A beautiful collection of private photographs and amusing commercial postcards from the turn of the last century that celebrate our love for man's best friend. While visiting postcard fairs and browsing their collections, Libby Hall, author of Prince and Other Dogs I and II, found herself won over by these cards. Wildly sentimental images that in a modern light might seem over the top-a dog crying real tears while thinking of his master fighting on the front lines during World War I, an Edwardian tea party given for a child's favorite pet, a canine family toasting their uncle's good health-suggest a genuine love and respect for the animals that were beginning to become a fixture of the modern nuclear family. For both collectors and general readers, Postcard Dogs will charm and amuse you with its odd yet heartfelt portraits, capturing the excitement and possibility of a society on the brink of profound change.
A fascinating album of dogs and the people who loved them. From daguerreotypes to tintypes, cartes de visite to cabinet cards, stereographs to photographic postcards, The Dog Album represents some of the finest examples of antique dogs photography ever collected.
Tells the true stories of Laika, Belka, Strelka, and the other space dogs who were sent on experimental space flight explorations by the Soviet Union between 1951 and 1956.
Welcome to the dog-voiced imaginations of Forever Dogs: Wit and Wisdom from the Great Canine Beyond - Wagging Tails Telling Tales! Immortalized in vintage photos that span more than a century, long-ago tail-waggers tickle humankind with a laugh, a smile, or a heartstring tug, as they share their innermost thoughts. Playful pups do most of the talking via captions, poetry, ads, short stories, pup advice, newsworthy tidbits, and dog connections to iconic organizations, but a few human voices share dog tales, too. Flush with pictorial slices of days gone by, as well as unusual "Doggone Smart" associations between dogs and enduring pillars of American life, this 304-page book is a fiction/nonfiction rainbow created for all the dog-loving humans left behind when life's memorable pooches became...Forever Dogs. "This book is a delightfully strange, warm, charming celebration of one of Earth's greatest wonders and treasures--the dog." -Dean Koontz - #1 New York Times Bestselling Author "Mixing humor and poignancy, history and fantasy, Tricia Spencer has created an eclectic scrapbook of talking dogs, vintage photos, and intriguing dog influences that even this life-long dog lover never knew existed. Without question, Forever Dogs is a fun addition to the wonderful world of dogs." -Dr. Marty Becker - America's Veterinarian - founder of Fear Free, syndicated columnist, and author of 23 books, including three New York Times bestsellers "A wonderfully entertaining read from first page to last..." -Midwest Book Review "Tricia Spencer's clever book, Forever Dogs: Wit and Wisdom From the Great Canine Beyond Wagging Tails Telling Tales!, speaks from the heart, passing on the secrets of unconditional love (and fun and happiness and laughter and so much more) from one dog lover to another... a collage of photographs, captions, sayings, poems and so much more to make the reader laugh, cry, and just savor the complexity of true puppy love. A wonderful tribute to those who went before us and wait to rejoin us in the great beyond. This is a book to savor over and over again." -Emily-Jane Hills Orford for Readers Favorite "A warm, fuzzy walk with your dog down memory lane with fun, vintage fur-filled photos, a reminder of the unbreakable human-animal bond we have shared with our canine companions throughout the ages." -Mark Winter, CEO/Executive Producer of Pet Life Radio "Those of us who have truly loved our pets know well the delight of having them in our lives, as well as the sadness we all experience when losing them. Forever Dogs delivers a wealth of those memories in a most creative and entertaining way." -Mike Arms - President/CEO of Helen Woodward Animal Center, creator of Remember Me Thursday, International Pet Adoptathon, and Home 4 the Holidays "Funny and Entertaining. A great book to read and share with your dog-loving friends." -Walter Salas-Humara - Singer/songwriter and creator/artist of WALTER'S DOGS
In 1923, William Lewis Judy purchased Dog World magazine for just over $1,000. For the next four decades, his unique, poignant, and witty writing and editing style, combined with his genuine love for dogs, enlightened a growing population of dog owners across the nation. A prolific dog show judge and breeder and expert on dog law in America, Judy had a vision that dogs would serve humans in ways most had not imagined. He championed their use in military and police work, and in their value as assistance and therapy dogs. In 1928, he launched the National Dog Week Movement, to honor man's best friend in a collective and thoughtful manner. Today, that movement continues, a testament to the legacy of this inspiring and gifted dog-enthusiast.
