Picturing Yale
Picturing Yale

Author:

Publisher:

Published: 2018-02

Total Pages: 128

ISBN-13: 9780974956541

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Picturing Yale celebrates both a university and a photographer. Michael Marsland has been photographing Yale for more than forty years, thirty of them as university photographer, and in that time he has created an unparalleled visual record of the campus. Students, faculty, staff, alumni, and visitors alike often see-- or remember-- Yale through his images. This selection of Marsland's photographs captures not just the look but also the spirit of today's Yale. The introductory essay by Jay Gitlin, a member of the History department at Yale for more than thirty years, situates this photographic record within a wider view of the university's history. Together, Marsland and Gitlin deliver an engaging and evocative portrait of this institution.

Picturing a Nation
Picturing a Nation

Author: David M. Lubin

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 400

ISBN-13: 9780300057324

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Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.

Picturing Imperial Power
Picturing Imperial Power

Author: Beth Fowkes Tobin

Publisher: Duke University Press

Published: 1999

Total Pages: 324

ISBN-13: 9780822323389

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An interdisciplinary study of visual representations of British colonial power in the eighteenth century.

Picturing Performance
Picturing Performance

Author: Thomas F. Heck

Publisher: University Rochester Press

Published: 1999

Total Pages: 286

ISBN-13: 9781580460446

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There has long been a need to introduce performing-arts enthusiasts and students to the fascinating field of iconography, both as manifested in art history and in its more pragmatic or applied forms. Yet relatively little systematic effort has been made to collect and interpret centuries of such visual evidence in the light of the best available art-historical information, combined with corroborating textual documentation and insights from the histories of performance disciplines. Aspiring iconographers of the performing arts need to be aware that there are often several levels of interpretation which great works of visual art will sustain. This book explores these levels of interpretation: a surface or literal reading, a deeper reading of the work which seeks to enter the mind of the artist and asks how and why he put a given work together, and the deepest reading of the work relating it to the artistic traditions and culture in which the artist lived. In expounding on these levels of iconographic interpretations four discourses by scholars active in the study of visual records are given in relation to traditions, techniques, and trends: performance in general (Katritzky), music (Heck), theatre (Erenstein), and dance (Smith). Effort is made to keep abreast of modern technology influencing iconographic representations as on the Internet and virtual reality.Thomas F. Heck is Professor of Musicology and Head of the Music and Dance Library at the Ohio State University.

Picturing Victorian America
Picturing Victorian America

Author: Nancy Finlay

Publisher: Wesleyan University Press

Published: 2012-01-01

Total Pages: 252

ISBN-13: 0819571253

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Winner of the Ewell L. Newman Award from the American Historical Print Collectors Society (2009) Winner of the Betty M. Linsley Award from the Association for the Study of Connecticut History (2010) This is the first book-length account of the pioneering and prolific Kellogg family of lithographers, active in Connecticut for over four decades. Daniel Wright Kellogg opened his print shop on Main Street in Hartford five years before Nathaniel Currier went into a similar business in New York and more than twenty-five years before Currier founded his partnership with James M. Ives, yet Daniel and his brothers Elijah and Edmund Kellogg have long been overshadowed by the Currier & Ives printmaking firm. Editor Nancy Finlay has gathered together eight essays that explore the complexity of the relationships between artists, lithographers, and print, map, and book publishers. Presenting a complete visual overview of the Kelloggs' production between 1830 and 1880, Picturing Victorian America also provides museums, libraries, and private collectors with the information needed to document the Kellogg prints in their own collections. The first comprehensive study of the Kellogg prints, this book demands reconsideration of this Connecticut family's place in the history of American graphic and visual arts. CONTRIBUTORS: Georgia B. Barnhill, Lynne Zacek Bassett, Candice C. Brashears, Nancy Finlay, Elisabeth Hodermarsky, Richard C. Malley, Sally Pierce, Michael Shortell, Kate Steinway.

