Ion

Ion

Author: Plato

Publisher: tredition

Published: 2022-05-04

Total Pages: 34

ISBN-13: 3347638654

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Ion - Plato - Plato is a Classical Greek philosopher, mathematician, student of Socrates, writer of philosophical dialogues, and founder of the Academy in Athens, the first institution of higher learning in the Western world. Along with his mentor, Socrates, and his student, Aristotle, Plato helped to lay the foundations of Western philosophy and science. Plato is one of the most important Western philosophers, exerting influence on virtually every figure in philosophy after him. His dialogue The Republic is known as the first comprehensive work on political philosophy. Plato also contributed foundationally to ethics, metaphysics, and epistemology. His student, Aristotle, is also an extremely influential philosopher and the tutor of Alexander the Great of Macedonia Plato is widely considered a pivotal figure in the history of Ancient Greek and Western philosophy, along with his teacher, Socrates, and his most famous student, Aristotle. He has often been cited as one of the founders of Western religion and spirituality. The so-called neoplatonism of philosophers, such as Plotinus and Porphyry, greatly influenced Christianity through Church Fathers such as Augustine. Alfred North Whitehead once noted: "the safest general characterization of the European philosophical tradition is that it consists of a series of footnotes to Plato." Plato was an innovator of the written dialogue and dialectic forms in philosophy. Plato is also considered the founder of Western political philosophy. His most famous contribution is the theory of Forms known by pure reason, in which Plato presents a solution to the problem of universals known as Platonism (also ambiguously called either Platonic realism or Platonic idealism). He is also the namesake of Platonic love and the Platonic solids. His own most decisive philosophical influences are usually thought to have been, along with Socrates, the pre-Socratics Pythagoras, Heraclitus and Parmenides, although few of his predecessors' works remain extant and much of what we know about these figures today derives from Plato himself. Unlike the work of nearly all of his contemporaries, Plato's entire body of work is believed to have survived intact for over 2,400 years. Although their popularity has fluctuated, Plato's works have consistently been read and studied. Little can be known about Plato's early life and education due to the very limited accounts. Plato came from one of the wealthiest and most politically active families in Athens. Ancient sources describe him as a bright though modest boy who excelled in his studies. His father contributed everything necessary to give to his son a good education, and Plato therefore must have been instructed in grammar, music, gymnastics and philosophy by some of the most distinguished teachers of his era.


Ion

Ion

Author: Plato

Publisher: Les Prairies Numeriques

Published: 2020-07-14

Total Pages: 24

ISBN-13: 9782491251277

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In Plato's Ion Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues. Commentary Plato's argument is supposed to be an early example of a so-called genetic fallacy since his conclusion arises from his famous lodestone (magnet) analogy. Ion, the rhapsode "dangles like a lodestone at the end of a chain of lodestones. The muse inspires the poet (Homer in Ion's case) and the poet inspires the rhapsode." Plato's dialogues are themselves "examples of artistry that continue to be stageworthy;" it is a paradox that "Plato the supreme enemy of art is also the supreme artist." Plato develops a more elaborate critique of poetry in other dialogues such as in Phaedrus 245a, Symposium 209a, Republic 398a, Laws 817 b-d. summaryIon's skill: Is it genuine? (530a-533c) Ion has just come from a festival of Asclepius at the city of Epidaurus, after having won first prize in the competition. Socrates engages him in discussion and Ion explains how his knowledge and skill is limited to Homer, whom he claims to understand better than anyone alive. Socrates finds this puzzling as to him it seems that Homer treats many of the same subjects as other poets like Hesiod, subjects such as war or divination, and that if someone is knowledgeable in any one of those he should be able to understand what both of these poets say. Furthermore, this man is probably not the poet, like Ion, but a specialist like a doctor, who knows better about nutrition. The nature of poetic inspiration (533d-536d) Socrates deduces from this observation that Ion has no real skill, but is like a soothsayer or prophet in being divinely possessed: "For not by art do they utter these things, but by divine influence; since, if they had fully learned by art to speak on one kind of theme, they would know how to speak on all. And for this reason God takes away the mind of these men and uses them as his ministers, just as he does soothsayers and godly seers, in order that we who hear them may know that it is not they who utter these words of great price, when they are out of their wits, but that it is God himself who speaks and addresses us through them." (534b-d) Ion's choice: To be skilled or inspired (536e-542a) Ion tells Socrates that he cannot be convinced that he is possessed or mad when he performs (536d, e). Socrates then recites passages from Homer which concern various arts such as medicine, divining, fishing, and making war. He asks Ion if these skills are distinct from his art of recitation. Ion admits that while Homer discusses many different skills in his poetry, he never refers specifically to the rhapsode's craft, which is acting.


