East Asian Art and American Culture

East Asian Art and American Culture

Author: Warren I. Cohen

Publisher:

Published: 1992-01

Total Pages: 264

ISBN-13: 9780231076449

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This is a beautifully illustrated book and a lively, entertaining, illuminating discussion of the contribution and effects of East Asian art on American culture. Warren Cohen portrays the assembling of the great American collections of East Asian art, public and private, and the idiosyncrasies of the collectors. Particular attention is focused on how this art became part of the cultural consciousness of the people of the United States, transforming their culture into something more complex than the Western civilization their ancestors brought from Europe. Cohen tells of art collectors, dealers, and historians, of museums and their curators, of art and imperialism, art and politics, art as an instrument of foreign policy. One of America's leading diplomatic historians, Cohen views art as an important part of international relations. He describes the use of art in "cultural diplomacy" to implement policy by China, Japan, and the United States. He argues that "virtually every act in the movement of art between cultures has political implications." The book demonstrates how art collecting interacts with the shifting rhythms of international politics and the business cycle. The recent decline in American economic power, with Japan emerging preeminent, was first obvious in the art world where American collectors found themselves unable to compete with their Japanese and Hong Kong counterparts and watched great works begin to move back across the Pacific.


Body and Face in Chinese Visual Culture

Body and Face in Chinese Visual Culture

Author: Hung Wu

Publisher: BRILL

Published: 2020-03-17

Total Pages: 476

ISBN-13: 1684174031

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Traditionally the "Chinese body" was approached as a totality and explained by sweeping comparisons of the differences that distinguished Chinese examples from their Western counterparts. Recently, scholars have argued that we must look at particular examples of Chinese images of the body and explore their intrinsic conceptual complexity and historical specificity. The twelve contributors to this volume adopt a middle position. They agree that Chinese images are conditioned by indigenous traditions and dynamics of social interaction, but they seek to explain a general Chinese body and face by charting multiple, specific bodies and faces. All of the chapters are historical case studies and investigate particular images, such as Han dynasty tomb figurines; Buddhist texts and illustrations; pictures of deprivation, illness, deformity, and ghosts; clothing; formal portraiture; and modern photographs and films. From the diversity of art forms and historical periods studied, there emerges a more complex picture of ways that the visual culture of the body and face in China has served to depict the living, memorialize the dead, and present the unrepresentable in art.


Visualizing Beauty

Visualizing Beauty

Author: Aida Yuen Wong

Publisher: Hong Kong University Press

Published: 2012-01-01

Total Pages: 201

ISBN-13: 9888083899

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Visualizing Beauty examines the intersections between feminine ideals and changing socio-political circumstances in China, Japan, and Korea during the first half of the twentieth century. Eight essays present a broad range of visual products that informed concepts of beauty and womanhood, including fashion, interior design magazines, newspaper illustrations, and paintings of and by women. Studying "Traditional Woman" and "New Woman" as historical categories, this anthology contemplates the complex relations between feminine subjectivity and the promotion of modernity, commerce, and colonialism.


Labour in a Single Shot

Labour in a Single Shot

Author: Schwartz GRUNDMANN

Publisher:

Published: 2021-11-04

Total Pages:

ISBN-13: 9789463722421

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The book both extends and reflects upon a large-scale, international art project that has taken the form of an online database and numerous exhibitions (including the Venice Biennale and other important venues). The essays explore the social, political, and ethical ramifications of documenting global labour with a roving camera that often operates in close proximity to its human subjects. The inclusion of Antje Ehmann's journal entries, translated for the first time into English, will offer a real-time account of the workshops that will complement the scholarly essays' accounts of the videos.


The Image of the Black in African and Asian Art

The Image of the Black in African and Asian Art

Author: David Bindman

Publisher: Belknap Press

Published: 2017-02-23

Total Pages: 456

ISBN-13: 9780674504394

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The Image of the Black in African and Asian Art asks how the black figure was depicted by artists from the non-Western world. Beginning with ancient Egyptâe"positioned properly as part of African historyâe"this volume focuses on the figure of the black as rendered by artists from Africa, East Asia, and the Indian subcontinent. The aesthetic traditions illustrated here are as diverse as the political and social histories of these regions. From Igbo Mbari sculptures to modern photography from Mali, from Indian miniatures to Japanese prints, African and Asian artists portrayed the black body in ways distinct from the European tradition, even as they engaged with Western art through the colonial encounter and the forces of globalization. This volume complements the vision of art patrons Dominique and Jean de Menil who, during the 1960s, founded an image archive to collect the ways that people of African descent have been represented in Western art from the ancient world to modern times. A halfâe century later, Harvard University Press and the Hutchins Center for African and African American Research completed the historic publication of The Image of the Black in Western Artâe"ten books in totalâe"beginning with Egyptian antiquities and concluding with images that span the twentieth century. The Image of the Black in African and Asian Art reinvigorates the de Menil familyâe(tm)s original mission and reorients the study of the black body with a new focus on Africa and Asia.


Contemporary Photography in Asia

Contemporary Photography in Asia

Author: Keiko S. Hooton

Publisher: Prestel Publishing

Published: 2013

Total Pages: 0

ISBN-13: 9783791348070

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Global expansion and growing local economies have allowed the obsession with photography to sweep throughout the Asian continent. This volume documents the growing culture of photography as an art form in Asia, including often overlooked countries such as Indonesia, the Philippines, Malaysia, Thailand, Cambodia, Vietnam, Taiwan, and Singapore.


Asian Art History in the Twenty-first Century

Asian Art History in the Twenty-first Century

Author: Vishakha N. Desai

Publisher: Clark Art Institute

Published: 2007

Total Pages: 278

ISBN-13:

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This text explores the field of Asian art and its historiography, tensions, and possible future directions. It features essays by 14 leading authors specializing in Chinese, East Asian, Indian and Japanese art history, and considers what is meant by 'Asian art' and how it should be understood in relation to geopolitics.


Looking Modern

Looking Modern

Author: Jennifer Purtle

Publisher: Art Media Resources

Published: 2009

Total Pages: 370

ISBN-13:

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"Looking Modern: East Asian Visual Culture from Treaty Ports to World War II examines multiple dimensions of visual modernity in East Asia from the nineteenth century through the early decades of the twentieth. The papers were drawn from two symposia held at the Center for the Art of East Asia in the Department of Art History, the University of Chicago, which brought out important themes in East Asian Art and visual culture in the nineteenth and twentieth centuries including photography, cinema, and fashion, changing roles of women, commercialization of art, and the impact of Western cultures. They undertook a broad interpretation of visual modernity to include visual dimensions of human endeavor traditionally seen as outside of artistic production in order to encourage exploration of new and understudied materials across disciplinary boundaries. This volume not only provides important background in the growth of modern visual culture in East Asia, but also is a collection of seminal research on specific topics that have a broad impact upon present-day visual arts of China and Japan." -- Publisher's description