Exhibition held at the National Gallery (U.S.), Washington, D.C., September 30, 2016-March 5, 2017, of a private collection of thirty-five works gathered by Meyerhoff and Becker produced by nineteen artists.
ArtMachine: A Reinvention of Photography is the story of the long war for photography’s acceptance in the art world during the last decades of the 20th century. More than just a history or a biography, this book is an "insiders” view of the photography world. It has been written by a practicing photographer, who was also the founding photography curator of the oldest museum in America, and who became an important photographic historian and collector of photography. More than just a history or a biography, Clark Worswick's, ArtMachine: A Reinvention of Photography, 1959-1999 is an "insiders” view of the photography world. It has been written by a practicing photographer, who was also the founding photography curator of the oldest museum in America, and who became an important collector of photography. In his introduction to this book, the author wrote, "I began taking photographs and tried to learn the history of a neglected, beaten down, battered medium few people took seriously in the art world. I wandered a world barren of respect during decades of struggle for photography.” "In 1959, on the planet earth, there was not a single dealer who represented a single photographer's work, because photography was not an art.” This is also a book about love and dangerous travel, and the heroic reinvention of photography in the art world. To date, few books have appeared on the texts of a working photographer’s life immersed in projects that cross years, then decades. Fewer books still, exist as seen from the point of view of a historian/collector, who wrote the first books on the classical 19th century photography of India, China, Japan, and later the Middle East, compiling in the process, large collections of this work. ArtMachine: A Reinvention of Photography is the story of the long war for photography’s acceptance during the last decades of the 20th century. It was also a historic moment, and a time never to be repeated, when you could buy fabulous pictures that no one anywhere ... knew anything about. The book deals with photography’s acceptance, as one of the most dynamic and important adjuncts, in an increasingly internationalized art world. During 1959 he began collecting 19th century photographs in Calcutta. He later became the First Research Fellow in Film and Photography at Harvard University. His exhibitions and books on 19th century photography have identified scores of non-European artists working in the medium. Books he has done have been named "Best of the Year" by: The NY Times, The London Times, The Washington Post, The Sunday Times, Newsweek and Time Magazine.
Finally, here is a photography textbook authored in the 21st century for 21st century audiences. Photography: A 21st Century Practice speaks to the contemporary student who has come of age in the era of digital photography and social media, where every day we collectively take more than a billion photographs. How do aspiring photographers set themselves apart from the smartphone-toting masses? How can an emerging photographic artist push the medium to new ground? The answers provided here are innovative, inclusive, and boundary shattering, thanks to the authors’ framework of the "4Cs": Craft, Composition, Content and Concept. Each is explored in depth, and packaged into a toolbox the photographic student can immediately put into practice. With a firm base in digital imaging, the authors also shed new light on chemical-based photographic processes and address the ways in which new technology is rapidly expanding photographic possibilities. In addition, Photography: A 21st Century Practice features: • 12 case studies from professional practice, featuring established photographic artists and showcasing the techniques, concepts, modes of presentation, and other professional concerns that shape their work. • Over 40 student assignments that transform theory into hands-on experience. • 800 full-color images and 200 illustrations, including photographs by some of the world’s best-known and most exciting emerging photographic artists, and illustrations that make even complex processes and ideas simple to understand. • More than 50 guided inquiries into the nature of photographic art to jump start critical thinking and group discussions.
"Through this droll sequence of photographs Neidich opens up a new area of photographic investigation, using the medium not to certify cultural biases but to challenge them. These powerful photographs force us to challenge them. These powerful photographs force us to recognize how mediated the media really are, how much our perceptions of ourselves and our past are determined by convenient societal assumptions, to acknowledge just how much "story" there is in "history"--Page 4 de la couverture
Organized by ICP Curator Carol Squiers, 'What Is a Photograph?' will explore the intense creative experimentation in photography that has occurred since the 1970s. Conceptual art introduced photography into contemporary art making, using the medium in ways that challenged it artistically, intellectually, and technically and broadened the notion of what a photograph could be in art. A new generation of artists began an equally rigorous but more aesthetically adventurous analysis, which probed photography itself - from the role of light, color, composition, to materiality and the subject. 'What Is a Photograph?' brings together these artists, who reinvented photography.
