Interest in language play and linguistic creativity has increased in recent years, and the topic has been taken up from a variety of perspectives. In this book, disparate approaches to the topic are brought together, demonstrating that a number of phenomena whose similarities might not have been immediately recognized, have an academic home under the umbrella of language play and linguistic creativity. The contributions to this collection illustrate the variety of questions that can be asked regarding the social, cognitive, emotional, political, and cultural mechanisms and significance of innovative linguistic practices and point to new directions of inquiry. Furthermore, the work exemplifies a variety of ways in which this research can be carried out, as well as the range of contexts in which it might be investigated, including second language classrooms, online settings, and workplaces. Taken together, the chapters serve to illustrate the range of work that we will be accepting in the Language Play and Creativity series; viewed individually, each makes a unique contribution to some aspect of our understanding of creative language use.
Playfully Inappropriate introduces a radically different approach to writing comedy. No brainstorming. No Broken Assumption Jokes. No joke structures. No kidding. Instead, it focuses on tapping back into your unique sense of humor, personality and creative potential. Have you ever wondered how some comedians can tell such hilarious stories while making the audience feel as if they're hanging out with a friend? Or how top-level comedians can leave you in stitches without ever feeling fake or inauthentic? Comedians were telling hilarious stories and having funny conversations long before they ever learned a single joke structure or tried to list an audience's assumptions. Why trade your natural, effortless ability to make people laugh for awkward joke formulas and brainstorming exercises? Playfully Inappropriate replaces conventional brainstorming exercises and word associations with a fun, easy method of exploration and shows you how to methodically generate hilarious material without ever requiring that you conform to any arbitrary set of rules. You'll discover how "naturally funny people" are consistently able to recognize comedic opportunities and effortlessly respond with hilarious punchlines. Whether you're a stand-up comedian, perform improv, write sketch, or act, Playfully Inappropriate will show you how to bring the same natural flow to your creative process. In this book, you'll learn... How joke-tellers and storyteller comedians use different strategies to create humor How to apply audience psychology to maximize a joke's effectiveness An easy way to create joke premises How to recognize natural opportunities or create your own opportunity for a punchline How to use your natural sense of humor to write both conventional and unconventional jokes How storytelling comedians are able to capture the audience's attention early on How storytellers get laughs without requiring conventional joke structures
The rhetoric of identity in Isocrates offers a sustained interpretation of the Isocratean corpus, showing that rhetoric is a language which the author uses to create a political identity for himself in fourth-century Athens. Dr Too examines how Isocrates' discourse addresses anxieties surrounding the written word in a democratic culture which values the spoken word as the privileged means of political expression. Isocrates makes written culture the basis for a revisionary Athenian politics and of a rhetoric of Athenian hegemony. In addition, Isocrates takes issue with the popular image of the professional teacher in the age of the sophist, combating the negative stereotype of the greedy sophist who corrupts the city's youth in his portrait of himself as a teacher of rhetoric. He daringly reinterprets the pedagogue as a figure who produces a discourse which articulates political authority. This book offers an interdisciplinary approach to ancient rhetoric and should appeal to people with interests in the fields of classics, history, the history of political thought, literature, literary theory, philosophy and education. All passages in Greek and Latin have been translated to ensure accessibility to non-classicists.
“I have always chased my father, chased after his love, chased him through his many changes. I chased him even when I thought I was running in the other direction. Today, even though he is gone, I chase him still. I know he is the key to my freedom.” To runners around the world, Dr. George Sheehan, author of the landmark New York Times bestseller Running and Being, was nothing short of a guru — the country’s “greatest philosopher of sport.” But to his son Andrew, who had spent his entire boyhood longing for the attention and approval of an emotionally distant father, he was an incomprehensible paradox: a lifelong loner, who was now sunning himself in the spotlight of the nation’s press; a hero to millions, who seemed to have no time for his own son. The events that transformed George Sheehan from doctor to family man to bestselling author and media magnet began at the depths of what we would now call a midlife crisis, when he rediscovered an old love — running. Twenty-five years after his days on a high school cross-country team, he remembered how running made him feel free, and began beating a solitary path down his suburban streets. With running as his new religion, the formerly quiet, withdrawn man became an unlikely evangelist, converting a sedentary nation to the theology of fitness, and in the process becoming an internationally known figure. But the freedom he found in running was not enough, and one day he left his family, having decided that life was “an experiment of one,” and it was time for him to start living it. Angry and disillusioned after years of enduring his father’s self-absorption, and hurt by his apparent indifference, Andrew had long since begun the search for his own version of freedom, looking first to drugs and later to alcohol. By his twenties he was a confirmed alcoholic. By his thirties his marriage had fallen apart and he was drinking more heavily than ever. It was at that moment that his father threw him a lifeline. Although he was struggling with the cancer that would eventually end his life, Dr. Sheehan was the first to notice his son’s pain, and to reach out to him. In this stunningly candid book, Andrew Sheehan describes the process through which these two men carefully and lovingly rebuilt their relationship. And in the effort to understand and forgive the dark side of his father’s psyche, Andrew shows how he came to understand, and to transcend, his own. A gracefully written paean to the healing power of forgiveness, a memoir that will resonate with any “fallible” parent or child, Chasing the Hawk traces the arduous steps that carry father and son down the hard road to resolution, healing, and love.
