Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Author:

Publisher: Elsevier

Published: 2006-05-02

Total Pages: 233

ISBN-13: 0080461867

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The first of its kind, this series is devoted to the use of physical principles in the study and scientific conservation of objects with cultural heritage significance. It begins with a review of the modern museum, which discusses new techniques employed in the conservation of museum artifacts such as X-ray tomography and other techniques used to study Egyptian mummies, bones and mineralization of bones in the archaeological context, and the degradation of parchment. All of these topics and techniques are essential for the preservation of our history. This includes finding ways to preserve parchment documents and letters, which much of our written heritage is documented on, so that it can be used and understood for generations to come. This book is a must have for any museum as well as any university that teaches or employs the techniques discussed. - Written in a style that is readily understandable by conservation scientists, archaeologists, museum curators, and students - Provides an introduction to the advanced fields of synchrotron radiation science, neutron science, and computed tomography - Outstanding review of the use of modern technology to study museum and archaeological artifacts - Offers solutions through advanced scientific techniques to a wide range of problems facing museum staff


Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Author:

Publisher: Elsevier

Published: 2007-07-06

Total Pages: 283

ISBN-13: 0080548814

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In Chapter 1 Dudley Creagh writes on "synchrotron radiation and its use in art, archaeometry, and cultural heritage studies". Loic Bertrand has written in Chapter 2 on synchrotron imaging for archaeology and art history, conservation, and palaeontology. Dr. Bertrand is Archaeology and cultural heritage officer at the new French synchrotron, Synchrotron Soleil (Orme les Mesuriers, Gif-sur-Yvette, France). He is charged with the task of raising the awareness of cultural heritage scientists to the use of synchrotron radiation for their research. Chapter 3 has been written by Ivan Cole and his associates Dr David Paterson and Deborah Lau. This is concerned with the holistic modelling of gas and aerosol deposition and the degradation of cultural objects. Dr. Cole is Deputy Chief of the Novel Materials and Processes Division of the Commonwealth Scientific and Industrial Research Organization (Melbourne, Australia). He has over twenty years experience in involvement in projects concerned with the preservation of cultural heritage. Ivan is an internationally recognized leader in the field of the life cycle of materials and the development of protective coatings for metals. In Chapter 4, Giovanna Di Pietro describes two different types of experiments she has undertaken in the study of the mechanisms underlying the degradation of photographic media. In the first Dr. Di Pietro describes the degradation of old back-and-white plate. In the second she outlines her attempts to understand the mechanisms by which comparatively modern motion picture film degrades. A significant part of this project involved trying to ascertain exactly what dyes were used by Kodak in their motion picture film from about 1980 onwards. An entirely new technique for the remote investigation of the pigments in paintings is presented by Maria Kubik in Chapter 5. This technique will significantly enhance the ability of conservators to study the palette of pigments used by artists, check for repairs by others, and detect fraudulent paintings.· Demonstrates the amazing efforts being made in using physical techniques for the study of art, archaeology and cultural heritage· Provides succinct accounts of how cultural heritage is being preserved.· Looks at how science is being used to enrich our knowledge of the creative arts


Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Physical Techniques in the Study of Art, Archaeology and Cultural Heritage

Author:

Publisher: Elsevier Science

Published: 2007-08-10

Total Pages: 0

ISBN-13: 9780444528568

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In Chapter 1 Dudley Creagh writes on "synchrotron radiation and its use in art, archaeometry, and cultural heritage studies". Loic Bertrand has written in Chapter 2 on synchrotron imaging for archaeology and art history, conservation, and palaeontology. Dr. Bertrand is Archaeology and cultural heritage officer at the new French synchrotron, Synchrotron Soleil (Orme les Mesuriers, Gif-sur-Yvette, France). He is charged with the task of raising the awareness of cultural heritage scientists to the use of synchrotron radiation for their research. Chapter 3 has been written by Ivan Cole and his associates Dr David Paterson and Deborah Lau. This is concerned with the holistic modelling of gas and aerosol deposition and the degradation of cultural objects. Dr. Cole is Deputy Chief of the Novel Materials and Processes Division of the Commonwealth Scientific and Industrial Research Organization (Melbourne, Australia). He has over twenty years experience in involvement in projects concerned with the preservation of cultural heritage. Ivan is an internationally recognized leader in the field of the life cycle of materials and the development of protective coatings for metals. In Chapter 4, Giovanna Di Pietro describes two different types of experiments she has undertaken in the study of the mechanisms underlying the degradation of photographic media. In the first Dr. Di Pietro describes the degradation of old back-and-white plate. In the second she outlines her attempts to understand the mechanisms by which comparatively modern motion picture film degrades. A significant part of this project involved trying to ascertain exactly what dyes were used by Kodak in their motion picture film from about 1980 onwards. An entirely new technique for the remote investigation of the pigments in paintings is presented by Maria Kubik in Chapter 5. This technique will significantly enhance the ability of conservators to study the palette of pigments used by artists, check for repairs by others, and detect fraudulent paintings.


Scientific Methods and Cultural Heritage

Scientific Methods and Cultural Heritage

Author: Gilberto Artioli

Publisher: OUP Oxford

Published: 2010-07-08

Total Pages: 552

ISBN-13: 0191576352

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Scientific techniques developed in materials science offer invaluable information to archaeology, art history, and conservation. A rapidly growing number of innovative methods, as well as many established techniques, are constantly being improved and optimised for the analysis of cultural heritage materials. The result is that on the one hand more complex problems and questions can be confronted, but on the other hand the required level of technical competence is widening the existing cultural gap between scientists and end users, such as archaeologists, museum curators, art historians, and many managers of cultural heritage who have a purely humanistic background. The book is intended as an entry-level introduction to the methods and rationales of scientific investigation of cultural heritage materials, with emphasis placed on the analytical strategies, modes of operation, and resulting information rather than on technicalities. The extensive and updated reference list should be a useful starting point for further reading. Students and researchers from the humanities approaching scientific investigations should find it useful, as well as scientists applying familiar techniques and methods to unfamiliar problems related to cultural heritage.


