The Real Little Classical Fake Book (Songbook)

The Real Little Classical Fake Book (Songbook)

Author: Hal Leonard Corp.

Publisher: Hal Leonard Corporation

Published: 1993-01-01

Total Pages: 1004

ISBN-13: 1458491986

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(Fake Book). This fabulous fake book includes nearly every famous classical theme ever written! It's a virtual encyclopedia of classical music, in one complete volume. Features: over 165 classical composers; over 500 classical themes in their original keys; lyrics in their original language; a timeline of major classical composers; categorical listings; more.


Graphic Music Analysis

Graphic Music Analysis

Author: Eric Wen

Publisher: Rowman & Littlefield

Published: 2019-02-14

Total Pages: 390

ISBN-13: 1538104679

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This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.


Piano Concertos Nos. 1 and 2 in Full Score

Piano Concertos Nos. 1 and 2 in Full Score

Author: Johannes Brahms

Publisher: Courier Corporation

Published: 2007-01-01

Total Pages: 209

ISBN-13: 0486464148

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Two masterpieces of the piano concerto repertoire are featured in one convenient, affordable volume. Pianists, conductors, music students, and scholars will find this handsome, full-sized edition ideal for study and performance purposes.


The Concerto

The Concerto

Author: Stephan D. Lindeman

Publisher: Taylor & Francis

Published: 2006

Total Pages: 666

ISBN-13: 0415976197

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Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.


A Wayfaring Stranger

A Wayfaring Stranger

Author: Veronika Kusz

Publisher: University of California Press

Published: 2020-01-21

Total Pages: 259

ISBN-13: 0520301838

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On March 10, 1948, world-renowned composer and pianist Ernst von Dohnányi (1877−1960) embarked for the United States, leaving Europe for good. Only a few years earlier, the seventy-year-old Hungarian had been a triumphant, internationally admired musician and leading figure in Hungarian musical life. Fleeing a political smear campaign that sought to implicate him in intellectual collaboration with fascism, he reached American shores without a job or a home. A Wayfaring Stranger presents the final period in Dohnányi’s exceptional career and uses a range of previously unavailable material to reexamine commonly held beliefs about the musician and his unique oeuvre. Offering insights into his life as a teacher, pianist, and composer, the book also considers the difficulties of émigré life, the political charges made against him, and the compositional and aesthetic dilemmas faced by a conservative artist. To this rich biographical account, Veronika Kusz adds an in-depth examination of Dohnányi’s late works—in most cases the first analyses to appear in musicological literature. This corrective history provides never-before-seen photographs of the musician’s life in the United States and skillfully illustrates Dohnányi’s impact on European and American music and the culture of the time.


The NPR Curious Listener's Guide to Classical Music

The NPR Curious Listener's Guide to Classical Music

Author: Timothy K. Smith

Publisher: Penguin

Published: 2002-08-06

Total Pages: 276

ISBN-13: 9780399527951

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For the beginner or the devotee—it's everything the classical music buff needs to know. The major composers from Bach and Bartok to Rachmaninoff and Tchaikovsky Significant performers from Maurice Andre and Leornard Bernstein to Georg Solti and Yo Yo Ma The landmark works from Appalachian Spring to Don Juan A concise history of classical music A deconstruction of the art form The language of classical music Valuable resources for the Curious Listener


Exploring Musical Spaces

Exploring Musical Spaces

Author: Julian Hook

Publisher: Oxford University Press

Published: 2022-09-08

Total Pages: 681

ISBN-13: 0190246014

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Exploring Musical Spaces is a comprehensive synthesis of mathematical techniques in music theory, written with the aim of making these techniques accessible to music scholars without extensive prior training in mathematics. The book adopts a visual orientation, introducing from the outset a number of simple geometric models--the first examples of the musical spaces of the book's title--depicting relationships among musical entities of various kinds such as notes, chords, scales, or rhythmic values. These spaces take many forms and become a unifying thread in initiating readers into several areas of active recent scholarship, including transformation theory, neo-Riemannian theory, geometric music theory, diatonic theory, and scale theory. Concepts and techniques from mathematical set theory, graph theory, group theory, geometry, and topology are introduced as needed to address musical questions. Musical examples ranging from Bach to the late twentieth century keep the underlying musical motivations close at hand. The book includes hundreds of figures to aid in visualizing the structure of the spaces, as well as exercises offering readers hands-on practice with a diverse assortment of concepts and techniques.


The Finale in Western Instrumental Music

The Finale in Western Instrumental Music

Author: Michael Talbot

Publisher: Oxford Monographs on Music

Published: 2001

Total Pages: 272

ISBN-13: 9780198166955

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The knowledge that finales are by tradition (and perhaps also necessarily) 'different' from other movements has been around a long time, but this is the first time that the special nature of finales in instrumental music has been examined comprehensively and in detail. Three main types offinale, labelled 'relaxant', 'summative', and 'valedictory', are identified. Each type is studied closely, with a wealth of illustration and analytical commentary covering the entire period from the Renaissance to the present day. The history of finales in five important genres -- suite, sonata,string quartet, symphony, and concerto -- is traced, and the parallels and divergences between these traditions are identified. Several wider issues are mentioned, including narrativity, musical rounding, inter-movement relationships, and the nature of codas. The book ends with a look at thefinales of all Shostakovich's string quartets, in which examples of most of the types may be found.