Many women become trapped in their lives while feeling hopeless and alone. They are overwhelmed by their situation that they can no longer see a way out until the pain they are suffering becomes too much and they reach the critical point of enough is enough is enough. This is the pivotal moment when they summon up their courage from deep within their soul and scream, Enough! No more. The human instinct for survival takes over, and solutions are sought to their struggle by choosing to do different. She emerges like a phoenix out of the burning ashes, stronger, bolder, and unafraid to show her brilliance to the world.
Bridging the gap between spirituality and the recovering community, Rising from the Dead: Stories of Women’s Spiritual Journeys to Sobriety tells the stories of alcoholic women in long-term sobriety whose faith-based rehabilitation healed and transformed their lives. Using the format adopted by Alcoholics Anonymous in telling their stories, each woman tells “how it was, what happened, and how it is now.” Their stories are first examined within the more secular models of treatment, and then in relation to theological categories and models. Illustrating the catastrophic nature of alcoholism as well as the hopeful path to recovery, this book offers a practical and valuable guide for professionals working in the Christian community to assist women suffering from addiction. Rising from the Dead describes the 12-step spiritual approach to treating addiction, and offers strategies for strengthening and developing the spiritual lives of those afflicted with this burden. This book examines the use of stories from a therapeutic and Christian perspective, and suggests models for therapeutic listening and counseling. It also covers narrative construction, issues with shame and guilt, threshold experiences, God language, and much more. An indispensable book on healing through communities of faith, Rising from the Dead: Stories of Women’s Spiritual Journeys to Sobriety is ideal for pastors, pastoral counselors, chaplains, parish nurses, and seminary faculty teaching in the area of addiction ministry.
The personal narratives of nine 20th-century Catholic female authors -- Monica Baldwin, Antonia White, Mary McCarthy, Mary Gordon, Mary Daly, Barbara Ferraro, Patricia Hussey, Karen Armstrong, and Patricia Hampl -- speak eloquently about the process of departure from the church and its institutions. This study explores each author's breaking of the taboo associated with women leaving their "proper place." It locates five themes at the heart of all of their narratives: reversal, boundary crossing, diaspora, renaming, and recycling. Debra Campbell grapples with the spirituality of departure depicted by all nine women, for whom the very process of leaving Catholic institutions is a Catholic enterprise. These narratives support the popular maxim that no one ever really leaves the church. In the final chapter, Campbell examines narratives of return, confirming the book's overarching theme that neither departure nor return is ever finished.
Real Women Scrap offers guidance for transformative scrapbooking and creative living. Filled with practical tips, inspiring stories, and insightful strategies, this life-changing guide shows readers how to use key elements in scrapbooking to reconnect with themselves. Drawing parallels between the lessons of the scrapbook page and the lessons of living, author Tasra Dawson connects the wisdom of a beloved pastime with timeless principles for improving busy women's lives.
Choice Recommended Read This thoroughly revised new edition updates Sheila Greene's original transformative account of the psychological development of girls and women and the central role of time in shaping human experience. Greene critically reviews traditional and contemporary theoretical approaches – ranging from orthodox psychoanalysis to relational and post-modern theories – and argues that even those that claim to focus on development have presented a view of women's lives as fixed and determined by their nature or their past. These theories, she believes, should be rejected because of their inherent lack of validity and their frequently oppressive implications for women. Essential but often neglected insights from the more compelling developmental and feminist theories are woven together within a theoretical framework that emphasizes temporality, emergence and human agency. The result is a liberating theory of women's psychological development as constantly emerging and changing in time rather than as static and fixed by their nature, socio-cultural context and personal history. Updated for a new generation of readers, The Psychological Development of Girls and Women will continue to be essential reading for students and researchers in the psychology of women, developmental psychology and women's studies.
Covers 65 major works of women's literature, from Louisa May Alcott to Virginia Woolf. Each concise note contains biographical information on the writer; plot overview; character list and detailed character analyses explanations of major themes, motifs, and symbols; and the most important quotations, followed by explanations of why they are significant. Sample A+ student essays are included.
Dehumanization has led to serious misinterpretation of the Gospels. On the one hand, Christians have often made Jesus so much more than human that it seemed inappropriate to ask about the influence other human beings had on him, male or female. On the other hand, women have been treated as less than fully human, their names omitted from stories and their voices and influence on Jesus neglected. When we ask the question this book does, what Jesus learned from women, puzzling questions that have frustrated readers of the Gospels throughout history suddenly find solutions. Weaving cutting edge biblical scholarship together with an element of historical fiction and a knack for writing for a general audience, James McGrath makes the stories of women in the New Testament come alive, and sheds fresh light on the figure of Jesus as well. This book is a must read for scholars, students, and anyone else interested in Jesus and/or in the role of ancient women in the context of their times.
A compelling dual-narrated tale from Jennifer Latham that questions how far we've come with race relations. Some bodies won't stay buried. Some stories need to be told. When seventeen-year-old Rowan Chase finds a skeleton on her family's property, she has no idea that investigating the brutal century-old murder will lead to a summer of painful discoveries about the present and the past. Nearly one hundred years earlier, a misguided violent encounter propels seventeen-year-old Will Tillman into a racial firestorm. In a country rife with violence against blacks and a hometown segregated by Jim Crow, Will must make hard choices on a painful journey towards self discovery and face his inner demons in order to do what's right the night Tulsa burns. Through intricately interwoven alternating perspectives, Jennifer Latham's lightning-paced page-turner brings the Tulsa race riot of 1921 to blazing life and raises important questions about the complex state of US race relations--both yesterday and today.
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.
