A Century of Artists Books

A Century of Artists Books

Author: Riva Castleman

Publisher: ABRAMS

Published: 1997-09

Total Pages: 0

ISBN-13: 9780810961814

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Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.


The Unknown Masterpiece and Other Stories

The Unknown Masterpiece and Other Stories

Author: Honoré Balzac

Publisher: Courier Corporation

Published: 2013-02-20

Total Pages: 82

ISBN-13: 0486159094

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Three of the author’s most highly regarded stories, newly translated: the title story, "An Episode During the Terror," and "Facino Cane."


Matisse on Art

Matisse on Art

Author: Henri Matisse

Publisher:

Published: 1995

Total Pages: 322

ISBN-13: 9780520200371

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Ed : Brooklyn College and City University of New York, Revised edition, Includesnew texts, introduction, biography, overview.


Picasso Posters

Picasso Posters

Author: Pablo Picasso

Publisher:

Published: 1999

Total Pages: 0

ISBN-13: 9781577150978

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"Pablo Picasso is the artistic giant of the twentieth century, and perhaps only Leonardo da Vinci rivals his fame throughout the history of art. In working life that spanned nearly eighty years, Picasso painted some of the archetypal images of modern art, including Les Demoiselles d'Avignon and Guernica. But he did more that create individual works of originality and genius. Picasso invented, and inspired others to invent, a whole new vocabulary and way of thinking about art which have shaped the progress of modernism throughout the twentieth century. Picasso's fame is indisputable but rests largely on his oil paintings. A lesser-known but crucially important part of Picasso's oeuvre is his graphic work, in particular his poster designs. From the 1940s to the 1960s Picasso produced hundreds of designs for posters, many advertising exhibitions of his work. They are interesting and important not only for their striking simplicity and bold color, but also because they sum up many of the expressionist ideas he had developed from Guernica onword. Themes and images from his paintings and ceramics such as bulls and goats, faces and the dove of peace recur and give remarkable coherence to this body of work. Picasso Posters presents a comprehensive panorama of Picasso's poster art. An illustrated introduction tells the story of Picasso's long life and career, and sets his poster work in the context of the genre's history and of his paintings, drawings, and sculpture. Sixty of Picasso's finest posters are reproduced in large-scale color plates, making Picasso Posters a sumptuous., informative, and much-needed study of this little-known aspect of the master's work."--Publisher's description


Picasso and the Age of Iron

Picasso and the Age of Iron

Author: Carmen Gimenez

Publisher: Harry N Abrams Incorporated

Published: 1995-09-01

Total Pages: 320

ISBN-13: 9780810968820

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A pivotal chapter in the annals of modern art - the metal sculpture of Picasso, Julio Gonzalez, Alexander Calder, David Smith and Alberto Giacometti - is revealed in this volume. Photographs of their sculptures are accompanied by essays, an anthology of writings by the artists, and a chronology.


Picasso and the War Years, 1937-1945

Picasso and the War Years, 1937-1945

Author: Steven A. Nash

Publisher: Thames & Hudson

Published: 2003-03

Total Pages: 0

ISBN-13: 9781577173311

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This absorbing book draws upon new research and works that, in some cases were held out of public view in Picasso's own collection, to explore the critically important--but still under-studied--period of his life from the Spanish Civil War through World War II and the Nazi occupation of France. This span of years is marked by some of the most intensely personal and expressive work of his career. The subjects he painted changed dramatically in direct response first to the horrors of war and then the dangers and privations of life in occupied Paris, where, though branded a degenerate artist by the Nazis, he chose to remain until the Liberation.