Privatising Culture
Privatising Culture

Author: Chin-tao Wu

Publisher: Verso Books

Published: 2020-05-05

Total Pages: 352

ISBN-13: 1789608775

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Corporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodka's sponsorship of art shows to ABN-AMRO Bank's branding of Van Gogh's self-portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational marketing is beginning to blur the comfortable old distinctions between public and private. Chin-tao Wu's book is the first concerted attempt to detail the various ways in which business values and the free-market ethos have come to permeate the sphere of the visual arts since the 1980s. Charting the various shifts in public policy which first facilitated the entry of major corporations into the cultural sphere, it analyses the roles of governments in injecting the principles of the free market into public arts agencies-in particular the Arts Council in Great Britain and the National Endowment for the Arts in the USA. It goes on to study the corporate take-over of art museums, highlighting the ways in which 'cultural capital' can be garnered by various social and business 'elites' through commercial involvement in the arts, and shows how corporations have succeeded in integrating themselves into the infrastructure of the art world itself by showcasing contemporary art in their own corporate premises. Mapping for the first time the increasingly hegemonic position that corporations and corporate elites have come to occupy in the cultural arena, this is a provocative contribution to the debate on public culture in Britain and America.

Privatization and Culture
Privatization and Culture

Author: Peter B. Boorsma

Publisher: Springer Science & Business Media

Published: 2013-12-01

Total Pages: 216

ISBN-13: 1461550998

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CARlA BODO Board Member of the Cultural Information and Research Centres liaison in Europe (CIRCLE) and Director of the Observatory for the Performing Arts at the Department of the Performing Arts of the Italian Prime Minister's Office, Roma The relation between the public and the private sector in the field of culture, the central theme of this publication, was thoroughly debated during the 1997 CIRCLE Round Table in Amsterdam. It was not the first time CIRCLE addressed this issue. In 1988 CIRCLE'S Bureau was invited to participate in a seminar in Budapest on The State, the Market and Culture. I will never forget the emotional impact of Sacha Rubinstein's demonization of state sup port and his apotheosis of the role of the market in the cultural field in Russia. So, in ad vance of actual events, we suddenly had a premonition of what was going to happen, ofthe turmoil which was about to radically change the socio-political scene of Central and East ern Europe. Six years later, in 1994, we met again in Budapest for a Conference on The Distribu tion of Roles between Government and Arts Councils, Associations and Foundations.

Public Spaces, Private Lives
Public Spaces, Private Lives

Author: Henry A. Giroux

Publisher: Rowman & Littlefield

Published: 2003

Total Pages: 228

ISBN-13: 9780742525269

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While many of the essays in this book were written before 9/11, they point to a number of important issues such as the commercialization of public life, the stepped up militarization, racial profiling, and the threat to basic civil liberties that have been resurrected since the terrorist attacks. Public Spaces, Private Lives serves to legitimate the claim that there is much in America that has not changed since 9/11. Rather than a dramatic change, what we are witnessing is an intensification and acceleration of the contradictions that threatened American democracy before the tragic events of 9/11. Hence, Public Spaces, Private Lives offers a context for both understanding and critically engaging the combined threats posed by the increase in domestic militarization and a neoliberal ideology that substitutes market values for those democratic values that are crucial to rethinking what a vibrant democracy would look like in the aftermath of September 11th.

Corporate Cultural Responsibility
Corporate Cultural Responsibility

Author: Michael Bzdak

Publisher: Routledge

Published: 2022-05-22

Total Pages: 137

ISBN-13: 1000585131

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Is corporate investing in the arts and culture within communities good business? Written by an expert on the topic who ran the Corporate Art Program at Johnson & Johnson, the book sets out the case for business patronage of the arts and culture and demonstrates how to build an effective program for businesses to follow. As companies seek new ways to add value to society, this book places business support of the arts in a corporate social responsibility context and offers a new concept: Corporate Cultural Responsibility. It discusses the issues underlying business support of the arts and explores new avenues of collaboration and value creation. The framework presented in the book serves as a guide for identifying the key attributes and projected impact of successful and sustainable models. Unlike other books centered on the relationship of art and commerce, this book looks at the broader and global implications of Corporate Cultural Responsibility. It also usefully sets the discussion about the role of philanthropy and corporate social responsibility and the arts within an historical timeframe. As the first book to link culture to community responsibility, the book will be of particular relevance to corporate art advisors and auction houses, as well as students of arts management and corporate social responsibility at advanced undergraduate and postgraduate levels.