Dogs are as ubiquitous in American culture as white picket fences and apple pie, embracing all the meanings of wholesome domestic life—family, fidelity, comfort, protection, nurturance, and love—as well as symbolizing some of the less palatable connotations of home and family, including domination, subservience, and violence. In Picturing Dogs, Seeing Ourselves, Ann-Janine Morey presents a collection of antique photographs of dogs and their owners in order to investigate the meanings associated with the canine body. Included are reproductions of 115 postcards, cabinet cards, and cartes de visite that feature dogs in family and childhood snapshots, images of hunting, posed studio portraits, and many other settings between 1860 and 1950. These photographs offer poignant testimony to the American romance with dogs and show how the dog has become part of cultural expressions of race, class, and gender. Animal studies scholars have long argued that our representation of animals in print and in the visual arts has a profound connection to our lived cultural identity. Other books have documented the depiction of dogs in art and photography, but few have reached beyond the subject’s obvious appeal. Picturing Dogs, Seeing Ourselves draws on animal, visual, and literary studies to present an original and richly contextualized visual history of the relationship between Americans and their dogs. Though the personal stories behind these everyday photographs may be lost to us, their cultural significance is not.
A tour of the psychiatric service dog industry traces the author's work with unwanted shelter dogs before matching them with people in need, documenting her own partnership with a search canine while sharing uplifting success stories.--
Competing at dog shows is an excellent way for the family - both young and old alike - to enjoy a hobby together. Many people enter this sport first with a family pet as a fun day out and then move on to more serious competition at championship level. The ultimate goal for most newcomers is to qualify for Crufts and perhaps even win the much coveted Best in Show award. This book takes you step by step through the process of what is required to enjoy showing a dog. It will tell you: - How to choose a good quality pedigree puppy and understand its health requirements - How to train and prepare from day one through to that first dog show - How to enter a show and what to expect - Where to go and when at the dog show, and what to do in the show ring - What clubs, committees and support are available for the novice exhibitor - How to qualify for Crufts and what to expect upon arriving at the World's Greatest Dog Show - What the next step is and whether to purchase another dog, breed a litter or even train to be a judge. Contents: Acknowledgements; Introduction; 1. Starting out; 2. Learning to Show 3. Grooming and Presentation; 4. Entering a Show; 5. Travelling with Dogs; 6. The Day of the Show; 7. Rules and Etiquette; 8. Awards and Prizes; 9. Major Champonship Shows; 10. What Next?; The Rainbow Bridge; Glossary; Useful Information; Index.
"Speaking of Animals" consists of a linked series of thirteen essays about subjects ranging from deciding to castrate a dog, evaluating recent dog memoirs, observing animals in Spain, reading about the training of big cats, watching Animal Planet, and being unable to kill a racoon in Texas. So often personal, even while analyzing novels such as "Water for Elephants" or movies such as "Giant" or "Into the Wild," the essays offer both an implicit critique and a continuation of recent discursive trends in animal studies, whose language is too haplessly abstracted from the animals in whose name we humans strive to speak as well as narrate.
The Postcard’s Radical Openness offers a groundbreaking exploration of what this multifaceted, double-sided open card entails and how it has affected our being in the world. With a holistic approach, it focuses on studying the postcard’s specific way of being and performing, a particular ontology that opens up what is constitutively implicated in such an apparently trivial artifact. The book, organized into four parts, meticulously unveils the postcard’s political, technological, aesthetic, and ethical dimensions, ending with a coda correlating the postcard’s radical openness to G. Klimt’s painting, Nuda Veritas (1899) in reference to the scope of truth. By examining the postcard’s complex worldwide history, its socio-cultural significance, and its global effect, the book reveals hidden stories shedding light on its impact on photography, printing, marketing, trade, and business practices and exposes the aesthetic, communicative, and ethical qualities that lie behind the enormous success of postcards at the turn of the 20th century. This comprehensive study is positioned as a thought-provoking invitation to scholars and students interested in material culture, media studies, and human interactions, as well as to history enthusiasts, art lovers, and postcard collectors. Offering a distinctive contribution, the book not only fills a void in the literature but also encourages readers to question and reflect on the transformative power inherent in the postcard's 'radical openness,' presenting a novel and unparalleled analysis of this seemingly trivial yet culturally significant object.