It took your cousin, Pippa, months to save up enough money to buy a video game, and now it won’t load. You’ve convinced her to see it as a mystery, not a disaster, but it wasn’t easy, and the internet and the game company offer no help. Did the game break on its own, or did someone break it on purpose? Who among your friends might have wanted to hurt Pippa this way? Pippa will need you to decide which clues to examine and in what order. See if you can solve the mystery before Pippa does!
Louisa and Sissy are the best of friends. Or… they were... Now Sissy won’t so much as look at Louisa and Louisa has no idea why. It’s another mystery for you and your cousin, Pippa, to solve. Will you interview Sissy’s brother or will you snoop around her back garden to spy on her? You decide what order to collect the clues, and once you have them all, see if you can solve the mystery before Pippa does!
New York Times bestselling author and former NFL defensive end Tim Green encourages readers to fight for their dreams in this heartfelt story about a young football star grappling with the stress of living up to his father’s name. Perfect for fans of Mike Lupica! Danny Owens is dedicating his seventh-grade season to his Super Bowl champion father, who recently passed away. Danny promises everyone that, just like his dad, he’ll dominate the big game at the end of the season and earn a spot on the high school varsity team. Then his English teacher catches him cheating on a test. Even though Danny can retake it, he knows there’s no point. He can’t read. And if Danny can’t pass this class, he won’t be eligible to play in the championship game that could unlock his future. While his resentment rises against the only person willing to help him win off the field, the pressure to succeed begins to weigh heavily on Danny’s shoulders. Danny is being tested on every level now, and to pass, he may very well have to choose a different path from his father’s.
Jesse Rigsby is on a mission to save his friend Mark, but first he's got to shake the Bigfoot chasing him through the school library. And then there's the velociraptor in the bathroom. Oh yeah, and don't forget the ginormous flame-throwing bat in the
Kids who love video games will love this third installment of the new 5-book series about 12-year old Jesse Rigsby and the wild adventures he encounters inside different video games. Age Level: 8-12 Grade Level: 3rd and up The robots are here and they're not happy, at all. After accidentally releasing the robot villains from Super Bot World 3 into the real world, Jesse Rigsby's got to figure out a way to make everything right before anyone gets hurt. He'd usually rely on his friend Eric to help him with this sort of thing, but he's gone missing. To find Eric, Jesse will have to survive rickety mine carts, sewer piranhas, mysterious men in suits, and a 100-foot-tall robot named Goliatron. This is Jesse's most dangerous adventure yet because this time the video game is real. And in the real world, there are no extra lives.
The acclaimed short-story author and poet transports readers from the teeming streets of India to the rolling Himalayas, in this lyrical, exotic, and rich middle-grade fantasy.
"A must read."—CHOICE Outstanding Academic Title, 2022 "Holds up a mirror to the unifying, braided futures underlying so-called 'Western' and 'Muslim' feminism that are both undermined by the power of capital, the world trade order, and cynical geopolitics."—2023 Association for Asian Studies Coomaraswamy Book Prize A crystal-clear account of the entangled history of Western and Muslim feminisms. Western feminists, pundits, and policymakers tend to portray the Muslim world as the last and most difficult frontier of global feminism. Challenging this view, Elora Shehabuddin presents a unique and engaging history of feminism as a story of colonial and postcolonial interactions between Western and Muslim societies. Muslim women, like other women around the world, have been engaged in their own struggles for generations: as individuals and in groups that include but also extend beyond their religious identity and religious practices. The modern and globally enmeshed Muslim world they navigate has often been at the weaker end of disparities of wealth and power, of processes of colonization and policies of war, economic sanctions, and Western feminist outreach. Importantly, Muslims have long constructed their own ideas about women’s and men’s lives in the West, with implications for how they articulate their feminist dreams for their own societies. Stretching from the eighteenth-century Enlightenment era to the War on Terror present, Sisters in the Mirror shows how changes in women’s lives and feminist strategies have consistently reflected wider changes in national and global politics and economics. Muslim women, like non-Muslim women in various colonized societies and non-white and poor women in the West, have found themselves having to negotiate their demands for rights within other forms of struggle—for national independence or against occupation, racism, and economic inequality. Through stories of both well-known and relatively unknown figures, Shehabuddin recounts instances of conflict alongside those of empathy, collaboration, and solidarity across this extended period. Sisters in the Mirror is organized around stories of encounters between women and men from South Asia, Britain, and the United States that led them, as if they were looking in a mirror, to pause and reconsider norms in their own society, including cherished ideas about women’s roles and rights. These intertwined stories confirm that nowhere, in either Western or Muslim societies, has material change in girls’ and women’s lives come easily or without protracted struggle.
The essays in this collection work toward a larger goal of separating "globalization" from strictly economic considerations. The authors instead look at globalization as a force that produces profound social and cultural consequences, including migration, struggles for social change, and the transformations of aesthetic practices.
How does the sacred/secular opposition explain itself in the context of musical production? This volume traces this binary as it frames Western Classical music and Indian Classical music in the 18th and 19th centuries, laying the ground for a contemporary exploration of what is ostensibly sacred music in South Asia. Offering a potent critique of musicological knowledge-making, Virinder S. Kalra explores examples of South Asian musics in various domains and traverses a new cartography of music in which the sacred and the secular overlap. Drawing on examples which include Qawwali, kirtan and popular devotional genres, Sacred and Secular Musics offers new empirical material, as well as new insights into conceptualising religion and music, and the ways in which music performs sacredness and secularity across the contested India-Pakistan border in the region of Punjab. Through its deconstruction of the sacred/secular opposition, Sacred and Secular Musics explores the relationship of religion and music to wider questions of religion and politics. Its postcolonial approach brings Asia into the Western sacred/secular opposition, and provides a set of analytical tools - a language and range of theories - to allow further exploration of non-western religious music.
