Picasso Sculpture

Picasso Sculpture

Author: Ann Temkin

Publisher: Museum of Modern Art, New York

Published: 2015

Total Pages: 320

ISBN-13: 9780870709746

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Catalog of an exhibition held at The Museum of Modern Art, New York, September 14, 2015-February 7, 2016.


The Religious Art of Pablo Picasso

The Religious Art of Pablo Picasso

Author: Jane Dillenberger

Publisher: Univ of California Press

Published: 2014-04-17

Total Pages: 125

ISBN-13: 0520276299

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This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Though Picasso was an avowed atheist, his work employs spiritual themesÑand, often, traditional religious iconography. In five engagingly written, accessible chapters, Jane Daggett Dillenberger and John Handley address Picasso's cryptic 1930 painting of the Crucifixion; the artist's early life in the Catholic church; elements of transcendence in Guernica; Picasso's later, fraught relationship with the church, which commissioned him in the 1950s to paint murals for the Temple of Peace chapel in France; and the centrality of religious themes and imagery in bullfighting, the subject of countless Picasso drawings and paintings.


Picasso

Picasso

Author: Anna Coliva

Publisher:

Published: 2019-08-31

Total Pages: 256

ISBN-13: 9788833670300

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* Picasso's contribution to the revitalization of modern sculpture cannot be underestimated. His work of over fifty years is examined in seven essays and illustrated by more than 50 exhibited works* First published to accompany an exhibition in Rome, at Galleria Borghese that took place in early 2019In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, were conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes - stories and myths, bodies and figures, objects and fragments - in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.


Goodbye Picasso

Goodbye Picasso

Author: David Douglas Duncan

Publisher: Times Books

Published: 1974

Total Pages: 306

ISBN-13:

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A collection of photographs of Pablo Picasso's life and art, taken by his friend, award-winning photojournalist David Douglas Duncan.


The Sculptures of Picasso

The Sculptures of Picasso

Author: Pablo Picasso

Publisher: Assouline Books & Gifts

Published: 2005

Total Pages: 0

ISBN-13: 9782843237881

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This highly luxurious publication presents the sculptures of Picasso photographed by Brassaï, one of the most important photographers of the twentieth century. An authentic text written for this work in 1948 by Daniel-Henry Kahnweiler, the former art dealer of Picasso, is also included. Brassaï met Picasso in 1932 when he was commissioned to take a series of pictures of the artist's studio and of some plaster sculptures done at Boisgeloup for the review Minotaure. Several years later he was again contacted to photograph Picasso's work for the first book published on the subject of the artist's sculptures. Hence, between 1932 and 1946, Brassaï photographed all of Picasso's sculpted works. This long-term working relationship led to a fruitful exchange between the two artists on the respective nature of photography and sculpture, which is reflected in this volume. The Sculptures of Picasso is an atypical vision of lesser known works by Picasso. Indeed, the medium used to depict the sculptures is nearly as unsettling as the objects themselves, and the confusion is emphasized by the contrast between flatness and fullness. An art dealer, Daniel-Henry Kahnweiler became a good friend of Picasso's in 1907 when he first visited the artist's studio. Picasso actually painted a now famous portrait of Kahnweiler in 1910. 70 illustrations


Picasso's Concrete Sculptures

Picasso's Concrete Sculptures

Author: Sally H. Fairweather

Publisher:

Published: 1982

Total Pages: 170

ISBN-13:

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Picasso's concrete sculptures. When Pablo Picasso first learned of the Betograve Process for pouring and engraving concrete, he "jumped out of his chair as if he had sat on a pin. He wax so excited .... [His] lightning eye and intuitive intelligence instantly recognized the creative uses that he might be able to make of this new technique." Indeed, Picasso's collaboration with Norwegian artist Carl Nesjar during the next fifteen years led to a series of exuberant public sculptures in Spain, France, Sweden, Norway, Holland, Israel, and the United States (New York, Princeton, Cambridge, and Rolling Meadows, near Chicago). Picasso's Concrete Sculptures is a comprehensive history of that collaboration, from the preparation and selection of marquettes, theough all the stages of approval, to actual construction and engraving. Author Sally Fairweather is a prominent Chicago art dealer who was instrumental in the realization there of the monumental Picasso concrete sculpture, The Bather, and she subsequently undertook the prodigious task of researching and writing this first published study of the entire series of sculptures. Nearly 100 plates -- many in full color -- illustrate every one of these majestic works in its final setting, as well as showing the maquettes on which they were based, the photographs signed by Picasso to document his approval, step-by-step shots of construction in progress, and more. This volume also includes a bibliography and index and a fully documented catalogue raisonne of all the Picasso-Nesjar works in concrete, including some not yet erected. Picasso's Concrete Sculptures is an indispensable addition to the literature on this greatest of modern masters, filling an important gap in his knowledge of his oeuvre"-- Front flap.


Picasso

Picasso

Author: Ingo F. Walther

Publisher: Taschen

Published: 2000

Total Pages: 104

ISBN-13: 9783822859704

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The entertaining companion novel to the best-selling The Sweet Second Life of Darrell Kincaid. Michelle Lawrence's perfect life has been just as she's designed it. But then her husband, Chad, ruins everything by taking a job in San Francisco, about as far from their comfortable family home as it's possible to get without actually emigrating. Up until now, Chad's primary focus has been keeping her happy, and Michelle can see no good reason why this should change. But change it has, and Michelle now has to deal with Chad's increasing detachment, while building a new life with her two small children in a place filled with cat-eating coyotes. On top of that, Michelle's oldest friend is turning against marriage while her newest is a little too obsessed with clean taps. And down the redwood-lined street, there's Aishe Herne, a woman who could pick a fight with a silent order of nuns. Aishe has designed her own kind of perfect life, in which there's room for her, her teenage son and no one else. But when cousin Patrick lands in town like a Cockney nemesis, both Aishe and Michelle must begin determined campaigns to regain their grip on the steering wheel of their lives. The Catherine Robertson Trilogy Book 1: The Sweet Second Life of Darrell Kincaid Book 2: The Not So Perfect Life of Mo Lawrence Book 3: The Misplaced Affections of Charlotte Forbes


Picasso-Giacometti

Picasso-Giacometti

Author: Serena Bucalo-Mussely

Publisher: Rizzoli Publications

Published: 2017-12-12

Total Pages: 0

ISBN-13: 2080203150

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This comprehensive volume examines the little-known relationship—both artistic and personal—between two of the greatest avant-garde artists of the twentieth century. Pablo Picasso and Alberto Giacometti, each in their own way, deeply disrupted existing artistic codes and pushed the barriers of established aesthetic canons in the domains of painting and sculpture. This tome reveals their friendship and the little-known artistic dialogue between them on the subjects and questions central to their work. Richly illustrated, this volume establishes clear correlations in their artistic production and provides new insight into the Picasso and Giacometti ateliers through incisive essays from art historians, which draw on previously unpublished documents. An anthology of historical texts offers the intimate perspective of the master artists’ contemporaries including Man Ray, whose descriptions reveal fascinating portraits of the characters and working habits of his two friends.