One idea leads to the birth of another idea that may or may not be related. The poems and other expressions of thought will hopefully stir up the creativity in your soul whether through writing or in works of art. The book in part represents the lifelong passion for creative writing.
It is hard to love the high, cold plains of the American West. They are vast and harsh and demanding. And perhaps because they are so hard to love, prairies challenge the imaginative mind and the adventurous heart. The Wide Open reveals how some of the most interesting and accomplished writers and photographers in the country have met that challenge and given the genius of the prairie a vision and a voice. Their stories are as diverse as the tellers, ranging from fiction by Barry Lopez, Richard Ford, and William Kittredge, to the childhood histories of Mary Clearman Blew and Judy Blunt and the nonfiction narratives of Jim Harrison, Gretel Ehrlich, and Rick Bass. There are works by Native American prairie dwellers such as M. L. Smoker and James Welch and the photographic interpretations of Lee Friedlander, Lois Conner, and Geoffrey James. Personal or poetic, journalistic or scientific, these works eloquently attest to the prairie s abundance in all its human and natural variety, offering pictures as wide open and rich as the land they depict.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
"Prairie Style is about the breakdown of location and voice. It lays out a landscape of habitations (Frank Lloyd Wright's designs for "servantless families," fox dens in an embankment, the two-mile long face of Chicago's Robert Taylor public housing project, etc.) and crosses and recrosses the line between poetry and prose. The book is an acknowledgement of the "terrible frankness" of color, pleasure's distance, and the similarity of equivocation and argument. Prairie Style is the turn inland. "Inland, one needs something more racial, say bigger, than mountains.""--BOOK JACKET.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
In Under Prairie Skies, C. Thomas Shay asks and answers the question, What role did plants play in the lives of early inhabitants of the northern Great Plains? Since humans arrived at the end of the Ice Age, plants played important roles as Native peoples learned which were valuable foods, which held medicinal value, and which were best for crafts. Incorporating Native voices, ethnobotanical studies, personal stories, and research techniques, Under Prairie Skies shows how, since the end of the Ice Age, plants have held a central place in the lives of Native peoples. Eventually some groups cultivated seed-bearing annuals and, later, fields of maize and other crops. Throughout history, their lives became linked with the land, both materially and spiritually.
Excerpt from A Voice of the Prairie: Poems and Prose The purpose of this Preface, like many others, may be said to attempt to excuse the inexcusable. Be that as it may, if there are a number of readers of this book who have had, in their solitary hours, thoughts of a kindred theme, these may suggest new ones. If only one - if no more be possible can - find a line of sympathy with his feelings, the author is repaid. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.