Plato's Ion

Plato's Ion

Author: Franco V. Trivigno

Publisher: Cambridge University Press

Published: 2020-10-29

Total Pages: 133

ISBN-13: 1108604757

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This Element defends an interpretation of Plato's Ion on which its primary concern is with audience reception of poetry. The dialogue countenances and rejects two models of poetic reception, the expertise model and the inspiration model, both of which make the audience entirely passive in relation to poetry; and it presents the character of Ion as a comedic figure, a self-ignorant fool whose foolishness is a function of his passive relation to Homer. In the end, this Element argues that, for Plato, critical engagement is the proper way for audiences to treat poetry. This view holds open the possibility that poetry may express some truths without thereby endorsing the idea that poets are experts who have authoritative knowledge.


Plato on Poetry

Plato on Poetry

Author: Plato

Publisher: Cambridge University Press

Published: 1996-03-07

Total Pages: 268

ISBN-13: 9780521349819

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Prior to publication of this 1996 book, much had been written on Plato as a critic of literature, but no commentaries had appeared in English on the Ion, or the opening books of the Republic in which Plato launches his famous attack on poetry, since the early years of this century. This volume brings together these texts and the relevant section of Republic 10. It aims to provide the reader with a commentary which takes account of modern scholarship on the subject, and which explores the ambivalence of Plato's pronouncements on poetry through an analysis of his own skill as a writer. A general introduction sets Plato's views in the wider context of attitudes to poetry in Greek society before his time, and indicates the main ways in which his writings on poetry have influenced the history of aesthetic thought in European culture.


Plato. Ion Or: On the Iliad

Plato. Ion Or: On the Iliad

Author: Albert Rijksbaron

Publisher: BRILL

Published: 2007-11-01

Total Pages: 304

ISBN-13: 9047422872

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On the basis of a fresh collation of the four primary manuscripts, this book presents a revised text of Plato's Ion, with full apparatus criticus. The commentary has a strong linguistic orientation; it includes discussions of Platonic vocabulary. Linguistic considerations are also the leading principle in the choice of one MS reading rather than another. Drawing on Byzantine practices and theories, the book pays special attention to questions of punctuation, an area too often ignored in editions of classical texts. The extensive introduction deals with, inter alia, Plato's attack on poetry, the position of the Ion in the corpus Platonicum—rather late, this book argues—, the title(s) of the dialogue, the reasons why MS Venetus 189 should be considered a primary MS, and the text of the Homeric quotations in the Ion.


Plato's Ion & Meno

Plato's Ion & Meno

Author: Plato

Publisher: Agora Publications, Inc.

Published: 1998

Total Pages: 84

ISBN-13: 9781887250108

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" ... an unabridged adaptation of Benjamin Jowett's translation [of] 1873 ... Changes in the language have been made so that the dialogue flows more naturally in the contemporary American English idiom"--T.p. verso.


PHILEBUS

PHILEBUS

Author: Plato

Publisher: 右灰文化傳播有限公司可提供下載列印

Published: 2017-04-20

Total Pages: 111

ISBN-13:

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�Socrates. Observe, Protarchus, the nature of the position which you are now going to take from Philebus, and what the other position is which I maintain, and which, if you do not approve of it, is to be controverted by you. Shall you and I sum up the two sides? Protarchus. By all means. Soc. Philebus was saying that enjoyment and pleasure and delight, and the class of feelings akin to them, are a good to every living being, whereas I contend, that not these, but wisdom and intelligence and memory, and their kindred, right opinion and true reasoning, are better and more desirable than pleasure for all who are able to partake of them, and that to all such who are or ever will be they are the most advantageous of all things. Have I not given, Philebus, a fair statement of the two sides of the argument?�


Two Comic Dialogues

Two Comic Dialogues

Author: Plato

Publisher: Hackett Publishing

Published: 1983-01-01

Total Pages: 100

ISBN-13: 9780915145775

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Together these two dialogues contain Plato's most important work on poetry and beauty.


Plato's Ion

Plato's Ion

Author: John Bremer

Publisher: Bibal Press

Published: 2005-01

Total Pages: 394

ISBN-13: 9781930566514

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This book contains the complete Greek text of Plato's Ion, an English translation of it, and an in depth analysis. The Ion is one of the shortest of Plato's dialogues and yet it raises two most critical questions. First, is there an art of poetry as a whole, that is, is there an art of words and, if so, what is its nature? All acts of language are poetic, and philosophy is impossible without them. Thus arises the second question: does philosophy itself exist only in the use of words, in the question and answer, in the interchange called dialectic. Dialectic is between people, so that it has an essentially social as well as an intellectual dimension, and it is while the conversation continues that philosophy fully exists; it lives in the performance. Ion performs Homer, and Plato (or his reader) performs Socrates. There are similarities - for example, both have musical or metrical structures - but there are also crucial differences - Ion's performance of Homer has hearers; Plato's performance of Socrates has participants.


Commentaries on Plato: Phaedrus and Ion

Commentaries on Plato: Phaedrus and Ion

Author: Marsilio Ficino

Publisher: Harvard University Press

Published: 2008

Total Pages: 346

ISBN-13: 9780674031197

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Marsilio Ficino (1433-1499), the Florentine scholar-philosopher-magus, was largely responsible for the Renaissance revival of Plato. This volume contains Ficino's extended analysis and commentary on the Phaedrus.