Gender-specific Speech in Disney Animated Movies
Gender-specific Speech in Disney Animated Movies

Author: Lisa Henigin

Publisher: GRIN Verlag

Published: 2016-08-16

Total Pages: 78

ISBN-13: 3668274770

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Bachelor Thesis from the year 2016 in the subject English Language and Literature Studies - Linguistics, grade: 2,3, University of Koblenz-Landau (Institut für fremdsprachliche Philologien: Anglistik), language: English, abstract: This thesis deals with the research area of gender linguistics, especially with the communicative behavior of men and women in single and mixed-gender communications. The differences in communication between genders have been addressed often in our society within the last few decades. The common misunderstandings between men and women resulting from these differences serve as the basis for many books, films and television shows. But not only is this apparent in society and entertainment media, but also in sociolinguistics, which deals with the differences between men and women more and more intensively. In this thesis I first of all want to address the term Gender and some of the existing research on gender representations in Disney movies. After that I want to touch on gender-specific speech in detail, and summarize what I found to be the most important findings. At that point I also want to talk about the highly discussed essay Language and Woman’s Place, which was published in 1973 by Robin Tolmach Lakoff, a professor of linguistics at the University of California Berkley. Afterwards, I will analyze selected features, which gender linguists in previous research ascribed to female language, in reference to three well-known animated movies by Disney, namely The Little Mermaid, Finding Nemo, and Tangled.

Language and Gender in Children's Animated Films
Language and Gender in Children's Animated Films

Author: Carmen Fought

Publisher: Cambridge University Press

Published: 2022-09-08

Total Pages: 255

ISBN-13: 1108898513

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Disney and Pixar films are beloved by children and adults alike. However, what linguistic messages, both positive and negative, do these films send to children about gender roles? How do characters of different genders talk, and how are they talked about? And do patterns of representation change over time? Using an accessible mix of statistics and in-depth qualitative analysis, the authors bring their expertise to the study of this very popular media behemoth. Looking closely at five different language features – talkativeness, compliments, directives, insults, and apologies – the authors uncover the biases buried in scripted language, and explore how language is used to construct tropes of femininity, masculinity, and queerness. Working with a large body of films reveals wide-scale patterns that might fly under the radar when the films are viewed individually, as well as demonstrating how different linguistic tools and techniques can be used to better understand popular children's media.

Women, Men and Politeness
Women, Men and Politeness

Author: Janet Holmes

Publisher: Routledge

Published: 2013-11-26

Total Pages: 236

ISBN-13: 1317898729

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Women, Men and Politeness focuses on the specific issue of the ways in which women and men express politeness verbally. Using a range of evidence and a corpus of data collected largely from New Zealand, Janet Holmes examines the distribution and functions of a range of specific verbal politeness strategies in women's and men's speech and discusses the possible reasons for gender differences in this area. Data provided on interactional strategies, 'hedges and boosters', compliments and apologies, demonstrates ways in which women's politeness patterns differ from men's, with the implications of these different patterns explored, for women in particular, in the areas of education and professional careers.

Good Girls & Wicked Witches
Good Girls & Wicked Witches

Author: Amy M. Davis

Publisher: Indiana University Press

Published: 2007-02-20

Total Pages: 281

ISBN-13: 0861969014

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An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

Feasting Our Eyes
Feasting Our Eyes

Author: Laura Lindenfeld

Publisher: Columbia University Press

Published: 2016-11-29

Total Pages: 278

ISBN-13: 0231542976

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Big Night (1996), Ratatouille (2007), and Julie and Julia (2009) are more than films about food—they serve a political purpose. In the kitchen, around the table, and in the dining room, these films use cooking and eating to explore such themes as ideological pluralism, ethnic and racial acceptance, gender equality, and class flexibility—but not as progressively as you might think. Feasting Our Eyes takes a second look at these and other modern American food films to emphasize their conventional approaches to nation, gender, race, sexuality, and social status. Devoured visually and emotionally, these films are particularly effective defenders of the status quo. Feasting Our Eyes looks at Hollywood films and independent cinema, documentaries and docufictions, from the 1990s to today and frankly assesses their commitment to racial diversity, tolerance, and liberal political ideas. Laura Lindenfeld and Fabio Parasecoli find women and people of color continue to be treated as objects of consumption even in these modern works and, despite their progressive veneer, American food films often mask a conservative politics that makes commercial success more likely. A major force in mainstream entertainment, American food films shape our sense of who belongs, who has a voice, and who has opportunities in American society. They facilitate the virtual consumption of traditional notions of identity and citizenship, reworking and reinforcing ingrained ideas of power.

