Justly celebrated as one of our strongest poets, Stephen Dunn selects from his eight collections and presents sixteen new poems marked by the haunting "Snowmass Cycle."
John Scattergood's 'The Complete English Poems of John Skelton', originally published in 1983 and long out of print, was the leading academic edition with comprehensive notes. Students are currently limited to searching for Skelton's poems in anthologies. This new edition contains the poems, accompanied by around 150 pages of revised notes. There is an entirely new introduction, covering all developments in Skelton scholarship since the early 1980's, and an updated reading list. Scattergood also reproduces much of the Latin paratexts, considered by readers to be so essential to Skelton - and therefore to scholars of his work. Reviews of previous edition: ''Skelton's greatest poems are learned, difficult, allusive, multilingual, intensely self-conscious and self-reflexive. With their verbal play and many-layered meaning they demand careful and repeated reading; and the most important reason why Skelton's reputation [...] does not correspond to the reality of his work is that there has been no complete edition of the authentic text of his poems since that of Alexander Dyce in 1843. [...] Scattergood's is a splendid achievement: it must be the product of many years of learned and intelligent labour, and it is likely to be the standard edition of Skelton for many years to come.' The Cambridge Review '[Skelton] sits in an awkward historical corner beween the regular "middle ages" and the Shakespeare epoch; and is not nearly well-enough known today. Splendid then, to have [...] this new, complete edition of his works with both the original spellings and explanatory notes, indeed the only such edition since 1843.' The Morning Star
The fourth title published as part of the Robert Graves Programme. This text is the first of a three-volume collection of Graves's poems. It restores hundreds of poems that Graves omitted from the canon or overlooked in his continual refinements. It may lead to a revaluation of his entire poetic oeuvre. Other titles in the series are The Centenary Selected Poems, edited by Patrick Quinn and Collected Writings on Poetry, edited by Paul O'Prey.
A landmark definitive edition of one of our most innovative and beloved poets The landmark oeuvre of Marianne Moore, one of the major inventors of poetic modernism, has had no straight path from beginning to end; until now, there has been no good vantage point from which to see the body of her remarkable work as a whole. Throughout her life Moore arranged and rearranged, visited and revisited, a large majority of her existing poetry, always adding new work interspersed among revised poems. This makes sorting out the complex textual history that she left behind a pressing task if we mean to represent her work as a poet in a way that gives us a complete picture. New Collected Poems offers an answer to the question of how to represent the work of a poet so skillful and singular, giving a portrait of the range of her voice and of the modernist culture she helped create. William Carlos Williams, remarking on the impeccable precision of Moore’s poems, praised “the aesthetic pleasure engendered when pure craftsmanship joins hard surfaces skillfully.” It is only in New Collected Poems that we can understand her later achievements, see how she refashioned her earlier work, and get a more complete understanding of her consummate craftsmanship, innovation, and attention to detail. Presented and collected by Heather Cass White, the foremost scholar of Moore’s work, this new collection at last allows readers to experience the untamed force of these dazzling poems as the author first envisioned them.
“Emotionally resonant and stirring.”—Kirkus Reviews (starred review) “Lucky the reader who would have this collection lying around for visiting and revisiting.”—Horn Book Magazine This celebratory book collects in one volume award-winning and beloved poet Naomi Shihab Nye’s most popular and accessible poems. Featuring new, never-before-published poems; an introduction by bestselling poet and author Edward Hirsch, as well as a foreword and writing tips by the poet; and stunning artwork by bestselling artist Rafael López, Everything Comes Next is essential for poetry readers, classroom teachers, and library collections. Everything Comes Next is a treasure chest of Naomi Shihab Nye’s most beloved poems, and features favorites such as “Famous” and “A Valentine for Ernest Mann,” as well as widely shared pieces such as “Kindness” and “Gate A-4.” The book is an introduction to the poet’s work for new readers, as well as a comprehensive edition for classroom and family sharing. Writing prompts and tips by the award-winning poet make this an outstanding choice for aspiring poets of all ages.
Veronica Gambara (1485-1550) was one of the most celebrated lyric poets of early sixteenth-century Italy. Equally significant to Gambara's literary repute was her political standing as the dowager Countess of Correggio. Though she never published a collected edition of her poetry, Gambara produced an extensive oeuvre of vernacular verse that has been extensively anthologized. This book presents the first complete bilingual edition of Gambara's verse. It sheds light on the unique interrelationship between Gambara's cultural currency and her political power, as she drew on her literary talent to participate in the political arena to emerge as one of the first women poet-rulers of the Early Modern Italian tradition.
Since the publication of Walter de la Mare's first edition of his poems in 1920, Edward Thomas has gradually come to be seen as one of the great English poets of the 20th century. Though sometimes classified with Owen, Rosenberg, and Sassoon as a "war poet," he was rather a poet who died tragically in the war. His main subjects were the English countryside and people, solitude, and the anguish of solipsism. As de la Mare wrote eighty years ago, "When Edward Thomas was killed in Flanders, a mirror of England was shattered of so pure and true a crystal that a clearer and tenderer reflection of it can be found no other where than in these poems." This complete collection of Thomas's poems returns us to the ongoing relevance of this essential poet. Revealing a poet whose work resonates in our times, this volume will be returned to again and again. The sorrow of true love is a great sorrow And true love parting blackens a bright morrow: Yet almost they equal joys, since their despair Is but hope blinded by its tears, and clear Above the storm the heavens wait to be seen. But greater sorrow from less love has been That can mistake lack of despair for hope And knows not tempest and the perfect scope Of summer, but a frozen drizzle perpetual Of drops that from remorse and pity fall And cannot ever shine in the sun or thaw, Removed eternally from the sun's law. - Last Poem [The sorrow of true love]
The complete plays of Shakespeare are often considered among the greatest works in all of English literature. Replete with great characters, from the portly and funny Falstaff to the hesitative and obsessive Hamlet, the plays present us with the entire gamut of human personality. They give us an unparalleled look at love and humour, death and tragedy, history and magic. These plays represent the peak of genius and art from the English language's greatest writer.
Gaspara Stampa was lauded for her singing during her lifetime, but her success and critical reputation as a poet emerged only after her verse was republished in the early eighteenth century. Her poetry runs the gamut of human emotion, ranging from ecstasy over a consummated love affair to despair at its end. While these tormented works and their multiple male addressees have led to speculation that Stampa may have been one of Venice’s famous courtesans, they can also be read as a rebuttal of typical assumptions about women's roles. Championed by Rainer Maria Rilke, among others, she has more recently been celebrated by feminist scholars for her distinctive and original voice and her challenge to convention. This is a translation of Stampa into English.