Rich textures, sophisticated harmonies and inventive rhythms make these arrangements ideal for hobbyists, advancing students, professional musicians or any Popular Performer. Titles: * Bridge Over Troubled Water * Killing Me Softly with His Song * How Deep Is Your Love * If You Don't Know Me * Moondance * Raindrops Keep Fallin' on My Head * Sunshine on My Shoulders * Time in a Bottle * Weekend in New England * What a Fool Believes.
The genius of Rodgers and Hart sparkles in this collection, skillfully arranged by Jan Sanborn for advanced pianists. This volume revisits their best songs, casting them in the rich voice of the piano. Wonderful musical moments are certain to provide hours of enjoyment for the pianist who wishes to be a Popular Performer. Titles: * Bewitched, Bothered and Bewildered * Blue Moon * Dancing on the Ceiling * Falling In Love with Love * I Could Write a Book * Mountain Greenery * My Funny Valentine * Where or When * With a Song in My Heart.
Some of the most famous selections from the Great American Songbook are included in this collection. These classic favorites, masterfully arranged by Dan Coates for advanced piano, sound rich and full and will delight audiences as well as provide hours of enjoyment for hobbyists, advancing students, professional musicians or any Popular Performer. Titles: Anything Goes * Embraceable You * Falling in Love with Love * I Got Rhythm * In the Still of the Night * My Funny Valentine * So in Love * Someone to Watch Over Me * When I Fall in Love * With a Song in My Heart.
This book is the first to explore style and spectacle in glam popular music performance from the 1970s to the present day, and from an international perspective. Focus is given to a number of representative artists, bands, and movements, as well as national, regional, and cultural contexts from around the globe. Approaching glam music performance and style broadly, and using the glam/glitter rock genre of the early 1970s as a foundation for case studies and comparisons, the volume engages with subjects that help in defining the glam phenomenon in its many manifestations and contexts. Glam rock, in its original, term-defining inception, had its birth in the UK in 1970/71, and featured at its forefront acts such as David Bowie, T. Rex, Slade, and Roxy Music. Termed "glitter rock" in the US, stateside artists included Alice Cooper, Suzi Quatro, The New York Dolls, and Kiss. In a global context, glam is represented in many other cultures, where the influences of early glam rock can be seen clearly. In this book, glam exists at the intersections of glam rock and other styles (e.g., punk, metal, disco, goth). Its performers are characterized by their flamboyant and theatrical appearance (clothes, costumes, makeup, hairstyles), they often challenge gender stereotypes and sexuality (androgyny), and they create spectacle in popular music performance, fandom, and fashion. The essays in this collection comprise theoretically-informed contributions that address the diversity of the world’s popular music via artists, bands, and movements, with special attention given to the ways glam has been influential not only as a music genre, but also in fashion, design, and other visual culture.
These advanced arrangements by Christopher Johnson give Broadway tunes new flair and can be used by hobbyists, advancing students, professional musicians or any Popular Performer. They make great recital encores and are ultimate showstoppers. Titles: * And All That Jazz (from Chicago) * Beauty and the Beast (from Walt Disney’s Beauty and the Beast) * Can You Feel the Love Tonight (from Walt Disney’s The Lion King) * It Ain’t Necessarily So (from Porgy and Bess®) * Mack the Knife (from The Threepenny Opera) * Mamma Mia! (from Mamma Mia!) * On the Street Where You Live (from My Fair Lady) * Send In the Clowns (from A Little Night Music) * You’re the One That I Want (from Grease).
Johnny Mercer is one of the most prolific lyricists in history, having written the words for more than 1,000 songs. He collaborated with many composers, including Harold Arlen, Hoagy Carmichael and Henry Mancini, to name a few. These beautiful arrangements by Melody Bober are perfect piano solos for lessons, recitals, or social gatherings. To show the clever brilliance of Mercer’s craft, the lyrics have been included. Titles: * Blues in the Night * Come Rain or Come Shine * Days of Wine and Roses * The Glow Worm * Hooray for Hollywood * Jeepers Creepers * On the Atchison, Topeka and the Santa Fe * Skylark * Summer Wind * You Must Have Been a Beautiful Baby.
The 1970s saw a wave of singer-songwriters flood the airwaves and concert halls across the United States. This book organizes the stories of approximately 150 artists whose songs created the soundtrack to people's lives during the decade that forever shaped musical composition. Some well-known, others less known, these artists were the song-poets and storytellers who wrote their own music and lyrics. Featuring biographical information and discography overviews for each artist, this is the only one-volume encyclopedic overview of this topic. Featured artists include Carole King and James Taylor, Joni Mitchell and Jackson Browne, Bob Dylan and Paul Simon, Bruce Springsteen, Gordon Lightfoot, Elvis Costello and dozens of other song-poets of the seventies.
Positioned between the psychedelic and counter-cultural music of the late 1960s and the punk and new wave styles of the late 1970s, early 1970s British popular music is often overlooked in pop music studies of the late 20th century, but it was, in fact, highly diverse with many artists displaying an eclecticism and flair for musical experimentation. 'Progressive pop' artists such as Roxy Music, David Bowie, the early Queen, the Electric Light Orchestra, 10cc and Steve Harley & Cockney Rebel successfully straddled the album and singles markets, producing music that often drew on a variety of different musical styles and traditions. Similarly, such artists often set new benchmarks for songwriting and production, utilizing the full potential of the rapidly expanding studio technology of the era to produce albums of highly diverse material featuring, in some cases, special studio-crafted effects and soundscapes that remain unique to this day. This book considers the significance of British progressive pop in the early 1970s as a period during which the boundaries between pop and rock were periodically relaxed, providing a platform for musical creativity less confined by genre and branding.
Rich textures, sophisticated harmonies and inventive rhythms make these arrangements ideal for hobbyists, advancing students, professional musicians or any Popular Performer. Titles: Another Op'nin', Another Show * Anything Goes * I Get a Kick Out of You * In the Still of the Night * I've Got You Under My Skin * My Heart Belongs to Daddy * Night and Day * So In Love * You're the Top.
