Picturing Animals in Britain, 1750-1850

Picturing Animals in Britain, 1750-1850

Author: Diana Donald

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 402

ISBN-13: 9780300126792

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From fine art paintings by such artists as Stubbs and Landseer to zoological illustrations and popular prints, a vast array of animal images was created in Britain during the century from 1750 to 1850. This highly original book investigates the rich meanings of these visual representations as well as the ways in which animals were actually used and abused. What Diana Donald discovers in this fascinating study is a deep and unresolved ambivalence that lies at the heart of human attitudes toward animals. The author brings to light dichotomies in human thinking about animals throughout this key period: awestruck with the beauty and spirit of wild animals, people nevertheless desired to capture and tame them; the belief that other species are inferior was firmly held, yet at the same time animals in stories and fables were given human attributes; though laws against animal cruelty were introduced, the overworking of horses and the allure of sport hunting persisted. Animals are central in cultural history, Donald concludes, and compelling questions about them--then and now--remain unanswered.


Mobilizing Traditions in the First Wave of the British Animal Defense Movement

Mobilizing Traditions in the First Wave of the British Animal Defense Movement

Author: Chien-hui Li

Publisher: Springer

Published: 2019-06-11

Total Pages: 367

ISBN-13: 1137526513

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This book explores the British animal defense movement’s mobilization of the cultural and intellectual traditions of its time- from Christianity and literature, to natural history, evolutionism and political radicalism- in its struggle for the cause of animals in the nineteenth and early twentieth centuries. Each chapter examines the process whereby the animal protection movement interpreted and drew upon varied intellectual, moral and cultural resources in order to achieve its manifold objectives, participate in the ongoing re-creation of the current traditions of thought, and re-shape human-animal relations in wider society. Placing at its center of analysis the movement’s mediating power in relation to its surrounding traditions, Li’s original perspective uncovers the oft-ignored cultural work of the movement whilst restoring its agency in explaining social change. Looking forward, it points at the same time to the potential of all traditions, through ongoing mobilization, to effect change in the human-animal relations of the future.


Science and Visual Culture in Great Britain in the Long Nineteenth Century

Science and Visual Culture in Great Britain in the Long Nineteenth Century

Author: Diana Donald

Publisher: Taylor & Francis

Published: 2024-10-07

Total Pages: 582

ISBN-13: 1040118720

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This volume consists of a collection of primary sources throwing light on the various aspects of interplay between zoology and visual culture in nineteenth-century Britain. Scientific illustration, both in specialist studies and in works intended for a broader lay readership, are included. These sources throw light on the difficulties of both authors and illustrators in conceptualising their subjects in visual forms, given the great extension of knowledge of the natural world and the technical complexities of image-making in the pre-photographic era. The study examines the impact of zoological knowledge and theories on imaginative art, and explores the aestheticisation and appropriation of nature, especially in relation to bird imagery in painting, illustration and the decorative arts. Finally, the collection examines the presentation of zoology and palæozoology to the general public, for both education and entertainment purposes. This title will be of great interest to students of the History of Science and Art History.


Exhibiting Animals in Nineteenth-Century Britain

Exhibiting Animals in Nineteenth-Century Britain

Author: H. Cowie

Publisher: Springer

Published: 2014-06-05

Total Pages: 436

ISBN-13: 1137384441

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Exotic animals were coveted commodities in nineteenth-century Britain. Spectators flocked to zoos and menageries to see female lion tamers and hungry hippos. Helen Cowie examines zoos and travelling menageries in the period 1800-1880, using animal exhibitions to examine issues of class, gender, imperial culture and animal welfare.


Race, Gender, and Identity in American Equine Art

Race, Gender, and Identity in American Equine Art

Author: Jessica Dallow

Publisher: Routledge

Published: 2022-05-19

Total Pages: 183

ISBN-13: 1351034324

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This book traces an evolution of equine and equestrian art in the United States over the last two centuries to counter conventional understandings of subjects that are deeply enmeshed in the traditions of elite English and European culture. In focusing on the construction of identity in painting and photography—of Blacks, women, and the animals themselves involved in horseracing, rodeo, and horse show competition—it illuminates the strategic and varying roles visual artists have played in producing cultural understandings of human-animal relationships. As the first book to offer a history of American equine and equestrian imagery, it shrinks the chasm of literature on the subject and illustrates the significance of the genre to the history of American art. This book further connects American equine and equestrian art to historical, theoretical, and philosophical analyses of animals and attests to how the horse endures as a vital, meaningful subject within the art world as well as culture at large. This book will be of interest to scholars in art history, American art, gender studies, race and ethnic studies, and animal studies.


The Cambridge Companion to Horseracing

The Cambridge Companion to Horseracing

Author: Rebecca Cassidy

Publisher: Cambridge University Press

Published: 2013-03-28

Total Pages: 255

ISBN-13: 1107495733

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People have been racing horses for thousands of years, all over the world. Yet horseracing is often presented as an English creation that was exported, unaltered, to the colonies. This Companion investigates the intersection of racing and literature, art, history and finance, casting the sport as the product of cross-class, cosmopolitan and international influences. Chapters on racing history and the origins of the thoroughbred demonstrate how the gift of a fast horse could forge alliances between nations, and the extent to which international power dynamics can be traced back to racetracks and breeding sheds. Leading scholars and journalists draw on original research and firsthand experience to create portraits of the racetracks of Newmarket, Kentucky, the Curragh, and Hunter Valley, exposing readers to new racing frontiers in China and Dubai as well. A unique resource for fans and scholars alike, reopening essential questions regarding the legacy and importance of horseracing today.


