One hundred poems from the poetry placards in New York City's subway and buses. Amid ads for mace and cockroach exterminators, a happy glimmer in 16 lines or less. From Sappho, to W. H. Auden, to Chu Chen Po.
Travis Campbell has been at this hockey thing for a while. He knows his days on the ice are numbered, but he’s happy with the Moncton Ice Cats and he’s still got some time to figure out what comes next. He’s been taking college classes online and thought he knew what he was doing, but then he made the ultimate rookie mistake. It turns out the poetry class is not the easier way to get his required English credits. Barnaby Birtwistle has exiled himself to the wilds of New Brunswick, leaving London, his so-called friends, and his cheating ex behind. His life is finally getting back on track, and he's going to keep it that way, even if it means living like a monk. Travis is expecting a bookish nerd to help him pass his staggeringly boring class; Barnaby is expecting a meathead hockey player who struggles to string two words together, let alone appreciate poetry. Turns out that they both have something to learn.
A contrast comparison, from everyday activities that reflect characteristics of challenge when not processed as intended... there is connection to all that you do...in every relationship
I sang yesterday and I am still singing. People did not see my art yet, I put it on the pages of my book, all my dreams and my sorrows. Every word will show the readers what was running in my deep feelings. Dr. Nabil El-Halawany
Poetry in Motion traces the fascinating travels of medieval courtly song around most of western Europe, and tells the story of what poetry, poets, and their scribes had to say about vernacular languages.0The medieval courtly lyric, the site for the first extended literary exercises in Occitan, French, Italian and German, is one of the foundations of how we think about European literature. Since the nineteenth century it has in many accounts underpinned a system of linguistically-informed national traditions. David Murray shows in 'Poetry in Motion' how categorizing poetry under headings like?French? or?Italian? poetry can obscure the thinking of medieval poets and scribes about what constituted a language. Rather than existing within a series of rigidly distinct linguistic systems, Murray demonstrates that song moved in a fluid environment where linguistic boundaries could be easily crossed. Aided by its melody, metrical form or quotation in a larger text, a song could travel and elicit meaningful reactions and interactions far from?home?. Combining literary studies with philology, manuscript studies and musicology, 'Poetry in Motion' shows the truly European reach of song in the Middle Ages.0After undergraduate and graduate studies in Cambridge, David Murray completed his PhD in Medieval European Literature at King's College London in 2015. After teaching in Paris, he is now part of the ERC-funded project 'Music and Late Medieval European Court Cultures' based at the University of Oxford. He is currently writing a monograph about the musical culture of the court of Pilgrim von Puecheim, Archbishop of Salzburg, 1365-1396.
Chad, remembering a past embarrassing experience, freaks out when each person in his English class must recite an original poem in front of the entire school, so Troy, Gabriella, and the basketball team all pitch in to help him.
This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.
POETRY E-MOTION is Ronald LaCourses first written poetry of his own original writings. Since 1995, he has dealt with a multitude of situations not allowing him to put his words into poetic form. Ronald has been active with public speaking organizations since 1992, which has allowed him the confidence to organize his written skills since the age of 12 years old. Ronald has grown up in Cleveland, Ohio, and has two very special children in his life. His two daughters April and Christa have been influenced by his poetry and his work as a single parent. This book is the first in a series to be presented as time prevails allowing influence on the other children and adults to address factors that have made a difference in his life. Growing up in the 60s and the 70s and 80s, poetry has always been a part of his life and is sharing lifes experiences of all natures, influencing people and ideal social gathering to share his poems and his influences. Ronalds two children have been quite an influence of his poetry and will continue traditional reason to write. A word of advice for future generations: Do not hide your feelings and do not avoid commitments. Once you do, the reason for living seems to be squandered and you, as the individual, has become disoriented and unacceptable. Go with what is in your heart and do what is right for all.
Poetry in Motion is an inspirational, insightful and in-depth collection of short poems that will be enjoyed by everyone, including: athletes, coaches and fans. The book offers a unique and creative look into the world of sports. The reader will get a glimpse into the preparation and mechanics of athletes and competition.