This popular text circulated widely in manuscript form and was printed in several editions between the late 15th and the early 18th centuries, in Latin, German, and Italian. The present volume represents the first time this work has been translated into English, bringing its colorful narrative to the attention of a wider audience. This edition also provides extensive footnotes, an appendix of rulers, and a lengthy introduction to Aeneas?s life and the context and relevance of this work.
Written in the mid-fifteenth century, Pope Pius II’s Commentaries are the only known autobiography of a reigning pontiff and a fundamental text in the history of Renaissance humanism. In this book, Emily O’Brien positions Pius’ expansive autobiographical text within that century’s contentious debate over ecclesiastical sovereignty. Presenting the Commentaries as Pius’ response to the crisis of authority, legitimacy, and relevance that was engulfing the Renaissance papacy, she shows how the Commentaries function as both an aggressive assault on the papal monarchy’s chief opponents and a systematic defense of Pius’s own troubled pontificate and his pre-papal career. Illustrating how the language, imagery, and ideals of secular power inform Pius’ apologetic self-portrait, The Commentaries of Pope Pius II (1458–1464) and the Crisis of the Fifteenth-Century Papacy demonstrates the role that Pius and his writings played in the evolution of the Renaissance papacy.
Aeneas Sylvius Piccolomini (1405-1464, elected Pope Pius II in 1458) was an important and enigmatic figure of the Renaissance as well as one of the most prolific writers and gifted stylists ever to occupy the papacy
Plague and Pleasure is a lively popular history that introduces a new hypothesis about the impetus behind the cultural change in Renaissance Italy. The Renaissance coincided with a period of chronic, constantly recurring plague, unremitting warfare and pervasive insecurity. Consequently, people felt a need for mental escape to alternative, idealized realities, distant in time or space from the unendurable present but made vivid to the imagination through literature, art, and spectacle.
Filled with discoveries, this is the dramatic story of Pope Pius XII's struggle to response to the Second World War, the Holocaust, and the Nazi domination of Europe.The Pope at War is the third in a trilogy of books about Pope Pius XII's response to the rise of Fascism and Nazism. It tells the dramatic story of Pope Pius XII's struggle to respond to the Second World War, the Holocaust, and the ongoing Nazi attempts to exterminate the Jews of Europe. It is the first book dealing with the war to make extensive use of the newly opened Vatican archives for the war years. It is based, as well, on thousands of documents from the Italian, German,French, British, and American archives. Among the many new discoveries brought to light is the discovery that within weeks of becoming pope in 1939, Pius XII entered into secret negotiations with Hitler through Hitler's emissary, a Nazi Prince who was married to the daughter of the King of Italy and who was veryclose to Hitler. The negotiations were kept so secret that not even the German ambassador to the Holy See was informed of them. The book also offers new insight into the thinking behind Pius XII's decision to maintain good relations with the German government during the war, including keeping the Germans happy while they occupied Rome in 1943-1944. And throughout, David I. Kertzer shows the active role of the Italian Church hierarchy in promoting the Axis war while the pope, who as bishop ofRome was responsible for the Italian hierarchy, offered his silent blessings and cast his public speeches in such a way that both sides could claim support for their cause.
This book contains eleven essays on Aeneas Silvius Piccolomini (1405-1464), humanist, author, courtier, inveterate traveller, conciliarist and then papalist, priest, bishop and finally pope under the name Pius II (1458-1464), urban architect of Pienza, grand patron of the arts, and would-be Crusader. Contributors include: Giuseppe Chironi, Thomas M. Izbicki, Zweder von Martels, Claudia Märtl, Margaret Meserve, Rolando Montecalvo, Keith Sidwell, Marcello Simonetta, and Benedikt Konrad Vollmann.
The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.