We regarded ourselves as engineers, we maintained that we were building things ? we put our works together like fitters.? So declared the artist Hannah Höch, describing a radically new approach to artmaking in the 1920s and ?30s. Such wholesale reinvention of the role of the artist and the functions of art took place in lockstep with that era?s shifts in industry, technology, and labor, and amid the profound impact of momentous events: World War I, the Russian Revolution, the collapse of the Austro-Hungarian Empire and the rise of fascism. Highlighting figures such as Aleksandr Rodchenko, Liubov Popova, John Heartfield and Fré Cohen, and European avant-gardes of the interwar years?Dada, the Bauhaus, futurism, constructivism and de Stijl?'Engineer, Agitator, Constructor: The Artist Reinvented' demonstrates the ways in which artists reimagined their roles to create a dynamic art for a new world.0Published in conjunction with a major exhibition, 'Engineer, Agitator, Constructor' marks the transformative addition to MoMA from the Merrill C. Berman Collection, one of the great private collections of political art. Illuminating the essential role of women in avant-garde activities while mapping vital networks across Europe, this richly illustrated book presents the social engagement, fearless experimentation and utopian aspirations that defined the early 20th century, and how these strategies still reverberate today.00Exhibition: MoMA, New York, USA (10.05-12.09.2020).
ArtMachine: A Reinvention of Photography is the story of the long war for photography?s acceptance in the art world during the last decades of the 20th century. More than just a history or a biography, it is an ?insiders? view of the photography world. It has been written by a practicing photographer, who was also the founding photography curator of the oldest museum in America, and who became an important photographic historian and collector of photography.
Chrysotype is about photographic printing in gold on paper. This 19th century printing process, modified for contemporary use, provides artists with an affordable way to produce permanent prints in gold. By using film or digital negatives, striking hand-coated prints can be created in monochromatic hues ranging from pink, violet, magenta and purple, to green, blue, grey and black. Chrysotype offers a how-to guide for intermediate practitioners with illustrated examples and simple explanations for each stage of the chrysotype process. The book is divided into three sections: history; preparation and how-to; and the work of contemporary artists using chrysotype. This book includes: A concise account of the invention and modification of the chrysotype process, including early discoveries about gold and colour and the significance of moisture for printing in gold How to set up your workspace for printing, including useful equipment and materials Advice on safe chemical practice A step-by-step guide to creating suitable digital and film negatives Guidance on paper selection and how to successfully coat paper An overview guide to creating a chrysotype print Step-by step directions for creating the chrysotype solutions An explanation of mixing ratios and solution volumes that control contrast An illustrated explanation of the effect of humidity on colour, including split tone colours and ways to control humidity Step-by-step directions on post-exposure hydration to lengthen tonal range and lower contrast Step-by-step tray processing directions Advanced techniques such as handling translucent papers, additional chrysotype formulas and procedures, and alternative developing agents that support longer development, colour formation and remedy problems that affect image quality Troubleshooting chrysotype printing, including advice and photographic examples Illustrated profiles of contemporary artists making chrysotype prints, including their methods and tips Chrysotype serves to inform, encourage and challenge a new generation of alternate process practitioners and a growing chrysotype community, from the newly curious to the experienced professional.
Reach your God-given potential and live a joyful life by finding your purpose in Christ with this inspiring guide from Beth Jones, host of Hillsong Channel's The Basics With Beth. The world around us is in a constant state of reinvention, from technology, to careers, to family. It's easy to struggle in the midst of change, and each season brings new challenges. But we need reinvention: the kind that leads us to new fulfillment and our calling in Christ. To Reinvent ourselves in Christ means a transformation in our hearts, souls, bodies, and minds. And we can achieve this by biblically exploring and answering the questions: What do you want? What do you have? What will you do? and Why will you do it? Let the baggage of the past become history today. Let God renew your hope, and you will experience the joy of living like never before. No matter what has happened, and no matter where you are on this journey, Reinvent will help you start fresh and love life!