From the Introduction: ...the primary goal will be to formulate an approach to literature - a way of experiencing or "using" literature - based on some points of correspondence which literature has with both Christian spirituality and psychology
This volume is designed as a resource for using rhetorical criticism as a methodology for interpreting the Bible. Rhetorical criticism is treated in the broader context of the growing interest in the study of the literary character of the Bible. The volume is divided into two parts to accommodate both the Old and New Testaments. Each part begins with a discussion of the history and methodology of rhetorical criticism pertinent to that Testament. Here special emphasis is given to the current state and trends of the discipline and its impact on biblical interpretation. These discussions are followed by extensive bibliographies categorized to facilitate working with the published research on specific biblical texts, books, or categories of books.
In this 88 page download: LETTERS EARLY RAYS HILLY ROSE THE DAILY GRAIL The Internet s best alternative science site now in print DEEPAK CHOPRA AND GOD Transcendent new direction for the iconoclastic Doctor WILLIAM FLINDERS PETRIE ON TRIAL Christopher Dunn defends the great Egyptologist PLATO: THE TRUTH Frank Joseph checks the credibility of the best-known source on Atlantis WHEN THE WEATHER GETS WEIRD Do fish and frogs really fall from the sky? THE ANCIENT ELECTRICIANS David Childress looks for evidence of ancient High Tech THE HYDROGEN SOLUTION Jeane Manning on astounding new developments TRACKING ELECTROGRAVITICS Thomas Valone on the science of anti-gravity THE PULSAR MYSTERY An amazing new study points to an ET connection THE DREAMS OF GENIUS Are the secrets of life unfolded to sleepers? HOUDINI’S LAST ESCAPE Did he break the bonds of death? ASTROLOGY BOOKS RECORDINGS
Presents literary criticism on the works of twentieth-century writers of all genres, nations, and cultures. Critical essays are selected from leading sources, including published journals, magazines, books, reviews, diaries, interviews, radio and television transcripts, pamphlets, and scholarly papers.
This breakthrough book examines dynamic intersections of poetics and geography. Gathering the essays of an international cohort whose work converges at the crossroads of poetics and the material world, Geopoetics in Practice offers insights into poetry, place, ecology, and writing the world through a critical-creative geographic lens. This collection approaches geopoetics as a practice by bringing together contemporary geographers, poets, and artists who contribute their research, methodologies, and creative writing. The 24 chapters, divided into the sections “Documenting,” “Reading,” and “Intervening,” poetically engage discourses about space, power, difference, and landscape, as well as about human, non-human, and more-than-human relationships with Earth. Key explorations of this edited volume include how poets engage with geographical phenomena through poetry and how geographers use creativity to explore space, place, and environment. This book makes a major contribution to the geohumanities and creative geographies by presenting geopoetics as a practice that compels its agents to take action. It will appeal to academics and students in the fields of creative writing, literature, geography, and the environmental and spatial humanities, as well as to readers from outside of the academy interested in where poetry and place overlap.
This volume offers 37 original essays from leading scholars on the crucial topics, issues, methods, and resources for studying and teaching religion and the arts.
Excerpts from criticism of the works of novelists, poets, playwrights, short story writers and other creative writers who lived between 1800 and 1900, from the first published critical appraisals to current evaluations.
With contributions from over 100 scholars, the Encyclopedia of American Poetry: The Nineteenth Centry provides essays on the careers, works, and backgrounds of more than 100 nineteenth-century poets. It also provides entries on specialized categories of twentieth-century verse such as hymns, folk ballads, spirituals, Civil War songs, and Native American poetry. Besides presenting essential factual information, each entry amounts to an in-depth critical essay, and includes a bibliography that directs readers to other works by and about a particular poet.
In addition to challenging historical-critical readings in the tradition after Duhm, this book presents three ways of reading the text based on variations of linguistic theory: one linguistic, one narratological and one intertextual. In these readings the trope personification is central.