Culture, Class, Distinction
Culture, Class, Distinction

Author: Tony Bennett

Publisher: Routledge

Published: 2009-01-21

Total Pages: 340

ISBN-13: 1134101058

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Drawing on the first systematic study of cultural capital in contemporary Britain, Culture, Class, Distinction examines the role played by culture in the relationships between class, gender and ethnicity. Its findings promise a major revaluation of the legacy of Pierre Bourdieu’s account of the relationships between class and culture.

To Defend the Revolution Is to Defend Culture
To Defend the Revolution Is to Defend Culture

Author: Rebecca Gordon-Nesbitt

Publisher: PM Press

Published: 2015-09-01

Total Pages: 442

ISBN-13: 1629631302

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Grounded in painstaking research, To Defend the Revolution Is to Defend Culture revisits the circumstances which led to the arts being embraced at the heart of the Cuban Revolution. Introducing the main protagonists to the debate, this previously untold story follows the polemical twists and turns that ensued in the volatile atmosphere of the 1960s and ’70s. The picture that emerges is of a struggle for dominance between Soviet-derived approaches and a uniquely Cuban response to the arts under socialism. The latter tendency, which eventually won out, was based on the principles of Marxist humanism. As such, this book foregrounds emancipatory understandings of culture. To Defend the Revolution Is to Defend Culture takes its title from a slogan – devised by artists and writers at a meeting in October 1960 and adopted by the First National Congress of Writers and Artists the following August – which sought to highlight the intrinsic importance of culture to the Revolution. Departing from popular top-down conceptions of Cuban policy-formation, this book establishes the close involvement of the Cuban people in cultural processes and the contribution of Cuba’s artists and writers to the policy and praxis of the Revolution. Ample space is dedicated to discussions that remain hugely pertinent to those working in the cultural field, such as the relationship between art and ideology, engagement and autonomy, form and content. As the capitalist world struggles to articulate the value of the arts in anything other than economic terms, this book provides us with an entirely different way of thinking about culture and the policies underlying it.

The Fox in the Henhouse
The Fox in the Henhouse

Author: Si Kahn

Publisher: Berrett-Koehler Publishers

Published: 2005-10-16

Total Pages: 445

ISBN-13: 1609943449

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An activist and a philosopher discuss how privatization harms society and how we can challenge it. Privatization has been on the right-wing agenda for years. Health care, schools, Social Security, public lands, the military, prisons—all are considered fair game. Through stories, analysis, impassioned argument—even song lyrics—Si Kahn and Elizabeth Minnich show that corporations are, by their very nature, unable to fulfill effectively what have traditionally been the responsibilities of the government. They make a powerful case that the market is not the measure of all things, and that a vital public sector is an indispensable component of a healthy democracy. “If you care about your children’s education, the quality of the air you breathe and the water you drink, affordable health care or Social Security, you need to read The Fox in the Henhouse.... Kahn and Minnich have given us a blueprint of how to organize now and protect our country and our future.” —Jan Schakowsky, U.S. House of Representatives “The Fox in the Henhouse...provides analytic tools for challenging corporate America’s sale of democracy, honors legacies of resistance, and moves us to a vision of hope and action challenging the privatization of our lives and dreams.” —Chandra Talpade Mohanty, educator and author of Feminism Without Borders “Inspiring to read, this book will be of great value to organizers, activists, and citizens of conscience.... Nothing less than our democracy is at stake when extremists want to roll back our hard-earned rights. [This book] offers a spirited blueprint for all citizens who care about renewing America’s best and most generous traditions.” —Katrina vanden Heuvel, editor, The Nation

Handbook of Cultural Sociology
Handbook of Cultural Sociology

Author: Laura Grindstaff

Publisher: Routledge

Published: 2010-09-13

Total Pages: 721

ISBN-13: 1134026153

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Pt. 1. Sociological programs of cultural analysis -- pt. 2. Theories and methodologies in cultural analysis -- pt. 3. Aesthetics, ethics, and cultural legitimacy -- pt. 4. Individuals and groups, identities and performances -- pt. 5. Culture and stratification -- pt. 6. Making/using culture -- pt. 7. Cultures of work and professions -- pt. 8. Political cultures -- pt. 9. Global cultures, global processes -- pt. 10. Cultural processes and change.