Adolf Busch

Adolf Busch

Author: Tully Potter

Publisher: Boydell & Brewer

Published: 2024-04-02

Total Pages: 1444

ISBN-13: 0907689787

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Revised edition: Adolf Busch (1891-1952) was an all-round musician and a moral beacon in troubled times. As first violin of the Busch String Quartet, founded in 1912, he was the greatest quartet-player of the last century and he led a famous conductorless orchestra, the Busch Chamber Players. He was also the busiest solo violinist of the inter-War years, regularly performing major concertos with such conductors as Nikisch, Toscanini, Weingartner, Walter, Furtwängler, Boult, Wood, Barbirolli and his elder brother Fritz. He was, moreover, an outstanding composer whose works enjoyed performances in Germany and further afield. Frequently he appeared as soloist and composer in the same concert. His courageous decision to boycott his native country from April 1933 - despite Hitler's efforts to persuade 'our German violinist' to return - drastically reduced his income and damaged his career as soloist and composer. In 1938, because of Mussolini's race laws, he imposed a similar boycott on Italy, where he was wildly popular. The following year he emigrated with his quartet colleagues to the United States, where he was not fully appreciated, although he had many successes with a new chamber orchestra and founded the Marlboro summer school. This biography, based on more than thirty years' research, examines Busch's exemplary behaviour in the context of a tumultuous era. Volume One traces his progress from childhood in Westphalia, through friendships with Fritz Steinbach, Donald Tovey and Max Reger, early triumphs in Berlin, London and Vienna, years of maturity and fulfilment, rejection of Hitler's Germany and close bonds with British musicians and concert-goers in the 1930s. It ends just before his move into American exile. Volume Two follows Busch through the Second World War, his return to give concerts in Europe in the late 1940s and his founding of the Marlboro summer school in Vermont shortly before his untimely death. A series of appendices consider Busch as violinist, violist and teacher, his taste and repertoire, his interpretations, his colleagues, his celebrated recordings and his compositions.


Guide to Chamber Music

Guide to Chamber Music

Author: Melvin Berger

Publisher: Courier Corporation

Published: 2013-06-17

Total Pages: 502

ISBN-13: 0486316726

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Authoritative guide presents 231 of the most frequently performed pieces by 55 composers. A must for music lovers and musicians alike. "No lover of chamber music should be without this Guide." — John Barkham Reviews.


The Finale in Western Instrumental Music

The Finale in Western Instrumental Music

Author: Michael Talbot

Publisher: Oxford Monographs on Music

Published: 2001

Total Pages: 272

ISBN-13: 9780198166955

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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.


The Piano Quartet and Quintet

The Piano Quartet and Quintet

Author: Basil Smallman

Publisher: Oxford University Press

Published: 1996

Total Pages: 212

ISBN-13: 9780198166405

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Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments.


Concerto No. 12

Concerto No. 12

Author: Louis Spohr

Publisher: Alfred Music

Published:

Total Pages: 32

ISBN-13: 9781457470998

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One of the leading composers of instrumental music of the early Romantic period, Louis Spohr was a violinist, composer, and conductor. In addition to symphonic works, string quartets, and other solo and chamber music, he composed operas, operettas, and songs. There has been a trend, starting in the late 20th century, to revive his instrumental works and songs.


The New Beethoven

The New Beethoven

Author: Jeremy Yudkin

Publisher: Boydell & Brewer

Published: 2020

Total Pages: 573

ISBN-13: 1580469930

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Marking the 250th anniversary of the composer's birth, this volume presents twenty-one completely new essays on aspects of Beethoven's personal life, his composing process, his manuscripts, and his greatest works.


Music of the Great Composers

Music of the Great Composers

Author: Patrick Kavanaugh

Publisher: Zondervan

Published: 1996

Total Pages: 280

ISBN-13: 0310208076

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A unique guide to enhance and enrich your enjoyment of classical music, this book is for music lovers who want to better understand the works of the masters.


Nineteenth-Century Piano Music

Nineteenth-Century Piano Music

Author: R. Larry Todd

Publisher: Routledge

Published: 2013-10-08

Total Pages: 488

ISBN-13: 1136731288

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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.


Rudolf Serkin

Rudolf Serkin

Author: Stephen Lehmann

Publisher:

Published: 2003

Total Pages: 361

ISBN-13: 0195130464

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This book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin's life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin's work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont. A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.