Electrochemistry for Cultural Heritage

Electrochemistry for Cultural Heritage

Author: Antonio Doménech-Carbó

Publisher: Springer Nature

Published: 2023-07-05

Total Pages: 387

ISBN-13: 3031319451

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This monograph overviews the importance of electrochemistry in the field of cultural heritage, including archaeology, conservation and restoration topics. The application of electrochemical techniques in these domains have experienced a notable growth during the last ten years, in particular with regards to the elucidation of composition, manufacturing techniques and chronology of archaeological artefacts. This book describes the application of solid state electrochemistry techniques for the use of samples at the nanogram level from paintings, metallic, ceramic, glass, glazed, wooden, and other objects, and it also includes the description of new dating procedures for archaeological objects made of these materials. It is a valuable contribution to the field of cultural heritage and will be of great interest to archaeologists, conservators and restorers as well as to physicists and chemists working on the scientific examination of works of art.


Science for Cultural Heritage

Science for Cultural Heritage

Author: Claudio Tuniz

Publisher: World Scientific

Published: 2010

Total Pages: 298

ISBN-13: 9814307068

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The aim of the conference was to discuss the contribution of physics and other sciences in archaeological research and in the preservation of cultural heritage. Considering that the mission of ECSAC is to promote the interaction among the diverse cultures of the peoples from the lands on the Adriatic and Ionian seas, it is apt that the major themes were related to the rich history and pre-history of this region - from Greek-Roman archaeology on the eastern Adriatic coasts to the palaeoanthropology of the Neanderthals of the Vindija caves in Croatia, from the Roman city of Aquileia to the pleistocenic cave of Homo heidelbergensis in the Karst of Visogliano (Trieste), from the Roman ship Julia Felix of the Grado lagoon to the ancient bronze Apoxyomenos of the Veli Loscaron;inj waters. A variety of scientific disciplines provide tools and methods that are crucial in reconstructing humanity's past and in preserving material remains that witness the evolution of human culture. Geology reconstructs the history of terrestrial environments, critical for the evolution and dispersal of humans. Chemistry explains reactions that modify materials left by human activities, including the destructive effects of pollution. Biology has a critical role in archaeology, particularly with the recent advance in analysis of DNA in ancient organic materials.


The Oxford Handbook of Archaeological Ceramic Analysis

The Oxford Handbook of Archaeological Ceramic Analysis

Author: Alice M. W. Hunt

Publisher: Oxford University Press

Published: 2017

Total Pages: 777

ISBN-13: 0199681538

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This volume draws together topics and methodologies essential for the socio-cultural, mineralogical, and geochemical analysis of archaeological ceramic, one of the most complex and ubiquitous archaeomaterials in the archaeological record. It provides an invaluable resource for archaeologists, anthropologists, and archaeological materials scientists.


Handbook of Research on Recent Developments in Materials Science and Corrosion Engineering Education

Handbook of Research on Recent Developments in Materials Science and Corrosion Engineering Education

Author: Lim, Hwee Ling

Publisher: IGI Global

Published: 2015-02-28

Total Pages: 529

ISBN-13: 1466681845

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The latest research innovations and enhanced technologies have altered the discipline of materials science and engineering. As a direct result of these developments, new trends in Materials Science and Engineering (MSE) pedagogy have emerged that require attention. The Handbook of Research on Recent Developments in Materials Science and Corrosion Engineering Education brings together innovative and current advances in the curriculum design and course content of MSE education programs. Focusing on the application of instructional strategies, pedagogical frameworks, and career preparation techniques, this book is an essential reference source for academicians, engineering practitioners, researchers, and industry professionals interested in emerging and future trends in MSE training and education.


Innovative Technology in Art Conservation

Innovative Technology in Art Conservation

Author: W. (Bill) Wei

Publisher: Taylor & Francis

Published: 2024-01-29

Total Pages: 118

ISBN-13: 1003832989

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Innovative Technology in Art Conservation provides one of the first ever critical assessments of innovation in conservation science and questions what role it should play in conservation and conservation ethics. Written in language understandable for the non-technical reader, the book begins with a brief history of so-called science-based conservation, which is based on chemistry, physics and engineering, and examines how it influences conservation ethics and conservation decisions. It considers the concepts of originality and original appearance, and how people see and perceive objects, looking in particular at the results of the relatively new technology of eye-tracking. Wei then moves on to critically examine advanced technologies such as colour modelling, hyperspectral imaging, texture mapping, virtual retouching and digital reproductions and considers what they offer for determining original appearance of artworks and other cultural heritage objects. The book concludes with some reflections on the future of conservation and science-based conservation, calling for more thoughtful consideration of what it is that conservation scientists are offering, and why and for whom it is being offered. Innovative Technology in Art Conservation is essential reading for academics and students working in conservation and conservation science. The book will also be of interest to the international community of conservators and cultural heritage professionals who must make decisions about whether to use advanced technologies in their practice.


CAA2014: 21st Century Archaeology

CAA2014: 21st Century Archaeology

Author: F. Giligny

Publisher: Archaeopress Publishing Ltd

Published: 2015-03-31

Total Pages: 664

ISBN-13: 1784911011

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This volume brings together a selection of papers proposed for the Proceedings of the 42nd Computer Applications and Quantitative Methods in Archaeology conference (CAA), hosted at Paris 1 Pantheon-Sorbonne University from 22nd to 25th April 2014.