Practical Poetics in Architecture

Practical Poetics in Architecture

Author: Leon van Schaik

Publisher: John Wiley & Sons

Published: 2015-06-02

Total Pages: 248

ISBN-13: 1118828895

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Integrate poetics into real-world spaces by bringing theory down to earth Practical Poetics in Architecture takes poetics out of the theory class and into the design studio, showing architects how the atmospheric and experiential qualities of built structures can be intentionally considered and planned. With an emphasis on analysing and explaining the sensibility of poetics at work in designing and constructing architecture, this book features projects from architects around the world that demonstrate the principles of poetics come to life. The rich illustration of two hundred colour images, including analytical diagrams, plans, sections, and photos, make this insightful guide a highly visual foray into a topic that has thus far remained more theoretical than practical. The text is matter-of-fact and concrete, yet remains richly connected to its forbears and the writings of William Lethaby, Gaston Bachelard, and Steen Eiler Rasmussen. The perspective is contemporary in its examples and its connections to the evolving science of perception. An established seminar topic in theory classes around the world, poetics tends to rely heavily on classic philosophic texts — until now. Practical Poetics in Architecture brings theory down to earth to show architects how to invoke poetics when designing real projects. Integrate poetics principles into real-world designs Consider atmosphere in terms of form, space, and acoustics Study actual projects that bring poetics into real spaces Take cues from analytical diagrams of projects accounting for context Poetics — the accumulated experience of place, space, and culture — has become more critical in recent years as the atmospheric and experiential qualities of built spaces have become more elusive in the virtual age. Practical Poetics in Architecture provides real guidance for real projects, and brings poetics out of the mind and onto the plans.


Pamphlet Architecture 26: Thirteen Projects for the Sheridan Expressway

Pamphlet Architecture 26: Thirteen Projects for the Sheridan Expressway

Author: Jonathan D. Solomon

Publisher: Princeton Architectural Press

Published: 2004-02

Total Pages: 128

ISBN-13: 9781568984544

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Conceived as a set of "Flexible Standards," this new addition to the Pamphlet Architecture series proposes a new way of thinking about roadways in cities. By reexamining the urban expressway as a political, physical, and mythic manifestation of American culture, this compelling pamphlet serves as a design manual for planners, a novel atlas for drivers, and a collection of proposals that reaffirm the role of architecture in urban planning. The thirteen projects take as their subject a site of contested transportation infrastructure -- the Sheridan Expressway. By proposing new typologies for this site, these studies seek to mediate the spaces in the city where local and regional meet. Referencing the introduction of the modern parkway into the Bronx, the grading of the Central Park transverse roads, and other works that have redefined the relationship between parks and roads, author Jonathan Solomon suggests a system by which large projects might again be built in American cities.


Social poetics

Social poetics

Author: Els Vervloesem

Publisher: Nai010 Publishers

Published: 2016

Total Pages: 0

ISBN-13: 9789462082809

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OASE 96 examines the remarkable revival of architectural practices that focus on reuse and appropriation of buildings, environments and materials. To what extent can and will designers engage in this process, and what is the possible positive or negative social impact of these interventions? This issue focuses on case studies, practical experience, critical reflection and ideas that show how architects and urban planners proactively deploy reuse in view of future user opportunities and/or applications. Between the faith in the autonomy of architecture on the one hand and design that centres on the user on the other lies a whole range of practices that address the traditional separation between design and use in a radical way. In this issue, the contrast between design and use is not perceived as an issue that needs to be resolved, but as a productive area of tension within which architecture is created.


Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture

Author: LaurenS. Weingarden

Publisher: Routledge

Published: 2017-07-05

Total Pages: 457

ISBN-13: 1351559729

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For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.


Ornament

Ornament

Author: Antoine Picon

Publisher: John Wiley & Sons

Published: 2014-05-29

Total Pages: 306

ISBN-13: 111858824X

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Once condemned by Modernism and compared to a ‘crime’ by Adolf Loos, ornament has made a spectacular return in contemporary architecture. This is typified by the works of well-known architects such as Herzog & de Meuron, Sauerbruch Hutton, Farshid Moussavi Architecture and OMA. There is no doubt that these new ornamental tendencies are inseparable from innovations in computer technology. The proliferation of developments in design software has enabled architects to experiment afresh with texture, colour, pattern and topology. Though inextricably linked with digital tools and culture, Antoine Picon argues that some significant traits in ornament persist from earlier Western architectural traditions. These he defines as the ‘subjective’ – the human interaction that ornament requires in both its production and its reception – and the political. Contrary to the message conveyed by the founding fathers of modern architecture, traditional ornament was not meant only for pleasure. It conveyed vital information about the designation of buildings as well as about the rank of their owners. As such, it participated in the expression of social values, hierarchies and order. By bringing previous traditions in ornament under scrutiny, Picon makes us question the political issues at stake in today’s ornamental revival. What does it tell us about present-day culture? Why are we presently so fearful of meaning in architecture? Could it be that by steering so vehemently away from symbolism, contemporary architecture is evading any explicit contribution to collective values?


Architecture is a Verb

Architecture is a Verb

Author: Sarah Robinson

Publisher: Routledge

Published: 2021-03-01

Total Pages: 239

ISBN-13: 1000342654

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Architecture is a Verb outlines an approach that shifts the fundamental premises of architectural design and practice in several important ways. First, it acknowledges the centrality of the human organism as an active participant interdependent in its environment. Second, it understands human action in terms of radical embodiment—grounding the range of human activities traditionally attributed to mind and cognition: imagining, thinking, remembering—in the body. Third, it asks what a building does—that is, extends the performative functional interpretation of design to interrogate how buildings move and in turn move us, how they shape thought and action. Finally, it is committed to articulating concrete situations by developing a taxonomy of human/building interactions. Written in engaging prose for students of architecture, interiors and urban design, as well as practicing professionals, Sarah Robinson offers richly illustrated practical examples for a new generation of designers.


Poetic Architecture

Poetic Architecture

Author: Efthymios Warlamis

Publisher: Papadakis Publisher

Published: 2005

Total Pages: 132

ISBN-13: 1901092518

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Poetic Architecture is an unusual, fascinating book written for all who are eager to identify, expland and communicate their creative energies through poetry. The author's paintings and drawings open a wide world of imagination and fantasy.


Architectural Involutions

Architectural Involutions

Author: Mimi Yiu

Publisher: Northwestern University Press

Published: 2015-11-15

Total Pages: 331

ISBN-13: 0810167735

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Winner of the MLA Prize for Independent Scholars Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change. As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. Combining theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public. Highly praised for its lucid writing, comprehensive supplementary material, and engaging tone, Architectural Involutions was the winner of the 2016 MLA Prize for Independent Scholars.