Print Publishing in Sixteenth-century Rome

Print Publishing in Sixteenth-century Rome

Author: Christopher L. C. E. Witcombe

Publisher: Harvey Miller

Published: 2008

Total Pages: 480

ISBN-13:

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This volume brings formal coherence to the overwhelming mass of prints published in 16th century Rome. The aim is to provide an overview of who was publishing what prints and when over the course of the period.


Copyright in the Renaissance

Copyright in the Renaissance

Author: Christopher L. C. E. Witcombe

Publisher: BRILL

Published: 2004-01-01

Total Pages: 447

ISBN-13: 9004137483

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This richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the "privilegio" and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.


Publishing for the Popes

Publishing for the Popes

Author: Paolo Sachet

Publisher: BRILL

Published: 2020-04-06

Total Pages: 317

ISBN-13: 9004348654

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In Publishing for the Popes, Paolo Sachet provides a detailed account of the attempts made by the Roman Curia to exploit printing in the mid-sixteenth century, after the Reformation but before the implementation of the ecclesiastical censorship.


Publishing Women

Publishing Women

Author: Diana Robin

Publisher: University of Chicago Press

Published: 2007-05

Total Pages: 394

ISBN-13: 0226721566

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A Companion to Early Modern Rome, 1492–1692

A Companion to Early Modern Rome, 1492–1692

Author:

Publisher: BRILL

Published: 2019-02-04

Total Pages: 653

ISBN-13: 9004391967

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Winner of the 2011 Bainton Prize for Reference Works A Companion to Early Modern Rome, 1492-1692, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield, is a unique multidisciplinary study offering innovative analyses of a wide range of topics. The 30 chapters critique past and recent scholarship and identify new avenues for research.


The Book Trade in the Italian Renaissance

The Book Trade in the Italian Renaissance

Author: Angela Nuovo

Publisher: BRILL

Published: 2013-06-17

Total Pages: 492

ISBN-13: 9004208496

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This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.


Print and Power in Early Modern Europe (1500-1800)

Print and Power in Early Modern Europe (1500-1800)

Author: Nina Lamal

Publisher: Library of the Written Word

Published: 2021

Total Pages: 462

ISBN-13: 9789004448889

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Introduction: The Printing Press as an Agent of Power / Helmer Helmers, Nina Lamal and Jamie Cumby -- Part 1: Governing through Print -- Policing in Print: Social Control in Spanish and Borromean Milan (1535-1584) / Rachel Midura -- On Printing and Decision-Making: The Management of Information by the City Powers of Lyon (ca. 1550-ca. 1580) / Gautier Mingous -- Printing for Central Authorities in the Early Modern Low Countries (15th-17th Centuries) / Renaud Adam -- Rural Officials Discover the Printing Press in the Eighteenth-Century Habsburg Monarchy / Andreas Golob -- Part 2: Printing for Government -- Printing for the Reformation: The Canonical Documents of the Edwardian Church of England, 1547-1553 / Celyn Richards -- Newspapers and Authorities in Seventeenth-Century Germany / Jan Hillgärtner -- The Politics of Print in the Dutch Golden Age: The Ommelander Troubles (c. 1630-1680) / Arthur der Weduwen -- Part 3: Patronage and Prestige -- The Rise of the Stampatore Camerale: Printers and Power in Early Sixteenth-Century Rome / Paolo Sachet -- State and Church Sponsored Printing by Jan Januszowski and His Drukarnia Łazarzowa (Officina Lazari) in Krakow / Justyna Kiliańczyk-Zięba -- Ferdinando de'Medici and the Typographia Medicea / Caren Reimann -- Royal Patronage of Illicit Print: Catherine of Braganza and Catholic Books in Late Seventeenth-Century London / Chelsea Reutcke -- Part 4: Power of Persuasion -- The Papacy, Power, and Print: The Publication of Papal Decrees in the First Fifty Years of Printing / Margaret Meserve -- The Power of the Image: The Visual Prints of Frans Hogenberg / Ramon Voges -- Collecting 'Toute l'Angleterre': English Books, Soft Power and Spanish Diplomacy at the Casa del Sol (1613-1622) / Ernesto Oyarbide -- Prohibition as Propaganda Technique: The Case of the Pamphlet Lacouronne usurpee et le prince supposé (1688) / Rindert Jagersma -- Part 5: Relgious Authority -- Illustrating Authority: The Creation and Reception of an English Protestant Iconography / Nora Epstein -- Between Ego Documents and Anti-Catholic Propaganda: Printed Revocation Sermons in Seventeenth-Century Lutheran Germany / Martin Christ -- Learned Servants: Dutch Ministers, Their Books and the Struggle for a Reformed Republic in the Dutch Golden Age / Forrest C. Strickland.


Romans in a New World

Romans in a New World

Author: David A. Lupher

Publisher: University of Michigan Press

Published: 2003

Total Pages: 452

ISBN-13: 9780472031788

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Explores the impact the discovery of the New World had upon Europeans' perceptions of their identity and place in history


Michelangelo in Print

Michelangelo in Print

Author: Bernadine Barnes

Publisher: Routledge

Published: 2017-07-05

Total Pages: 243

ISBN-13: 1351558285

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In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.