Raised by wolves and calling the forest her home, a young girl by the name of Princess Mononoke is the only one who can save the planet! It was the Age of Iron: a time when mankind was just starting to understand its ability to exploit the earth and all its natural resources. But a war was brewing--a war between a village of iron miners and the animal gods of the surrounding forest. Expelled from Lady Eboshi's iron town, young Ashitaka comes face to face with Princess Mononoke and the denizens of the surrounding forest. Standing before a tribunal of wolves, apes and boars, Ashitaka must be careful. One misspoken word from his lips might doom the entire human race!
Raised by wolves and calling the forest her home, a young girl by the name of Princess Mononoke is the only one who can save the planet! It was the Age of Iron: a time when mankind was just starting to understand its ability to exploit the earth and all its natural resources. But a war was brewing--a war between a village of iron miners and the animal gods of the surrounding forest. Marked with the curse of a rampaging boar god, young Ashitaka sets off on a journey to cure his mysterious affliction. Little does he know that the fate of the entire world is now resting on his shoulders!
Now that she's 13 years old, it's for Kiki to learn how to become a witch. Now that she's 13 years old, it's time for young Kiki to start thinking about her future. So one night, under the shine of a full moon, she grabs her black cat Jiji, hops on her mother's broom and heads off into the night. The next day she alights upon a friendly oceanside city, and this, she tells her loyal and furry companion, is where she'll spend the next year learning how to become a real, honest-to-goodness witch. Now that she’s 13 years old, it’s time for young Kiki to start thinking about her future. So one night, under the shine of a full moon, she grabs her black cat Jiji, hops on her mother’s broom and heads off into the night. The next day she alights upon a friendly oceanside city, and this, she tells her loyal and furry companion, is where she’ll spend the next year learning how to become a real, honest-to-goodness witch. But poor Kiki—there are a couple things she forgot to plan for. First, she’s got to find a place to live. And, secondly, she’s got to find a job!
Raised by wolves and calling the forest her home, a young girl by the name of Princess Mononoke is the only one who can save the planet! It was the Age of Iron: a time when mankind was just starting to understand its ability to exploit the earth and all its natural resources. But a war was brewing--a war between a village of iron miners and the animal gods of the surrounding forest. A full-blown war has erupted in the forest surrounding the iron town of Tatara. An elder forest god by the name of Lord Okkoto has arrived and is leading an attack against the humans with his tribe of militant boars. Meanwhile, Ashitaka is hoping that his newly formed alliance with the wolf tribe will avoid any further bloodshed.
Mei and Satsuki continue to adjust to their new country home, as they begin to make friends with shy neighbor boy Kanta. But life without their mother is hard, especially on the nights that Dad can't come home from work until late! It's a good thing the girls have the kindly Granny to watch over them. They soon find out that there is another kindly spirit watching over them--Totoro! Totoro shows Mei and Satsuki a strange and mysterious Cat Bus, helps them with their fledgling garden, and then takes them on a wondrous forest adventure!
Reads R to L (Japanese Style) Ponyo, a female fish, runs away from her home in the sea and ends up stranded on the shore. Sosuke, a five-year-old boy who lives on a cliff, rescues her. He promises to protect Ponyo forever. Ponyo grows very fond of Sosuke, and with the help of her sisters and her father’s magic, she becomes human. This results in a great imbalance in the cosmos, causing great storms and floods and satellites to fall from the sky. Ponyo becomes a fish again and Sosuke promises to love her no matter what form she takes. In the end, when Ponyo kisses Sosuke, she becomes human again.
Based on the beloved classic The Borrowers by Mary Norton. The picture book based on the movie! Arrietty isn’t your ordinary fourteen-year-old girl--she's small enough to make her home under the floorboards of a typical house, “borrowing” what she and her family need from the giants in whose shadows they live. A young boy named Shawn befriends Arrietty, but when adults discover the Borrowers, Arrietty and Shawn must work together to save her family. Based on the classic novel series The Borrowers by Mary Norton, The Secret World of Arrietty is a delight for all ages. Arrietty longs for adventures, but the world can be a dangerous place for one so small. She and her family live hidden beneath the floorboards of a house, borrowing the things they need from the humans who live inside. When Arrietty is discovered by a human boy named Shawn, her world is no longer secret and her family is in danger. If Arrietty can trust Shawn to protect her, she might discover a friendship she never imagined possible.
When a young girl gets trapped in a strange new world of spirits, she must call upon the courage she never knew she had to free herself and rescue her parents.
Comics are a pervasive art form and an intrinsic part of the cultural fabric of most countries. And yet, relatively little has been written on the translation of comics. Comics in Translation attempts to address this gap in the literature and to offer the first and most comprehensive account of various aspects of a diverse range of social practices subsumed under the label 'comics'. Focusing on the role played by translation in shaping graphic narratives that appear in various formats, different contributors examine various aspects of this popular phenomenon. Topics covered include the impact of globalization and localization processes on the ways in which translated comics are embedded in cultures; the import of editorial and publishing practices; textual strategies adopted in translating comics, including the translation of culture- and language-specific features; and the interplay between visual and verbal messages. Comics in translation examines comics that originate in different cultures, belong to quite different genres, and are aimed at readers of different age groups and cultural backgrounds, from Disney comics to Art Spiegelman's Maus, from Katsuhiro Ōtomo's Akira to Goscinny and Uderzo's Astérix. The contributions are based on first-hand research and exemplify a wide range of approaches. Languages covered include English, Italian, Spanish, Arabic, French, German, Japanese and Inuit. The volume features illustrations from the works discussed and an extensive annotated bibliography. Contributors include: Raffaella Baccolini, Nadine Celotti, Adele D'Arcangelo, Catherine Delesse, Elena Di Giovanni, Heike Elisabeth Jüngst, Valerio Rota, Carmen Valero-Garcés, Federico Zanettin and Jehan Zitawi.
