Watterson’s musings press the limits of expression. Planck’s ultimately small 10-35 meters expands to the Sufi mystic’s Nothingness. Feelings expand from Issa’s compassion for the fleas on his deathbed to a glimpse of God’s anguish at [having to permit] the Holocaust, the price of Israel. In one vignette, Watterson pictures the cosmos, endless universes, as dust particles at 30,000 feet disappear in the troposphere. What is the effect? The effect, he says, is something like finding a long-lost reference. Or of having stumbled on the right person just now to tell about a rare instance of moral bravery in his youth. The effect might be that just now innumerable originals of Beethoven are dipping their quills in ink and starting the seventh symphony. One need only imagine and listen.
One of O, The Oprah Magazine’s Ten Best Books of the Year The New York Times bestselling collection of essays from beloved poet, Mary Oliver. “There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . .” —Maureen Corrigan, NPR’s Fresh Air “Uniting essays from Oliver’s previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet’s thoughts on the natural, spiritual and artistic worlds . . .” —The New York Times “In the beginning I was so young and such a stranger to myself I hardly existed. I had to go out into the world and see it and hear it and react to it, before I knew at all who I was, what I was, what I wanted to be.” So begins Upstream, a collection of essays in which revered poet Mary Oliver reflects on her willingness, as a young child and as an adult, to lose herself within the beauty and mysteries of both the natural world and the world of literature. Emphasizing the significance of her childhood “friend” Walt Whitman, through whose work she first understood that a poem is a temple, “a place to enter, and in which to feel,” and who encouraged her to vanish into the world of her writing, Oliver meditates on the forces that allowed her to create a life for herself out of work and love. As she writes, “I could not be a poet without the natural world. Someone else could. But not me. For me the door to the woods is the door to the temple.” Upstream follows Oliver as she contemplates the pleasure of artistic labor, her boundless curiosity for the flora and fauna that surround her, and the responsibility she has inherited from Shelley, Wordsworth, Emerson, Poe, and Frost, the great thinkers and writers of the past, to live thoughtfully, intelligently, and to observe with passion. Throughout this collection, Oliver positions not just herself upstream but us as well as she encourages us all to keep moving, to lose ourselves in the awe of the unknown, and to give power and time to the creative and whimsical urges that live within us.
Poetic meditations on joy, consciousness, and becoming one with the infinite universe from the author of On the Road During an unexplained fainting spell, Beat Generation writer Jack Kerouac experienced a flash of enlightenment. A student of Buddhist philosophy, Kerouac recognized the experience as “satori,” a moment of life-changing epiphany. The knowledge he gained in that instant is expressed in this volume of sixty-six prose poems with language that is both precise and cryptic, mystical and plain. His vision proclaims, “There are not two of us here, reader and writer, but one golden eternity.” Within these meditations, haikus, and Zen koans is a contemplation of consciousness and impermanence. While heavily influenced by the form of Buddhist poems or sutras, Kerouac also draws inspiration from a variety of religious traditions, including Taoism, Native American spirituality, and the Catholicism of his youth. Far-reaching and inclusive, this collection reveals the breadth of Kerouac’s poetic sensibility and the curiosity, word play, and fierce desire to understand the nature of existence that make up the foundational concepts of Beat poetry and propel all of Kerouac’s writing.
A father and husband's meditation on love, adolescence, and the mysterious mechanisms of poetic creation, from the acclaimed poet. The poet's art is revealed in stages in this "making-of" book, where we watch as poems take shape--first as dreams or memories, then as drafts, and finally as completed works set loose on the world. In the long poem "Must We Mean What We Say," a woman reader narrates in prose the circumstances behind poems and snippets of poems she receives in letters from a stranger. Who made up whom? Chiasson, an acclaimed poetry critic, has invented a remarkable structure where the reader and a poet speak to one another, across the void of silence and mystery. He is also the father of teenaged sons, and this volume continues the autobiographical arc of his prior, celebrated volumes. One long section is about the age of thirteen and the dawning of desire, while the title poem looks at the crucial age of fifteen and the existential threat of climate change and gun violence, which alters the calculus of adolescence. Though the outlook is bleak, these poems register the glories of our moment: that there are places where boys can kiss each other and not be afraid; that small communities are rousing and taking care of each other; that teenagers have mobilized for a better world. All of these works emerge from the secretive imagination of a father as he measures his own adolescence against that of his sons and explores the complex bedrock of marriage. Chiasson sees a perilous world both navigated and enriched by the passionate young and by the parents--and poets--who care for them.
Goldsmith explains the Circle of Eternity--the basis of his approach to mysticism--and tells how to transcend the "parenthesis'' of our everyday lives that falls between birth and death.
Finalist for the New England Book Award in Poetry and the Vermont Book Award As heard on NPR Morning Edition A New York Public Library Best Book of 2022 A searching, startling new collection of poems from the author of The Möbius Strip Club of Grief and Someone Else’s Wedding Vows Written in four sections with incisive and vivid lyrical language, Bianca Stone’s What Is Otherwise Infinite considers how we find our place in the world through themes of philosophy, religion, environment, myth, and psychology. “I deal only in the hardest pain-revivers, symbols and tongues,” writes Stone. “I want to tell you only / in the intimacy of our discomfort.” Populated by Archangels, limping in paradise; by allergies of the soul; the intimacy and danger of motherhood; psychic wounds; and dirty, dirty chocolate layer cake, What Is Otherwise Infinite deftly examines our inherent and inherited ideas of how to live, and the experience of the Self—which on one hand is so intensely personal, and on the other, universal.
