Violin Method
Violin Method

Author: Frank Zucco

Publisher: Mel Bay Publications

Published: 2015-10-16

Total Pages: 109

ISBN-13: 1609748654

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This is a very popular violin method which features a colorful and creative assortment of solos and studies for the beginning student. Frank Zucco is a master teacher who has taught music to thousands of beginning students. His authoritative knowledge and experience are clearly shown in this fine method. The Mel Bay Violin Method is a modern approach, teaching sound fundamentals of violin performance. Topics covered include time signatures, reading music, pizzicato, articulations, and more. By the time the student has finished this book, he or she will have played in all major and minor keys with up to four accidentals in the key signature. Several of the tunes include accompaniment chords, and others are duets for teacher and student. Third position is also introduced with several practice tunes. The video is 116 minutes and covers the first 77 pages. Includes access to online video.

Violin-Making
Violin-Making

Author: Edward Heron-Allen

Publisher: Courier Corporation

Published: 2013-09-09

Total Pages: 402

ISBN-13: 0486317714

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This classic guide offers an accessible initiation into the mysteries of violin-making. Charming in its style and cultivated in its research, it covers every detail of the process and includes a fascinating history of the instrument. More than 200 diagrams, engravings, and photographs complement the text.

ViolinMind
ViolinMind

Author: Hans Jørgen Jensen

Publisher: Ovation Press, Ltd.

Published: 2019-09-12

Total Pages: 142

ISBN-13:

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ViolinMind is a pedagogical method book that focuses on intonation. It is a transcription for the violin of CelloMind published in 2017 by Ovation Press, Ltd. The co-authors of ViolinMind are Hans Jørgen Jensen, Professor of Cello at the Bienen School of Music at Northwestern University and Grigory Kalinovsky, Professor of Music (Violin) at Indiana University Jacobs School of Music. The mystery of intonation is dissected by defining the scientific principles behind it, and providing easy, intuitive examples of the three main kinds of intonation systems used today: Equal Temperament, Just, and Pythagorean. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense of pitch and harmonic color; however, ViolinMind breaks down this barrier using a highly detailed, systematic approach, making the process of acquiring a sophisticated sense of intonation similar to any other technical skill. Chapters in the book explore in great detail topics such as the harmonic overtone series, the scientific principles behind Cents, the syntonic comma, the just scales, the Pythagorean comma, the Pythagorean semitones, advanced sympathetic vibrations, Tartini tones, and double stops studies in tritones. All chapters in the book include numerous practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: intonation performance practice in the Bach Sonatas and Partitas for Violin Solo (BWV 1001-1006), and intonation performance practice with piano. The appendices in the book provide detailed explanations about the Helmholtz intonation chart, the harmonic series, just intonation, the Schisma, as well as an illustration of two violin fingerboards from two method books from the 18th century showing pitch distribution for just intonation and Pythagorean intonation respectively.

Violin Basics (Pupil's Book)
Violin Basics (Pupil's Book)

Author: Paul Harris

Publisher: Faber Music Ltd

Published: 2021-04-30

Total Pages: 65

ISBN-13: 0571591523

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This is the full eBook version of Violin Basics (Pupil's Book) in fixed-layout format. Violin Basics is a landmark method by two of the leading figures in music education. Comprising pupil's tutor book, teacher's accompaniment book, and online audio, Violin Basics provides everything you need to get playing. This Pupil's Book starts at absolute beginner level and progresses to Grade 1 level. The step-by-step technical progression is supported by fun exercises and warm-ups, a wide range of imaginative repertoire, music theory, and general musicianship activities. Audio of all the accompaniments are available online.

CelloMind
CelloMind

Author: Hans Jørgen Jensen

Publisher: Ovation Press, Ltd.

Published: 2017-11-03

Total Pages: 271

ISBN-13:

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CelloMind is a two-part pedagogical method book that focuses on intonation and left-hand cello technique. The coauthors of the book are Hans Jørgen Jensen, Professor of cello at the Bienen School of Music at Northwestern University and Minna Rose Chung, Associate Professor of Cello at the Desautels Faculty of Music at the University of Manitoba. Part I: Intonation. The mystery of intonation is revealed by defining and explaining the scientific principles that govern it. To know and understand how to combine the three primary intonation systems has never before been expounded in a methodology publication--and for good reason. Playing with exquisite intonation has mostly been reserved for those who possess a strong intuitive sense; however, CelloMind breaks down this taboo using a systematic approach with a highly attuned manner. The three systems of intonation that string players most commonly use today--equal temperament, just intonation, and Pythagorean tuning--are each explored and explained in great detail. All chapters in the book include many practical samples and listening exercises that bridge the gap between the theory and its application. The chapters on intonation conclude with practical examples from the following repertoire: "Intonation Performance Practice in the Bach Solo Cello Suites" and "Intonation Performance Practice with Piano." Part II: Left-Hand Technique. The left-hand technique chapters in this section complement the study of intonation by providing a solid foundation of skills for essential cello playing. The topics and exercises have been selected to cover a wide range of technical skills that include playing with a light left-hand touch, speed, coordination, balanced vibrato, agility, finger independence, and efficient shifting. Original exercises developed for students over many years have also been incorporated into these chapters, as well as studies from Julius Klengel, Bernhard Cossmann, Louis R. Feuillard, Jean-Louis Duport, Yakov Rosenthal, and Fritz Albert Christian Rudinger.