As living in an underground kingdom has become predictable and boring, Princess Quinn of Mandria dreams of visiting the upper Earth-which she can see via a magic pond, the only portal of light and outer life in Mandria. Cam, the wizard's apprentice, tries to use his magic ring to transport them to upper Earth, but the spell only works on Quinn. Is Princess Quinn lost forever in the outer world? Or will the desires of her heart bring her home again?
Seventeen-year-old Cam realizes that to plan his future, he must untangle the mysteries of his past. For as long as he can remember, he has served as the apprentice to Melikar, the wizard. Now released from Melikars service, its time to seek out the truth of his birth. In the meantime, Princess Quinn-his princess-must choose a husband. Because of his station, Cam can only stand by and watch-or seek his future in the outer world. In this sequel to Princess Nevermore, secrets are revealed that ensure a future that neither Quinn nor Cam had dared to imagine.
Folktales and fairy tales are living stories; as part of the oral tradition, they change and evolve as they are retold from generation to generation. In the last thirty years, however, revision has become an art form of its own, with tales intentionally revised to achieve humorous effect, send political messages, add different cultural or regional elements, try out new narrative voices, and more. These revisions take all forms, from short stories to novel-length narratives to poems, plays, musicals, films and advertisements. The resulting tales paint the tales from myriad perspectives, using the broad palette of human creativity. This study examines folktale revisions from many angles, drawing on examples primarily from revisions of Western European traditional tales, such as those of the Grimm Brothers and Charles Perrault. Also discussed are new folktales that combine traditional storylines with commentary on modern life. The conclusion considers how revisionists poke fun at and struggle to understand stories that sometimes made little sense to start with.
Neo-Gothic fiction inspired by the imagination of Edgar Allan Poe. Compiled by multi-award winning editors, Nancy Kilpatrick and Caro Soles, nEvermore! Tales of Murder, Mystery and the Macabre presents a tantalizing selection of imaginative stories by New York Times bestselling and prize-winning authors Margaret Atwood; David Morrell; Kelley Armstrong; Richard Christian Matheson; Tanith Lee; William F. Nolan; Nancy Holder; Christopher Rice; Chelsea Quinn Yarbro; Michael Jecks; Lisa Morton; J. Madison Davis; Barbara Fradkin, and many others. This anthology consists of 21 original tales that blend supernatural and mystery elements in unique reimaginings of Edgar Allan Poe’s exquisite stories.nEvermore! Tales of Murder, Mystery and the Macabre is an homage to the great American writer, the incomparable Edgar Allan Poe, and a must-have for every fan of his work.
Niko may live on boring old Earth with his family, but he's always finding a new adventure. Using the spaceship that he built from a box in his backyard and a little imagination, he flies off into space with his robot, Radar, and his dog, Tag. The only one NOT invited is his sister Posh who keeps trying to insert herself into Niko's story. In this first mission, Niko and crew (and maybe also pesky Posh) fly to the moon in search of a lost cat. Illustrated in comic–book style and featuring easy–to–read text packed with humor, Space Boy and His Dog is Niko's first adventure, with two more books planned in the series.
A page-turning psychological mystery that is equal parts horror, humor, and romance, "Nevermore" is the story of Varen--a Poe fan and Goth--and Isobel--a cheerleader and unlikely heroine.
One hundred and fourteen authors and illustrators of children's books share the process of researching, writing, and publishing books, discuss what their inspirations are, and recount the best and worst advice they ever received.
In time one shall be hailed a king, another as Betrayer. Their third shall do an evil thing when freedom is denied her. Now Four and Five shall not survive; misfortune Six to gain by Seven’s will at least until reunion on the Plain. Though seven heroes journey forth; prepare their final stand, not all; I fear, shall chance to peer upon their journey’s end. Three children will seal the fate of nations: Lorelei the rebel vixen princess of Eludoran; measured against the yardstick of her heroic brother. Malachi her sidekick and cousin; resigned to mull over a love he can never have. And exotic Pendarynn; son of a jealous sorceress driven mad by revenge. Their paths cross in Eludoran, where they find solace with each other. Little do their feuding parents suspect what’s been going under their noses; a friendship the like of which has never been heard of before: One which might shatter old grudges and usher in a new age of tolerance and reason... --or bring everything crashing down around them.
If it had been up to Jon, he never would have left Crystal City. But the Fen children had finally broken through the city walls. And the Okalian way would survive only if some of the Okalians survived. So Jon sets out into a strange new world. He's been told to find the Ancient Land, where Okalian civilization began. But he hasn't been told of the horrors he will have to face in the cold Wilderness in order to get there. Now he must face the fact that everything he's been taught might be a lie -- a lie he must face for everything to survive.