Language and Woman's Place
Language and Woman's Place

Author: Robin Tolmach Lakoff

Publisher: Oxford University Press

Published: 2004-07-22

Total Pages: 324

ISBN-13: 019534717X

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The 1975 publication of Robin Tolmach Lakoff's Language and Woman's Place, is widely recognized as having inaugurated feminist research on the relationship between language and gender, touching off a remarkable response among language scholars, feminists, and general readers. For the past thirty years, scholars of language and gender have been debating and developing Lakoff's initial observations. Arguing that language is fundamental to gender inequality, Lakoff pointed to two areas in which inequalities can be found: Language used about women, such as the asymmetries between seemingly parallel terms like master and mistress, and language used by women, which places women in a double bind between being appropriately feminine and being fully human. Lakoff's central argument that "women's language" expresses powerlessness triggered a controversy that continues to this day. The revised and expanded edition presents the full text of the original first edition, along with an introduction and annotations by Lakoff in which she reflects on the text a quarter century later and expands on some of the most widely discussed issues it raises. The volume also brings together commentaries from twenty-six leading scholars of language, gender, and sexuality, within linguistics, anthropology, modern languages, education, information sciences, and other disciplines. The commentaries discuss the book's contribution to feminist research on language and explore its ongoing relevance for scholarship in the field. This new edition of Language and Woman's Place not only makes available once again the pioneering text of feminist linguistics; just as important, it places the text in the context of contemporary feminist and gender theory for a new generation of readers.

The Idea of Nature in Disney Animation
The Idea of Nature in Disney Animation

Author: David Whitley

Publisher: Routledge

Published: 2016-03-03

Total Pages: 163

ISBN-13: 1317028031

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In the second edition of The Idea of Nature in Disney Animation, David Whitley updates his 2008 book to reflect recent developments in Disney and Disney-Pixar animation such as the apocalyptic tale of earth's failed ecosystem, WALL-E. As Whitley has shown, and Disney's newest films continue to demonstrate, the messages animated films convey about the natural world are of crucial importance to their child viewers. Beginning with Snow White, Whitley examines a wide range of Disney's feature animations, in which images of wild nature are central to the narrative. He challenges the notion that the sentimentality of the Disney aesthetic, an oft-criticized aspect of such films as Bambi, The Jungle Book, Pocahontas, Beauty and the Beast, and Finding Nemo, necessarily prevents audiences from developing a critical awareness of contested environmental issues. On the contrary, even as the films communicate the central ideologies of the times in which they were produced, they also express the ambiguities and tensions that underlie these dominant values. In distinguishing among the effects produced by each film and revealing the diverse ways in which images of nature are mediated, Whitley urges us towards a more complex interpretation of the classic Disney canon and makes an important contribution to our understanding of the role popular art plays in shaping the emotions and ideas that are central to contemporary experience.

Changing the Wor(l)d
Changing the Wor(l)d

Author: Stacey Young

Publisher: Routledge

Published: 2014-01-02

Total Pages: 264

ISBN-13: 1136664149

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Changing the Wor(l)d draws on feminist publishing, postmodern theory and feminist autobiography to powerfully critique both liberal feminism and scholarship on the women's movement, arguing that both ignore feminism's unique contributions to social analysis and politics. These contributions recognize the power of discourse, the diversity of women's experiences, and the importance of changing the world through changing consciousness. Young critiques social movement theory and five key studies of the women's movement, arguing that gender oppression can be understood only in relation to race, sexuality, class and ethnicity; and that feminist activism has always gone beyond the realm of public policy to emphasize improving women's circumstances through transforming discourse and consciousness. Young examines feminist discursive politics, critiques social science methodology, and proposes an alternative approach to understanding the women's movement.

Marketing and Feminism
Marketing and Feminism

Author: Miriam Catterall

Publisher: Routledge

Published: 2013-11-05

Total Pages: 308

ISBN-13: 1136352848

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This cutting edge, innovative volume offers the best of current scholarship on feminist perspectives in marketing. Through many exciting and often controversial discussions, it highlights and challenges assumptions about women and gender in marketing theory and practice from both historical and current contexts. Key issues and debates include: * the dark side of female consumption * women and marketing in Socialist economies * women and advertising * ecofeminism and marketing * gender, marketing and cultural diversity * marketing, sex and sexuality. Written by internationally recognised experts in marketing and feminism, this book makes a unique contribution to marketing scholarship.

Language and Gender
Language and Gender

Author: Mary Talbot

Publisher: John Wiley & Sons

Published: 2019-12-18

Total Pages: 264

ISBN-13: 1509530126

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Since its first publication in 1998, Mary Talbot’s Language and Gender has been a leading textbook, popular with students for its accessibility and with teachers for the range and depth it achieves in a single volume. This anticipated third edition has been thoroughly revised and updated for the era of #MeToo, genderqueer, Trump, and cyberhate. The book is organized into three parts. An introductory section provides grounding in early ‘classic' studies in the field. In the second section, Talbot examines language used by women and men in a variety of speech situations and genres. The last section considers the construction and performance of gender in discourse, reflecting the interest in mass media and popular culture found in recent research, as well as the preoccupation with social change that is central to Critical Discourse Analysis. Maintaining an emphasis on recent research, Talbot covers a range of approaches at an introductory level, lucidly presenting sometimes difficult and complex issues. Each chapter concludes with a list of recommended readings, enabling students to further their interests in various topics. Language and Gender will continue to be an essential textbook for undergraduates and postgraduates in linguistics, sociolinguistics, cultural and media studies, gender studies and communication studies.