When we try to find words to express our most visceral and primary responses to literature, we are often inclined to speak of its power. But in academic contexts, that intuitive feeling for the vividness, energy, and special intensity of literary experience is all too often subdued, and exchanged for a supposedly more sophisticated discussion of its ethical or political significance. Philip Roth has long thumbed his nose at the 'virtue racket', as one of his characters called it, and his fiction has repeatedly satirised the moralistic idiom that tends to rule the public discussion of literature. In doing so he has earned the disapproval of an unusually wide range of university teachers and intellectuals. Philip Roth: Fiction and Power argues that Roth's importance derives precisely from his revaluation of what counts as sophisticated and serious in our response to literature. As well as examining how Roth emerged as a writer, and defining the main lines of influence on him, the book measures his impact on the dominant ways of thinking about literary value in post-war America. Attention is given to particular questions: about the place of emotion and affective experience, the nature and value of tragedy, the relevance of art to life, the relationship between literature and the unconscious, the concept of the author, the idea of a literary canon, and the ways that fiction illuminates America's complex post-war history. The book will be of importance to readers of modern American literature, and indeed to anyone interested in why literature matters.
Theophrastus' Characters is a collection of 30 short character-sketches of various types of individuals who might be met in the streets of Athens in the late fourth century BC. It is a work which had a profound influence on European literature, and this is a detailed and elaborate treatment of it. This edition presents an improved text, a translation which is designed both to be readable and to bring out fully the nuances of the very difficult Greek, and a commentary which covers every feature of the text and its interpretation and offers particularly full elucidation of the often enigmatic references to contemporary social practices and historical events. There is also a lengthy introduction, which discusses the antecedents and affiliations of the work, its date, its purpose, and the manuscript tradition. Extensive indexes are also provided, including an Index Verborum.
Ketchup and mustard. Salt and pepper. Mickey and Minnie. Peanut Butter and Jelly. Milk and cookies. Things were meant to be together. God made it that way. He made us that way. This book is written to a specific part of your togetherness experience. The most intimate and enduring relationship you have on earth. The person you are married to. Your husband. Your wife. Your covenant partner. The one, whom you held their hand, looked in their eyes and made a covenant of commitment in front of God and witnesses. “Until death do us part”. This book will provide you with practical principles on Coming Together, Talking Together, Deciding Together, Fighting Together, Sleeping Together, Parenting Together and Staying Together. After you finish reading Togetherness, you’ll experience more love for each other then you could imagine. Together. Togetherness - that deep sense of being united, close and inseparable - is what every married couple longs to enjoy. And if you’re looking for a means to this kind of intimacy, you’ve found the right book. Wil Lake reveals the secrets to sweet communion as a couple. Don’t miss out on his message. – Drs. Les & Leslie Parrott #1 New York Times best-selling authors of Saving Your Marriage Before It Starts No one lives togetherness in marriage like the Lakes. Chelsea and I would consider this couple one of our heroes and are we so excited they are sharing their marriage secrets with us. They have modeled this principle of living better together and practicing unity through the seasons of their marriage with care and fruitfulness. This book is real, practical guidance from the Lakes as they share some insightful help and tools to master togetherness in key areas of your marriage. – Judah Smith, Lead Pastor - The City Church, Seattle WA NY Times best-selling author of Jesus Is _____
My name is Froderick Dracula, but my friends call me Frode. I’m seventeen and starting my junior year of high school. My father, the famous Count Dracula, is not only the most celebrated vampire in the world, but he’s also the school ruler, not to mention a huge idiot. He’s completely out of touch with the world and hates anything that he doesn’t understand—which is basically everything. Being the son of the ruler of the school and the highest vampire in all of vampire society is hard enough on its own, but there’s one thing I forgot to mention: I’m gay. It’s pretty hard keeping such a big secret, especially with my father trying to convince me to get my first bite out of the way. I’m not interested in biting any girls, though, so that’s not gonna happen. Starting the first day of school will be just like every other year, boring, bland, full of classes that I don’t care about. That’s what I assumed until our opening assembly, when I saw him. Caleb Cheval. The new vampire in school. He’s also a noble, and he wants to—hold my hand? Whaaat?! What the fangs am I supposed to do?
A random selection of quotes and commentary from Corey Wayne's articles and video coaching newsletters on pickup, dating, relationships, success mindsets, self-reliance, personal responsibility, philosophy, purpose, negotiation, health, inspiration, high achievement, goal setting, time management, career, entrepreneurship, wealth creation and sales.