The Art of Picturing in Early Modern English Literature
The Art of Picturing in Early Modern English Literature

Author: Camilla Caporicci

Publisher: Routledge

Published: 2019-11-04

Total Pages: 264

ISBN-13: 1000734838

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Written by an international group of highly regarded scholars and rooted in the field of intermedial approaches to literary studies, this volume explores the complex aesthetic process of "picturing" in early modern English literature. The essays in this volume offer a comprehensive and varied picture of the relationship between visual and verbal in the early modern period, while also contributing to the understanding of the literary context in which Shakespeare wrote. Using different methodological approaches and taking into account a great variety of texts, including Elizabethan sonnet sequences, metaphysical poetry, famous as well as anonymous plays, and court masques, the book opens new perspectives on the literary modes of "picturing" and on the relationship between this creative act and the tense artistic, religious and political background of early modern Europe. The first section explores different modes of looking at works of art and their relation with technological innovations and religious controversies, while the chapters in the second part highlight the multifaceted connections between European visual arts and English literary production. The third section explores the functions performed by portraits on the page and the stage, delving into the complex question of the relationship between visual and verbal representation. Finally, the chapters in the fourth section re-appraise early modern reflections on the relationship between word and image and on their respective power in light of early-seventeenth-century visual culture, with particular reference to the masque genre.

Picturing Political Power
Picturing Political Power

Author: Allison K. Lange

Publisher: University of Chicago Press

Published: 2021-09-27

Total Pages: 331

ISBN-13: 0226815846

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"For as long as American women have battled for equitable political representation, those battles have been defined by images--whether drawn, etched, photographed, or filmed. Some of these have been flattering, many of them have been condescending, and some have been scabrous. They have drawn upon prevailing cultural tropes about the perceived nature of women's roles and abilities, and they have circulated both with and without conscious political objectives. Allison K. Lange takes a systematic look at American women's efforts to control the production and dissemination of images of them in the long battle for representation, from the mid-nineteenth-century onward"--

Picturing Children
Picturing Children

Author: MarilynR. Brown

Publisher: Routledge

Published: 2017-07-05

Total Pages: 240

ISBN-13: 1351554174

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The representation of children in modern European visual culture has often been marginalized by Art History as sentimental and trivial. For this reason the subject of childhood in relation to art and its production has largely been ignored. Confronting this dismissal, this unique collection of essays raises new and unexpected issues about the formation of childhood identity in the nineteenth century and makes a significant contribution to the development of inter-disciplinary studies within this area. Through a range of stimulating and insightful case studies, the book charts the development of the Romantic ideal of childhood, starting with Rousseau?s Emile, and attends to its visual, social and psychological transformations during the historical period from which Freud?s psychoanalytic theories eventually emerged. Foremost scholars such as Anne Higonnet, Carol Mavor, Susan Casteras and Linda A. Pollock uncover the means by which children became an important conduit for prevailing social anxieties and demonstrate that the apparently ?timeless? images of them that proliferated at the time should be understood as complex cultural documents. Over 50 illustrations enhance this rich and fascinating volume.

The Golden Spike
The Golden Spike

Author: Don Nardo

Publisher: Capstone

Published: 2015-02-01

Total Pages: 134

ISBN-13: 0756552702

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In the mid-1860s, as the Union Pacific Railroad headed westward from Nebraska, another company, the Central Pacific, pushed eastward from California. Their goal was to meet somewhere in between, forming a single railway line that would bridge the continent. That historic meeting took place in May 1869 in northern Utah, and photographer Andrew J. Russell was there to document the historic event. His work resulted in one of the most important photos of the 19th century and probably the most famous railroad image of all time. The photo, often called ñEast and West,î was viewed by a worldwide audience and affirmed that railroads were at the cutting edge of transportation technology. The continent was now linked.

The Big Picture
The Big Picture

Author: Ben Carson, M.D.

Publisher: Zondervan

Published: 2009-12-15

Total Pages: 271

ISBN-13: 0310857961

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Dr. Ben Carson is known as the originator of groundbreaking surgical procedures and a doctor who turns impossible hopes into joyous realities. But where does this incredible drive and focus come from? According to Dr. Carson himself, the answer is simple: The Big Picture. Every day when Dr. Carson went to work as a surgeon, he had to make life-and-death decisions. For that reason, and because so many of the people and families he worked with had suddenly been forced to reconsider what's really important in life, he's spent a lot of his own time searching for perspective. By finding a vision of something truly worth living for--something that shines a light on the best of his amazing talents, energy, and focus--Dr. Carson can discern what matters and leave the rest behind. In The Big Picture, Dr. Carson sheds light on this life-changing philosophy, giving you the tools and encouragement you need to: View hardship as an advantage Determine what really matters See your life from a new perspective The Big Picture is all about broadening your perspectives and finding a vision for your own life that can reframe your priorities, energize your efforts, and inspire you to change the world around you. Are you ready to see The Big Picture?