He climbs a ladder to reach another man's wife and gives himself up to her beauty, but then Pilgermann descends into a mob of peasants inspired by the Pope to shed the blood of Jews. Alone on the cobblestones, mutilated and unmanned, he cries out to Israel, to the Lord his God, to Abraham and Isaac and Jacob. He is answered instead by Jesus Christ: 'I'm the one you talk to from now on.' Every day is the Day of Reckoning and the judgement Christ brings is the start of straight action. Pilgermann hears a voice from within and becomes a pilgrim. Through time and war and Death itself, he makes his way along the road to Jerusalem, struggling to find God in the horror that surrounds him.
‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.
On a day like any other, Kleinzeit gets fired. Hours later he finds himself in hospital with a pair of adventurous pyjamas and a recurring geometrical pain. Here he falls instantly in love with a beautiful night nurse called Sister. And together they are pitched headlong into a wild and flickering world of mystery ... Kleinzeit. In German that means 'hero'. Or 'smalltime'. It depends on whom you ask. 'Russell Hoban is our Ur-novelist, a maverick voice that is like no other' SUNDAY TELEGRAPH
A Russell Hoban Omnibus presents four of Hoban's novels: the haunting The Lion of Boaz-Jachin and Jachin-Boaz; the popular Turtle Diary (which was made into a movie starring Glenda Jackson and Ben Kingsley); Pilgermann; and his newest work, Mr Rinyo-Clacton's Offer, a brilliant Faustian comedy published here for the first time in the United States. Book jacket.
An inexplicable message flashed onto the screen of his Apple II computer at 3 a.m. heralds the beginning of a startling quest for frustrated author Herman Orff. Taking up the offer of a cure for writer's block leads him 'to those places in your head that you can't get to on your own' - and plunges him into a semi-dreamland inhabited by a bizarre combination of characters from myth and reality: the talking head of Orpheus; a lost love; the young girl of Vermeer's famous portrait - and a frequency of Medusas.
"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and—this matters most—intensely ponderable." —Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." —Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." —Anthony Thwaite, Observer "Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." —Michael Dirda, Washington Post Book World "Stunning, delicious, designed to prevent the modern reader from becoming stupid." —John Leonard, The New York Times "Highly enjoyable . . . An intriguing plot . . . Ferociously inventive." —Walter Clemons, Newsweek "Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius." —Jane Clapperton, Cosmopolitan "An imaginative intensity that is rare in contemporary fiction.' —Paul Gray, Time Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state—and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture—rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.
Falling head over heels for the spirited Lola, who shares his musical tastes and complements him on every level, Max nevertheless pursues a secret second relationship when the unattainable high-school homecoming queen he loved years earlier reenters his life.
“A postmodern literary masterpiece.” –The Times Literary Supplement Two hundred years after civilization ended in an event known as the Blast, Benedikt isn’t one to complain. He’s got a job—transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe—and though he doesn’t enjoy the privileged status of a Murza, at least he’s not a serf or a half-human four-legged Degenerator harnessed to a troika. He has a house, too, with enough mice to cook up a tasty meal, and he’s happily free of mutations: no extra fingers, no gills, no cockscombs sprouting from his eyelids. And he’s managed—at least so far—to steer clear of the ever-vigilant Saniturions, who track down anyone who manifests the slightest sign of Freethinking, and the legendary screeching Slynx that waits in the wilderness beyond. Tatyana Tolstaya’s The Slynx reimagines dystopian fantasy as a wild, horripilating amusement park ride. Poised between Nabokov’s Pale Fire and Burgess’s A Clockwork Orange, The Slynx is a brilliantly inventive and shimmeringly ambiguous work of art: an account of a degraded world that is full of echoes of the sublime literature of Russia’s past; a grinning portrait of human inhumanity; a tribute to art in both its sovereignty and its helplessness; a vision of the past as the future in which the future is now.
'Recalls Orwell's 1984 and Wells's The Time Machine ... a revelation' Guardian On 4 November 2052, Fremder Gorn is discovered drifting in deep space. He has no spacesuit, no helmet, no oxygen, but he is still alive: the sole survivor from the mysteriously vanished ship Clever Daughter. How did he get here? To find out, Fremder must search through memory, dream and the unknowable fragments of his own mind. 'A wildly imaginative piece of science fiction' The Times 'Unputdownable, moving, ingenious ... it will remain in my head with troubling images and scenes for a long time' A. N. Wilson, Evening Standard
In A Wayward Mood gathers together the most important work of this visionary teacher and cultural observer. It is the essential Daniel C. Noel. For more than forty years, Daniel C. Noel wrote and taught at the nexus of religion, literature, and cultural studies, working in the tradition of C.G. Jung, Joseph Campbell, and James Hillman. His books include Seeing Castaneda; Approaching Earth--A Search for the Mythic Significance of the Space Age; Paths to the Power of Myth;and The Soul of Shamanism. Noel passed away in August, 2002.
