits. A panoply of practices emerges in the work of these artists. Some customize cameras with special lenses or produce images on paper without a camera or film. Others load paper, rather than film, in the camera or create contact-printing with sources of light other than the enlarger, while still others use expired photographic papers and extraneous materials, such as dust and sweat, selected to match the particular subject of the photograph. All of the artists share a willingness to embrace accident and chance. Trial and error contribute to an understanding of the materials and their potential, as do the attitudes of underlying curiosity and inventive interrogation. The act of making each image is like a performance, with only the photographer present. The results are stunning. This lavish publication accompanies an eponymous exhibition on view at the J. Paul Getty Museum from April 14 to September 6, 2015.

Primitive Photography
Primitive Photography

Author: Alan Greene

Publisher: CRC Press

Published: 2013-04-11

Total Pages: 240

ISBN-13: 1136092706

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Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.