Johnny Ryan’s mind-boggling prison planet/wrestling/monster/horror mash-up is back! Prison Pit blends Angry Youth Comix creator Johnny Ryan’s fascination with WWE wrestling, grindhouse cinema, first person action video games, Gary Panter’s Jimbocomics, and Kentaro Miura’s “Berserk” manga into a brutal and often hilarious showcase of violence like no other comic book ever created.
This filthy meat-grinder of a comics space odyssey is collected in one massive volume! Prison Pit is a planet full of repugnant intergalactic criminals, drug-filled slugs, and now Cannibal F***face (CF). From 2009 to 2018, the crudely manic pen and mind of Johnny Ryan documented the mayhem and mutation as CF loses his arm to a vile beast, replaces it with a symbiotic bug that gives him a steroid-like jolt, and seeks grisly revenge against any and all creatures that get in his way. To find his way out he must do battle with his arch-enemy Slitt, the only one who knows how to escape the hellscape they inhabit. Finally, CF is pitted against the very system that shaped him into the avatar of death and destruction he has become.
A powerful, intimate look at the Civil War on the home and battle fronts, "The Wolf Pit" is Marly Youmans's third and most accomplished novel. In it Robin, a young Confederate soldier and witness to the horrors of war, clings to what gives him strength: family pictures, psalms, and an old legend about a pair of mysterious green children found in a wolf pit. Robin carries these inside the Elmira prison camp, the very embodiment of hell. Meanwhile, Agate, the mulatto daughter of a hired-out slave, embraces the forbidden teachings of her mistress, Miss Fanny, who teaches her to love books and to write. But the hope Agate has fashioned for her future disappears when her owner, Young Master, learns of her education. Agate comes to understand the meaning of her mother's cautionary tales as she struggles to survive loss and degradation and to pit knowledge and truth against evil. By turns eloquent and harrowing, "The Wolf Pit" explores the will to endure in the face of seemingly insurmountable odds, and the personal tolls exacted during this chaotic period in U.S. history.
For the first time, all fourteen issues of Johnny Ryan’s career-defining comic book series Angry Youth Comics (2000–2008) are collected in one place: all the comics, the covers, and even the contentious letters pages, in one toilet-ready brick. Johnny Ryan’s utterly unpretentious, taboo-tackling is an infectious and hilarious bombardment of political incorrectness, taking full advantage of the medium’s absurdist potential for maximum laughs. In an age when the medium is growing up and aspiring to more mature and hoity-toity literary heights, Ryan builds on the visceral tradition that cartooning has had on our collective funny bone for over a century.
***LONGLISTED FOR THE NATIONAL BOOK AWARD IN FICTION*** Named one of Time Magazine’s 100 Best Mystery and Thriller Books of All Time “An extraordinary and dazzlingly original work from one of our most gifted and interesting writers” (Emily St. John Mandel, author of The Glass Hotel). The Need, which finds a mother of two young children grappling with the dualities of motherhood after confronting a masked intruder in her home, is “like nothing you’ve ever read before…in a good way” (People). When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. She’s been hearing things these days. Startling at loud noises. Imagining the worst-case scenario. It’s what mothers do, she knows. But then the footsteps come again, and she catches a glimpse of movement. Suddenly Molly finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. Molly slips down an existential rabbit hole where she must confront the dualities of motherhood: the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence as the book hurtles toward a mind-bending conclusion. In The Need, Helen Phillips has created a subversive, speculative thriller that comes to life through blazing, arresting prose and gorgeous, haunting imagery. “Brilliant” (Entertainment Weekly), “grotesque and lovely” (The New York Times Book Review, Editor’s Choice), and “wildly captivating” (O, The Oprah Magazine), The Need is a glorious celebration of the bizarre and beautiful nature of our everyday lives and “showcases an extraordinary writer at her electrifying best” (Publishers Weekly, starred review).
Second in the thrilling young adult fantasy series from the award-winning author of Dragon’s Blood. “Readers . . . will welcome this one with delight.” —Booklist An ALA Best Book for Young Adults Jakkin now has everything he’s ever wanted—the rank of freeman, a string of victories in the dragon pits, and the companionship of his dragon, Heart’s Blood. Everything, that is, except for his beloved Akki, who vanished a year ago. To find her, Jakkin must become a rebel spy. He will risk everything he holds dear—Heart’s Blood, her hatchlings, even his hard-won freedom—and join in a game fiercer than any dragon pit match, a game he’ll lose no matter how well he plays. “Eloquent . . . rich in symbolism.” —The Horn Book
INSTANT NEW YORK TIMES BESTSELLER “A superb suspense writer…Brava, Ruth Ware. I daresay even Henry James would be impressed.” —Maureen Corrigan, author of So We Read On “This appropriately twisty Turn of the Screw update finds the Woman in Cabin 10 author in her most menacing mode, unfurling a shocking saga of murder and deception.” —Entertainment Weekly From the #1 New York Times bestselling author of The Lying Game and The Death of Mrs. Westaway comes this thrilling novel that explores the dark side of technology. When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman. It was everything. She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is. Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.
'I know not whether Laws be right, Or whether Laws be wrong; All that we know who lie in gaol Is that the wall is strong; And that each day is like a year, A year whose days are long.' Oscar Wilde (The Ballad of Reading Gaol) This unique work looks closely at the life and times of Reading Gaol prison during the period that Oscar Wilde was a prisoner there. The book also contains a number of new insights concerning Wilde's classic poem, The Ballad of Reading Gaol, and offers fresh information about Oscar Wilde. Written by senior prison officer Anthony Stokes, Pit of Shame is based on upwards of ten years research and familiarity with the very fabric of Reading Gaol. It also tells of notorious and famous prisoners such as Thomas Jennings, Amelia Dyer (the 'Reading Baby Farmer') and actor Stacey Keach; examines the many hangings that took place at Reading over the years, including that of Trooper Charles Thomas Wooldridge — the 'C. T. W.' of Wilde's ballad; lists the chain of events that led to the rejection of capital punishment by the UK; and mentions the escapes, brutality, and corruption that took place. Anthony Stoke's compelling account outlines the rich and diverse history of this most famous of English prisons and tells of its many different and intriguing uses over the years, before Reading Gaol's modern-day reincarnation as an innovative and progressive young offender institution. There are chapters on internment in the wake of Ireland's Easter Rising, Reading's role as a local prison and borstal correctional center, and its use by the Canadian military for 'invisible prisoners.' All this is enhanced by fascinating period detail from archives, newspapers, and records. The appendices include a list of all executions at Reading Gaol, the historic Dietary Requirements, and Prison Rules. The 16 pages of illustrations include photographs and drawings of the prison and the hand-written entry in the Visiting Committee book concerning an ill-fated petition by Oscar Wilde to the Home Secretary; as well as that in the Execution Log for Charles Thomas Wooldridge.
When a vampire asks Sookie Stackhouse to use her telepathic skills to find another missing vampire, she agrees under one condition: the bloodsuckers must promise to let the humans go unharmed. Easier said than done.
The world of Velveteen & Mandala is a dystopia. Tokyo, where the youth used to waste their time to search for answers, is now barren. For a pair of teens who still live along the outskirts of town, Velveteen and Mandala, Tokyo is a nightmare that can only compare to the nightmare that is slowly trying to take over the metropolis. These two teens are the last line of defense for a nation in ruins. Armed with a fully-operational tank the pair must fight off the zombie hordes while they catfight each other for food, entertainment and maybe even the affection and attention of the opposite sex. They have nothing to lose in this world except their humanity, but then again who are the zombies in this world? Are they the undead or are these two teens who must live among them even still human?
