Through art and images, Pop Psychedelic examines the current synthesis of 1960s and 1970s psychedelia and pop art of the 1980s. The lasting influence of these two art forms continues in fashion, music, spirituality, the art world at large and even revolutionary movements. Pop Psychedelic considers the history of these two movements and their unique contributions, ideologically, aesthetically and culturally. Looking at the evolution of these ideas over time, it relates them to the psychedelic pop phenomenon in illustration and graphic arts.
Pop music of the sixties and seventies embraced psychedelic youth culture yet appealed to listeners of all ages up and down the radio dial. Easy Listening Acid Trip explains the missing musical link between electric guitars and orchestral strings, from the Beatles to Lawrence Welk, and why we just can't help but liking songs we hear in the elevator.
The long forgotten story of Turkish psychedelic music in the twentieth century, told in relation to the social, political and cultural climate of the time. In the mid-1960s, a new generation of young Turkish musicians combined Western pop music with traditional Anatolian folk to forge the home-grown phenomenon of Anadolu Pop. But that was just the beginning. Through the second half of that turbulent decade, Turkish rock warped and transformed, striking out into wilder and stranger territory – fuelled by the psychedelic revolution and played out over a backdrop of cultural, social and political turmoil. The Turkish Psychedelic Music Explosion tells the story of a musical movement that was brought to an end by a right-wing coup in 1980, largely forgotten and only recently being rediscovered by Western crate-diggers. It’s a tale of larger-than-life musical pioneers with raging political passions and visionary ideas ripe for rediscovery.
Illustrated throughout with color images of the period, Psychedelic Celluloid covers over 300 British and European films and TV shows from the Beatles via Bond spin offs to crazy personal follies de grandeur, Blow Up and its imitators, concert movies, documentaries, stylish horror films and many more. Carefully researched and drawing on interviews with some of the survivors of the era, this guide provides a witty and detailed account of each major production listing its stars, directors, producers and music and showing how they were linked to the fashion and trends of the period.
Recognized for its distinctive musical features and its connection to periods of social innovation and ferment, the genre of psychedelia has exerted long-term influence in many areas of cultural production, including music, visual art, graphic design, film, and literature. William Echard explores the historical development of psychedelic music and its various stylistic incarnations as a genre unique for its fusion of rock, soul, funk, folk, and electronic music. Through the theory of musical topics—highly conventional musical figures that signify broad cultural concepts—and musical meaning, Echard traces the stylistic evolution of psychedelia from its inception in the early 1960s, with the Beatles' Rubber Soul and Revolver and the Kinks and Pink Floyd, to the German experimental bands and psychedelic funk of the 1970s, with a special emphasis on Parliament/Funkadelic. He concludes with a look at the 1980s and early 1990s, touching on the free festival scene, rave culture, and neo–jam bands. Set against the cultural backdrop of these decades, Echard's study of psychedelia lays the groundwork and offers lessons for analyzing the topic of popular music in the twentieth and twenty-first centuries.
"This eye-popping book offers a visual history of the psychedelic sensibility. In pop culture, that sensibility is associated with lava lamps, album covers, and "teashades," but it first manifested itself in the extreme colors and kaleidoscopic compositions of 1960s Op Artists. The psychedelic sensibility didn't die at the end of the 1960s; Psychedelic traces it through the day-glo colors of painters Peter Saul, Alex Grey, and Kenny Scharf, the pill and hemp leaf paintings of Fred Tomaselli, the intensified palettes of Douglas Bourgeois and Sharon Ellis, and mixed-media and new media works by younger artists in the new millennium." "Although the term "psychedelic" was coined to describe hallucinatory experiences produced by drugs used psychotherapeutically, the story these images tell is about the influence of psychedelic culture on the art world - not necessarily the influence of drugs. As contemporary art evolved into a diverse and pluralistic discipline, the psychedelic evolved into a language of color and light. In Psychedelic, more than seventy-five vivid color images chart this development, exploring the art chronologically, from early Op Art through recent work using digital technology. The book, which accompanies an exhibition organized by the San Antonio Museum of Art, includes three essays that set the works in historical and cultural context." --Book Jacket.
In Psychedelia and Other Colours, acclaimed author Rob Chapman explores in crystalline detail the history, precedents and cultural impact of LSD, from the earliest experiments in painting with light and immersive environments to the thriving avant-garde scene that existed in San Francisco even before the Grateful Dead and the Fillmore Auditorium. In the UK, he documents an entirely different history, and one that has never been told before. It has its roots in fairy tales and fairgrounds, the music hall and the dead of Flanders fields, in the Festival of Britain and that peculiarly British strand of surrealism that culminated in the Magical Mystery Tour. Sitars and Sergeant Pepper, surfadelica and the Soft Machine, light shows and love-ins - the mind-expanding effects of acid were to redefine popular culture as we know it. Psychedelia and Other Colours documents these utopian reverberations - and the dark side of their moon - in a perfect portrait.
The ultimate guide to underground sounds 1965-1982. The book features release details and in-depth reviews for more than 5,000 obscure LPs from the USA and Canada, 1965-1982, including reissue data and value ratings. The main genres are psychedelia, garage, folk & folkrock, hippie rock, progressive rock, and hard-rock. There is also a wide selection of interesting and rare singer-songwriter, harmony pop, soft rock, lounge-rock, avant-garde, vanity-pressings and "outsider" albums. This is the first ever comprehensive guide to the vintage musical underground of North America, and opens up a gigantic field of outstanding music that has earlier been exclusive and hard to grasp. There's also a buyer's guide, a glossary, a historical background, fun Top 10 lists, and much more. The massive book is loaded with color images of obscure and trippy album sleeves, posters and band photos, many of which have never been published before, and a foreword by Mike Stax of Ugly Things magazine. Highlights:- The largest selection ever presented of underground albums from North America 1965-1982.- Original release data and in-depth commentary from world-leading rare record experts.- Ratings of LP market value, detailed reissue data, and full color images of rare and trippy albums sleeves.- Special feature essays about rare Exotica, Lounge, '70s Funk & Soul, Southern Rock and New Age albums, written by leading field collectors.- A brand new round of informative and hilarious Top 10 Lists that were a popular part in the first book.
Listen to Classic Rock! Exploring a Musical Genre provides an overview of this diverse and complex musical genre for scholars of classic rock and curious novices alike, with a focus on 50 must-hear musicians, songwriters, bands, and albums. Listen to Classic Rock! Exploring a Musical Genre explores in detail the genesis, evolution, and proliferation of classic rock. It begins with a background on the development of classic rock and its subgenres. Next, an A to Z listing of artists (musicians, songwriters, and bands), albums, important concerts, and songs; a chapter on classic rock's impact on popular culture; a chapter on classic rock's legacy; and a bibliography. This organization gives readers the choice of starting from the beginning to learn how classic rock and each of its subgenres emerged after rock and roll or skip ahead to a specific artist, recording, or song in the Must-Hear Music section. This volume stands out from other resources on classic rock for its listening-centered approach. Most books on classic rock focus on trivia, history, terminology, or criticism. It also explores the sound of the music of important artists and offers musical analyses that are accessible to upper-level high school and lower-level undergraduates while at the same time maintaining the interest of classic rock aficionados and scholars.
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
