Professor, May I Bring My Baby To Class? inspires the student to take control of her destiny by discussing issues that may deter her from completing her education and guide her through the process.
One touch. One kiss. One night. One baby. Professor Poppy Green had brains and beauty, a lethal combination that tempted me in ways I hadn’t fully understood, until the moment I saw her again, four months later. Her smile wobbled, her green eyes swam with tears, and her hands protected the swell of her belly. The baby was mine. I knew that without having to ask. I was going to be a Dad. Somehow, someway, I had to show Poppy that I didn’t just want the baby, but I wanted her too.
Professor Franco isn’t like other lecturers on campus. Tweed jackets? Corduroys? Nope, not for him. His tailored suits and fine Italian shoes make all the girls swoon. When the handsome professor needs a student to assist in his fertility experiment, there’s only one girl in the lecture hall who can help. That’s Valerie—with a capital V. The professor must go where no man has gone before, all in the name of science! But how will Valerie feel when she has to perform her duties… in front of the entire class? An erotic fertility short.
Describes how Professor Benjamin Silliman, beginning with his investigation of a meteorite that fell over Weston, Connecticut in the winter of 1807, inspired a generation of American scientists.
A gift edition, with a new letter to the reader from Emily—perfect for baby showers and special moments “Emily Oster is the non-judgmental girlfriend holding our hand and guiding us through pregnancy and motherhood. She has done the work to get us the hard facts in a soft, understandable way.” —Amy Schumer What to Expect When You're Expecting meets Freakonomics: an award-winning economist and author of Cribsheet, The Family Firm, and The Unexpected disproves standard recommendations about pregnancy to empower women while they're expecting. Pregnancy—unquestionably one of the most profound, meaningful experiences of adulthood—can reduce otherwise intelligent women to, well, babies. Pregnant women are told to avoid cold cuts, sushi, alcohol, and coffee without ever being told why these are forbidden. Rules for prenatal testing are similarly unexplained. Moms-to-be desperately want a resource that empowers them to make their own right choices. When award-winning economist Emily Oster was a mom-to-be herself, she evaluated the data behind the accepted rules of pregnancy, and discovered that most are often misguided and some are just flat-out wrong. Debunking myths and explaining everything from the real effects of caffeine to the surprising dangers of gardening, Expecting Better is the book for every pregnant woman who wants to enjoy a healthy and relaxed pregnancy—and the occasional glass of wine.
These highly personal essays from a range of academic settings explore the palpable moments of discomfort, disempowerment, and/or enlightenment that emerge when we discard the fiction that the teacher has no body. Visible and/or invisible, the body can transform both the teacher's experience and classroom dynamics. When students think the teacher's body is clearly marked by ethnicity, race, disability, size, gender, sexuality, illness, age, pregnancy, class, linguistic and geographic origins, or some combination of these, both the mode and the content of education can change. Other, less visible aspects of a teacher's body, such as depression or a history of sexual assault, can have an equally powerful impact on how we teach and learn. The collection anatomizes these moments of embodied pedagogy as unexpected teaching opportunities and examines their apparent impact on teacher-student educational dynamics of power, authority, desire, friendship, open-mindedness, and resistance.
Examines smoking as a public health concern focusing on harm to the fetus, and fetal personhood, and also challenges moral policing of smoking women who are pregnant.
A spirited defense of feminism, arguing that the lack of support for working mothers is less a failure of second-wave feminism than a rejection by reactionaries of the sweeping changes they campaigned for. When people discuss feminism, they often lament its failure to deliver on the promise that women can “have it all.” But as Kirsten Swinth argues in this provocative book, it is not feminism that has betrayed women, but a society that balked at making the far-reaching changes for which activists fought. Feminism’s Forgotten Fight resurrects the comprehensive vision of feminism’s second wave at a time when its principles are under renewed attack. Through compelling stories of local and national activism and crucial legislative and judicial battles, Swinth’s history spotlights concerns not commonly associated with the movement of the 1960s and 1970s. We see liberals and radicals, white women and women of color, rethinking gender roles and redistributing housework. They brought men into the fold, and together demanded bold policy changes to ensure job protection for pregnant women and federal support for child care. Many of the creative proposals they devised to reshape the workplace and rework government policy—such as guaranteed incomes for mothers and flex time—now seem prescient. Swinth definitively dispels the notion that second-wave feminists pushed women into the workplace without offering solutions to issues they faced at home. Feminism’s Forgotten Fight examines activists’ campaigns for work and family in depth, and helps us see how feminism’s opponents—not feminists themselves—blocked the movement’s aspirations. Her insights offer key lessons for women’s ongoing struggle to achieve equality at home and work.
Carrying All Before Her recovers the stories of six eighteenth-century celebrity actresses who performed during pregnancy, melding public and private, persona and person, domestic and professional labor and helping to shape wider social, medical, and political conversations about gender, sexuality, pregnancy, and motherhood. Their stories deepen our understanding of celebrity, repertory, and theatre's connection to a wider social world, and challenge notions of women's agency and power in and beyond the professional theatre.