Photography, Life, and the Opposites is about what makes for beauty not only in the author's chosen art, but in all the arts. And it is about life, and how art can teach us to live it. It is based on this extraordinary principle of Aesthetic Realism stated by its founder, Eli Siegel: "All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves." To illustrate this Len Bernstein has chosen over 70 of his photographs, many of which are in museum collections in the US and abroad, as well as photographs by others. Together with the text, they are a means of asking: What does it mean to have a beautiful way of seeing, a way of seeing that will make us proud? And what stops us from having it?
Why do we have such extraordinarily powerful responses toward the images and pictures we see in everyday life? Why do we behave as if pictures were alive, possessing the power to influence us, to demand things from us, to persuade us, seduce us, or even lead us astray? According to W. J. T. Mitchell, we need to reckon with images not just as inert objects that convey meaning but as animated beings with desires, needs, appetites, demands, and drives of their own. What Do Pictures Want? explores this idea and highlights Mitchell's innovative and profoundly influential thinking on picture theory and the lives and loves of images. Ranging across the visual arts, literature, and mass media, Mitchell applies characteristically brilliant and wry analyses to Byzantine icons and cyberpunk films, racial stereotypes and public monuments, ancient idols and modern clones, offensive images and found objects, American photography and aboriginal painting. Opening new vistas in iconology and the emergent field of visual culture, he also considers the importance of Dolly the Sheep—who, as a clone, fulfills the ancient dream of creating a living image—and the destruction of the World Trade Center on 9/11, which, among other things, signifies a new and virulent form of iconoclasm. What Do Pictures Want? offers an immensely rich and suggestive account of the interplay between the visible and the readable. A work by one of our leading theorists of visual representation, it will be a touchstone for art historians, literary critics, anthropologists, and philosophers alike. “A treasury of episodes—generally overlooked by art history and visual studies—that turn on images that ‘walk by themselves’ and exert their own power over the living.”—Norman Bryson, Artforum
Boys' Life is the official youth magazine for the Boy Scouts of America. Published since 1911, it contains a proven mix of news, nature, sports, history, fiction, science, comics, and Scouting.
Fins and Feathers is a three-level series addressing three- to five-year-olds in Nursery, Kindergarten 1, and Kindergarten 2. Fins and Feathers,KG2, enriches five-year-olds’ experience through a variety of engagements that focus on different concepts and skills learners need to develop and demonstrate prior to joining Grade One.
In this groundbreaking work, Ariella Azoulay thoroughly revises our understanding of the ethical status of photography. It must, she insists, be understood in its inseparability from the many catastrophes of recent history. She argues that photography is a particular set of relations between individuals and the powers that govern them and, at the same time, a form of relations among equals that constrains that power. Anyone, even a stateless person, who addresses others through photographs or occupies the position of a photograph’s addressee, is or can become a member of the citizenry of photography. The crucial arguments of the book concern two groups that have been rendered invisible by their state of exception: the Palestinian noncitizens of Israel and women in Western societies. Azoulay’s leading question is: Under what legal, political, or cultural conditions does it become possible to see and show disaster that befalls those with flawed citizenship in a state of exception? The Civil Contract of Photography is an essential work for anyone seeking to understand the disasters of recent history and the consequences of how they and their victims are represented.
In the never-ending quest for fulfillment, we sometimes convince ourselves that life would be better if we just had a different career . . . more education . . . a new spouse . . . a fresh start in another location. The solution to life's challenges, we think, is just around the corner, a few steps ahead?always just out of reach. Living on the Ragged Edge Workbook opens the pages of an ancient journal?the Old Testament book of Ecclesiastes. In this very personal, unbelievably honest book, King Solomon chronicles his search for satisfaction, experiencing everything the world offered. The wisest man who ever lived, he certainly had the intelligence and the vast resources to pursue whatever his heart desired?from personal riches to sexual pleasures. Solomon had it all. He did it all with abandon. And he came to the end of his days with the ultimate secret for the "good life." Do you want to know the secret? Do you want to know how to find joy and peace in this world gone mad? In this bestseller Charles Swindoll delivers his characteristic insights and wisdom in an exploration of the book of Ecclesiastes and brings home to you Solomon's powerful message for living at its best.