Menagerie

Menagerie

Author: Caroline Grigson

Publisher: Oxford University Press

Published: 2016-01-29

Total Pages: 376

ISBN-13: 0191024112

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Menagerie is the story of the panoply of exotic animals that were brought into Britain from time immemorial until the foundation of the London Zoo — a tale replete with the extravagant, the eccentric, and — on occasion — the downright bizarre. From Henry III's elephant at the Tower, to George IV's love affair with Britain's first giraffe and Lady Castlereagh's recalcitrant ostriches, Caroline Grigson's tour through the centuries amounts to the first detailed history of exotic animals in Britain. On the way we encounter a host of fascinating and outlandish creatures, including the first peacocks and popinjays, Thomas More's monkey, James I's cassowaries in St James's Park, and Lord Clive's zebra — which refused to mate with a donkey, until the donkey was painted with stripes. But this is not just the story of the animals themselves. It also the story of all those who came into contact with them: the people who owned them, the merchants who bought and sold them, the seamen who carried them to our shores, the naturalists who wrote about them, the artists who painted them, the itinerant showmen who worked with them, the collectors who collected them. And last but not least, it is about all those who simply came to see and wonder at them, from kings, queens, and nobles to ordinary men, women, and children, often impelled by no more than simple curiosity and a craving for novelty.


Contest for Land in Madagascar

Contest for Land in Madagascar

Author: Sandra Evers

Publisher: BRILL

Published: 2013-09-15

Total Pages: 264

ISBN-13: 9004256237

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The Malagasy possess a profound religious, socio-political and economic attachment to land which connects individuals and kinship groups with the ancestors. International stakeholders value Madagascar for its biodiversity, minerals and agricultural potential, while the Malagasy state views land as the necessary platform for its economic development. This collection presents original research by established and rising scholars across a broad spectrum of disciplines, including Human Genetics, Anthropology and History. Authors focus on land as the pivotal factor underlying the economic, social and religious structures of Malagasy society and its relationship with outsiders, aiming to provide new insights into the issues underlying Madagascar’s ongoing economic and political malaise.


Enlightened Animals in Eighteenth-Century Art

Enlightened Animals in Eighteenth-Century Art

Author: Sarah Cohen

Publisher: Bloomsbury Publishing

Published: 2021-02-11

Total Pages: 273

ISBN-13: 1350203602

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How do our senses help us to understand the world? This question, which preoccupied Enlightenment thinkers, also emerged as a key theme in depictions of animals in eighteenth-century art. This book examines the ways in which painters such as Chardin, as well as sculptors, porcelain modelers, and other decorative designers portrayed animals as sensing subjects who physically confirmed the value of material experience. The sensual style known today as the Rococo encouraged the proliferation of animals as exemplars of empirical inquiry, ranging from the popular subject of the monkey artist to the alchemical wonders of the life-sized porcelain animals created for the Saxon court. Examining writings on sensory knowledge by La Mettrie, Condillac, Diderot and other philosophers side by side with depictions of the animal in art, Cohen argues that artists promoted the animal as a sensory subject while also validating the material basis of their own professional practice.


Writing about Animals in the Age of Revolution

Writing about Animals in the Age of Revolution

Author: Jane Spencer

Publisher: Oxford University Press, USA

Published: 2020-06-11

Total Pages: 306

ISBN-13: 0198857519

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What did British people in the late eighteenth century think and feel about their relationship to nonhuman animals? This book shows how an appreciation of human-animal similarity and a literature of compassion for animals developed in the same years during which radical thinkers were first basing political demands on the concept of natural and universal human rights. Some people began to conceptualise animal rights as an extension of the rights of man and woman. But because oppressed people had to insist on their own separation from animals in order to claim the right to a full share in human privileges, the relationship between human and animal rights was fraught and complex. This book examines that relationship in chapters covering the abolition movement, early feminism, and the political reform movement. Donkeys, pigs, apes and many other literary animals became central metaphors within political discourse, fought over in the struggle for rights and freedoms; while at the same time more and more writers became interested in exploring the experiences of animals themselves. We learn how children's writers pioneered narrative techniques for representing animal subjectivity, and how the anti-cruelty campaign of the early 1800s drew on the legacy of 1790s radicalism. Coleridge, Wordsworth, Clare, Southey, Blake, Wollstonecraft, Equiano, Dorothy Kilner, Thomas Spence, Mary Hays, Ignatius Sancho, Anna Letitia Barbauld, John Oswald, John Lawrence, and Thomas Erskine are just a few of the writers considered. Along with other canonical and non-canonical writers of many disciplines, they placed nonhuman animals at the heart of British literature in the age of the French Revolution.