In book four of the award-winning Austin Family Chronicles young adult series from Madeleine L’Engle, author of A Wrinkle in Time, Vicky Austin experiences the difficulties and joys of growing up. "This wasn't the first time that I'd come close to death, but it was the first time I'd been involved in this part of it, this strange, terrible saying goodbye to someone you've loved." These are Vicky Austin's thoughts as she stands near Commander Rodney's grave while her grandfather, who himself is dying of cancer, recites the funeral service. Watching his condition deteriorate over that long summer is almost more than she can bear. Then, in the midst of her struggle, she finds herself the center of attention for three young men. Leo, Commander Rodney's son, turns to her as an old friend seeking comfort but longing for romance. Zachary, whose attempted suicide inadvertently caused Commander Rodney's death, sees her as the one sane and normal person who can give some meaning to his life. And Adam, a serious young student working at the nearby marine-biology station, discovers Vicky, his friend's little sister, incipient telepathic powers that can help him with his experiments in dolphin communications. Vicky finds solace and brief moments of peace in her poetry, but life goes on around her, and the strain intensifies as she confronts matters of love and of death, of dependence and of responsibility, universal concerns that we all must face. The inevitable crisis comes and Vicky must rely on openness, sensitivity, and the love of others to overcome her private grief. Once again, Madeleine L'Engle has written a story that revels in the drama of vividly portrayed characters and events of the spiritual and moral dimensions of common human experiences. A Ring of Endless Light is a 1981 Newbery Honor Book. Books by Madeleine L'Engle A Wrinkle in Time Quintet A Wrinkle in Time A Wind in the Door A Swiftly Tilting Planet Many Waters An Acceptable Time A Wrinkle in Time: The Graphic Novel by Madeleine L'Engle; adapted & illustrated by Hope Larson Intergalactic P.S. 3 by Madeleine L'Engle; illustrated by Hope Larson: A standalone story set in the world of A Wrinkle in Time. The Austin Family Chronicles Meet the Austins (Volume 1) The Moon by Night (Volume 2) The Young Unicorns (Volume 3) A Ring of Endless Light (Volume 4) A Newbery Honor book! Troubling a Star (Volume 5) The Polly O'Keefe books The Arm of the Starfish Dragons in the Waters A House Like a Lotus And Both Were Young Camilla The Joys of Love
From the iconic New York Times–bestselling author of On the Road: Three revolutionary collections of poetry in one volume. Rebelling against the dry rules and literary pretentiousness he perceived in early twentieth-century poetry, Jack Kerouac pioneered a poetic style informed by oral tradition and driven by concrete language with neither embellishment nor abstraction. In these three groundbreaking collections, the legendary Beat writer offers a spontaneous, uncensored perspective on everything from religion to the structure of language itself. Scattered Poems: Bringing together selections from literary journals and his private notebooks, Scattered Poems exemplifies Kerouac’s innovative approach to language. Populated by hitchhikers, Chinese grocers, Buddhist saints, and cultural figures from Rimbaud to Harpo Marx, the poems evoke the primal and the sublime, the everyday and the metaphysical. The Scripture of the Golden Eternity: During an unexplained fainting spell, Kerouac experienced a flash of enlightenment. A student of Buddhist philosophy, he recognized the experience as “satori,” a moment of life-changing epiphany. The knowledge he gained in that instant is expressed in this volume of sixty-six prose poems with language that is both precise and cryptic, mystical and plain. His vision proclaims, “There are not two of us here, reader and writer, but one golden eternity.” Old Angel Midnight: A spontaneous writing project in the form of an extended prose poem, this sonorous and spiritually playful book is one of Kerouac’s most boldly experimental works. Collected from five notebooks dating from 1956 to 1959—a time in which Kerouac was immersed in Buddhist theory—Old Angel Midnight captures the rhythms of the universe and secrets of the subconscious with stunning linguistic dexterity.
Written during a critical period of his life, Some of the Dharma is a key volume for understanding Kerouac and the spiritual underpinnings of his work While his future masterpiece, On the Road, languished on the desks of unresponsive editors, Kerouac turned to Buddhist practice, and in 1953 began compiling reading notes on the subject intended for his friend Allen Ginsberg. As Kerouac's Buddhist meditation practice intensified, what had begun as notes evolved into a vast and all-encompassing work of nonfiction into which he poured his life, incorporating poems, haiku, prayers, journal entries, meditations, fragments of letters, ideas about writing, overheard conversations, sketches, blues, and more. The final manuscript, completed in 1956, was as visually complex as the writing: each page was unique, typed in patterns and interlocking shapes. The elaborate form that Kerouac so painstakingly gave the book on his manual typewriter is re-created in this typeset facsimile. Passionate and playful, filled with humor, insight, sorrow, and struggle, Some of the Dharma is one of Kerouac's most profound and original works.
