Zimbabwe¿s July 2013 election brought the country¿s ¿inclusive¿ power-sharing interlude to an end and installed Mugabe and ZANU-PF for yet another¿its seventh¿term. Why? What explains the resilience of authoritarian rule in Zimbabwe? Tracing the country¿s elusive search for political stability across the decades, Michael Bratton offers a careful analysis of the failed power-sharing experiment, an account of its institutional origins, and an explanation of its demise. In the process, he explores key challenges of political transition: constitution making, elections, security-sector reform, and transitional justice.
This book is the first to tackle the difficult and complex politics of transition in Zimbabwe, with deep historical analysis. Its focus is on a very problematic political culture that is proving very hard to transcend. At the center of this culture is an unstable but resilient ‘nationalist-military’ alliance crafted during the anti-colonial liberation struggle in the 1970s. Inevitably, violence, misogyny and masculinity are constitutive of the political culture. Economically speaking, the culture is that of a bureaucratic, parasitic, primitive accumulation and corruption, which include invasion and emptying of state coffers by a self-styled ‘Chimurenga aristocracy.’ However, this Chimurenga aristocracy is not cohesive, as the politics that led to Robert Mugabe’s ousting from power was preceded by dirty and protracted internal factionalism. At the center of the factional politics was the ‘first family’:Robert Mugabe and his wife, Grace Mugabe. This book offers a multidisciplinary examination of the complex contemporary politics in Zimbabwe, taking seriously such issues as gender, misogyny, militarism, violence, media, identity, modes of accumulation, the ethnicization of politics, attempts to open lines of credit and FDI, national healing, and the national question as key variables not only of a complete political culture but also of difficult transitional politics.
Focusing on political trials in Zimbabwe's Magistrates' Courts between 2000 and 2012, Susanne Verheul explores why the judiciary have remained a central site of contestation in post-independence Zimbabwe. Drawing on rich court observations and in-depth interviews, this book foregrounds law's potential to reproduce or transform social and political power through the narrative, material, and sensory dimensions of courtroom performances. Instead of viewing appeals to law as acts of resistance by marginalised orders for inclusion in dominant modes of rule, Susanne Verheul argues that it was not recognition by but of this formal, rule-bound ordering, and the form of citizenship it stood for, that was at stake in performative legal engagements. In this manner, law was much more than a mere instrument. Law was a site in which competing conceptions of political authority were given expression, and in which people's understandings of themselves as citizens were formed and performed.
This book examines the role of the law in the constitution and contestation of state power in Zimbabwean history. It is for researchers interested in the history of the state in Southern Africa, as well as those interested in African legal history.
What is distinctive about this book is its interdisciplinary approach towards deciphering the complex meanings of President Gabriel Mugabe of Zimbabwe making it possible to evaluate Mugabe from a historical, political, philosophical, gender, literal and decolonial perspectives. It is concerned with capturing various meanings of Mugabeism.
There is more to Zimbabwe than Robert Mugabe, as this book demonstrates by analysing alternative histories of the nation's politics from independence to the present
This book illustrates how religion and ideology were used by Robert Mugabe to ward off opposition within his own party, in Zimbabwe and from the West. An interdisciplinary line up of contributors argue that Mugabe used a calculated narrative of deification – presenting himself as a divine figure who had the task of delivering land, freedom and confidence to black people across the world – to remain in power in Zimbabwe. The chapters highlight the appropriation and deployment of religious themes in Mugabe’s domestic and international politics, reflect on the contestation around the deification of Mugabe in Zimbabwean politics across different forms of religious expression, including African Traditional Religions and various strands of Christianity and initiate further reflections on the interface between religion and politics in Africa and globally. Politics and Religion in Zimbabwe will be of interest to scholars of religion and politics, Southern Africa and African politics.
This book investigates how culture reflects change in Zimbabwe, focusing predominantly on Mnangagwa’s 2017 coup, but also uncovering deeper roots for how renewal and transition are conceived in the country. Since Emmerson Mnangagwa ousted Robert Mugabe in 2017, he has been keen to defi ne his "Second Republic" or "New Dispensation" with a rhetoric of change and a rejection of past political and economic cultures. This multi and inter- disciplinary volume looks to the (social) media, language/ discourse, theatre, images, political speeches and literary fiction and non- fiction to see how they have reflected on this time of unprecedented upheaval. The book argues that themes of self- renewal stretch right back to the formative years of the ZANU PF, and that despite the longevity of Mugabe’s tenure, the latest transition can be seen as part of a complex and protracted layering of postcolonial social, economic and political changes. Providing an innovative investigation of how political change in Zimbabwe is reflected on in cultural texts and products, this book will be of interest to researchers across African history, literature, politics, culture and post- colonial studies.
