"Plastic vanitas is a series of photographic artworks by Mariele Neudecker that re-presents the collection of the MoDiP collection as vanitas still lifes"--Page 8.
Robert is at a crossroads. Just retired from a brilliant career as a UN manager in humanitarian aid, he could work as a high-level consultant or pursue his childhood dream of becoming an artist. He chooses the latter to the dismay of his wife Kay. Twenty years his junior, she is a lover of Contemporary Art, deeply involved in her work as the owner of a trendy art gallery in New York. She is horrified by his academic paintings. They fight over Art - he’s square, she’s cool - but more separates them than diverging views on Art. A secret Kay has never revealed weighs on their marriage and threatens to break it apart…
Praise for Rikki Ducornet: “A novelist whose vocabulary sweats with a kind of lyrical heat.” —New York Times “Ducornet—surrealist, absurdist, pure anarchist at times—is one of our most accomplished writers, adept at seizing on the perfect details and writing with emotion and cool detachment simultaneously. I love her style because it is penetrating and precise but also sensual without being overwrought. You experience a Ducornet novel with all of your senses.” —Jeff VanderMeer “Linguistically explosive. . . . One of the most interesting American writers around.” —The Nation “Ducornet celebrates the playful and rebellious nature of art, and the anarchic ability of the imagination to subvert physical limitations.” —Times Literary Supplement A feral boy comes of age on a campus decadent with starched sheets, sweating cocktails, and homemade jams. Stub is the cause of that missing sweater, the pie that disappeared off the cooling rack. Then Stub meets Billy, who takes him in, and Asthma, who enchants him, and all is found, then lost. A fragrant, voluptuous novel of imposture, misplaced affection, and emotional deformity. An artist and writer, Rikki Ducornet has illustrated books by Robert Coover, Jorge Luis Borges, Forrest Gander, and Joanna Howard. Her paintings have been exhibited widely, including, most recently, at the Pierre Menard Gallery in Cambridge, Massachusetts, and the Salvador Allende Museum in Santiago, Chile.
The Lyotard Reader and Guide is a one-stop companion to Lyotard's thought. It covers the full range of his works, from his three main books ( Discours, figure; Libidinal Economy; and The Differend) and up to his influential essays in The Inhuman and Postmodern Fables. The readings are organized into sections on philosophy, politics, art, and literature. Several have never before been translated into English. Detailed introductions to each section by two leading Lyotard scholars explain the philosopher's key ideas and provide crucial social, political, aesthetic, and philosophical context. As a sourcebook and guide, this is the most up-to-date and comprehensive volume on Lyotard. It is indispensable to students and scholars in philosophy, literature, the arts, and politics.
Catalog of an exhibition held at Leigh Yawkey Woodson Art Museum, Mar. 4-Apr. 16, 1989 and other museums, organized by the Szépmüvészeti Múzeum. Prepared by Ildikó Ember.
Keith Morrison is a leading figure in the American art world, a prolific painter and a respected scholar and educator. In this beautifully illustrated volume, Ater (art history and archaeology, U. of Maryland) examines Morrison's painting, his impact on African American art and its critics, and his roots. She includes her interviews and corresponde