While enjoying growingrelationships with his buddies at muscle ranch, texbearjoe begins to see a pattern behind Doc, and the mysterous Muscle Ranch sponsors. Who are the men inviting dads and sons, straight bros and brothers to the ranch to grow their bodies and appetites beyond all normal bounds, for the enjoyment of each other and select observers. How far will they go to to satisfy their steroid-fueled lust, do any normal boundaries remain in this hothouse of raw lust?
The central thesis of this book is that a genre approach provides the most effective means for understanding, analyzing and appreciating the Hollywood cinema. Taking into account not only the formal and aesthetic aspects of feature filmmaking, but various other cultural aspects as well, the genre approach treats movie production as a dynamic process of exchange between the film industry and its audience. This process, embodied by the Hollywood studio system, has been sustained primarily through genres, those popular narrative formulas like the Western, musical and gangster film, which have dominated the screen arts throughout this century.
From Hot Rods to campfire stories, the "Evil Dead" to American Castles, who knew this corner of the South had so much going on, in so many directions, with so many men. This collection and recollection of stories at and around the famous campground is guaranteed to not leave any mysteries about what bears, dads, cubs, sons, bodybuilders, chunks, hunks, twinks, friends and strangers do in the woods, in the shower, by the pool, on the picnic table, at the gym, in the bar...
Drifting silently on the water about forty nautical miles off the Texas coast, Charlie Sweetwater sits aboard his boat, alone with his thoughts, when from the darkness he hears a man swimming toward him. But not just any man. His name is Julien Dufay, the wealthy French scion of a family-owned petrochemical dynasty headquartered in Houston. Charlie plucks the exhausted Frenchman from the Gulf of Mexico and delivers him back to his rarified world. But of course, no good deed ever goes unpunished. As Charlie is drawn deeper into Julien’s erratic orbit, he discovers a man possessed. Dufay is consumed by his vision of discovering the site of Fort Saint Louis: the famed—and doomed—17th century settlement of French explorer, Robert Cavelier de La Salle. Thanks to Julien, and his own restless curiosity, Charlie is pulled into a web of obsession, murder and greed. Julien wants to find La Salle’s long-lost colony (and the treasure of artifacts buried with it) as a legacy for himself, his family and the greater glory of France. But the project’s ambitious sponsor, Jean-Marc Dufay, is hell-bent on getting at the rich natural gas resources hidden beneath the site, even if it means using his own brother as a pawn to feed his ambitions. Standing in the way is the stubborn old man on whose South Texas ranch Julien and Jean-Marc are converging, along with his trio of scurrilous sons, who have their own covert agenda—an agenda that can be lethal to outsiders. Charlie struggles to make sense of it all, with the help of the beautiful marine archeologist who is excavating La Salle’s shipwreck La Belle in nearby Matagorda Bay. But as he digs deeper into Julien Dufay’s danger-fraught quest, he discovers that history has a way of repeating itself, and that some ghosts just won't stay buried.
Expands psychological and some biological theories of the origins of crime, its varieties, and to effects of social and legal responses to it. Based primarily on previous statistical studies. Annotation copyright Book News, Inc. Portland, Or.
In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.
"Film: A Critical Introduction "provides a comprehensive framework for studying films, with an emphasis on writing as a means of exploring film's aesthetic and cultural significance. This text's consistent and comprehensive focus on writing allows students to master film vocabulary and concepts while learning to formulate rich interpretations. Part I introduces readers to the importance of film analysis, offering helpful strategies for discerning the way films produce meaning. Part II examines the fundamental elements of film, including narrative form, mise en scene, cinematography, editing, and sound, and shows how these concepts can be used to interpret films. Part III moves beyond textual analysis to explore film as a cultural institution and introduce students to essential areas of film studies research.
"The Black Lion Inn" by Alfred Henry Lewis Alfred Henry Lewis was an American investigative journalist, lawyer, novelist, editor, and short story writer. In this book, Lewis takes readers on a series of adventures. From Christmas at Wolfville to lost royalty, the book is a thrilling collection of adventures that perfectly portray the romance of America's past and the excitement of the country at the turn of the century.
The Fiend’s Delight [1872] is Ambrose Bierce’s first collection, spanning fiction, essays, poems, and personal reflection. The pieces demonstrate his combative, often darkly humorous journalistic style, showcasing his witty satire and biting sarcasm. Perfect for aficionados of gothic fiction and supernatural tales, this anthology remains a testament to Bierce's enduring legacy as a master of the eerie and the unsettling. AMBROSE BIERCE [1842-1914] was an American author, journalist, and war veteran. He was one of the most influential journalists in the United States in the late 19th century and alongside his success as a horror writer he was hailed as a pioneer of realism. Among his most famous works are The Devil's Dictionary and the short story »An Occurrence at Owl Creek Bridge.«
Based on an actual bloody dispute in 1880 between wheat farmers and the Southern Pacific Railroad, this tale of greed, betrayal, and a lust for power is played out during the waning days of the western frontier.
