When young Devon is forbidden from marrying his beloved by the Elders of the agrarian Cypress Corners community, he begins to question not only their authority, but why the sky is metal and the ground is not, and other troubling questions.
Written as a collaboration between the multi-Nebula Award winning Ed Bryant and Harlan Ellison, one of the Grand Masters of science fiction and a multiple Hugo-, Nebula-, and Edgar Award-winner, PHOENIX WITHOUT ASHES is the novel edition of Harlan's famous, award-winning teleplay. (Please note this book is the novel edition, not the graphic novel.) The year is 2785, and Devon, a farmer banished for challenging his community's Elders, discovers a secret that changes everything he knew about the world, leading him on a quest to solve a mystery beyond his understanding before his entire world is destroyed in a cataclysm. With a Harlanesque introduction by Harlan Ellison. Harlan is very graciously donating his author's income to Ed for this book. THANK YOU, HARLAN! Because of Ed's financial needs, almost all the profits from this book go directly to Ed. Donations to help with Ed's medical and other financial needs are also most appreciated via www.FriendsOfEd.org. Thank you! About the Author Edward Bryant is the multi-Nebula Award winning author of over a hundred short stories, over a thousand essays and reviews, and one novel with Harlan Ellison, PHOENIX WITHOUT ASHES.
Book 17 of the nationally bestselling Joanne Kilbourn series is classic Gail Bowen: masterfully compelling storytelling that combines a modern, urban family with a gripping, satisfying mystery. As Joanne Kilbourn-Shreve, her husband, Zack, and their soon-to-be seventeen-year-old daughter, Taylor, rush through the rain from their cottage to their car, the Thanksgiving weekend they just spent at the lake with Zack's law partners is already slipping away, burnished into memory as pleasantly as the hundreds of other weekends the Falconer-Shreve families have shared at Lawyers' Bay. Thoughts of the weekend past will now focus on the future and be prefaced by the words "next time." Within weeks, a triple homicide will rip apart the lives of those related to the lawyers who, at the end of their first year in law school, only half-jokingly styled themselves "The Winners' Circle." Dazed by grief, Joanne will seek answers to an impossible question: "Why did they die?" The facts behind the suicide of Christopher Altieri, known by his law partners as "the conscience of The Winners' Circle," appear to provide insights, but for Joanne those insights raise new, unsettling questions. Knitting this powerful narrative together is Joanne's unshakeable belief that the only thing worse than knowing is not knowing.
Kangaroo is an account of a visit to New South Wales by an English writer named Richard Lovat Somers, and his German wife Harriet, in the early 1920s. The novel includes a chapter ("Nightmare") describing the Somers' experiences in wartime Cornwall, vivid descriptions of the Australian landscape, and Richard Somers' sceptical reflections on fringe politics in Sydney. "Kangaroo" is the nickname of one of Lawrence's characters, Benjamin Cooley, a prominent ex-soldier and lawyer, who is also the leader of a secretive, fascist paramilitary organisation, the "Diggers Club". Cooley fascinates Somers, but he maintains his distance from the movement itself.
During the Vietnam War, the United States embarked on an unusual crusade on behalf of the government of South Vietnam. Known as the pacification program, it sought to help South Vietnam's government take root and survive as an independent, legitimate entity by defeating communist insurgents and promoting economic development and political reforms. In this book, Richard Hunt provides the first comprehensive history of America's "battle for hearts and minds," the distinctive blending of military and political approaches that took aim at the essence of the struggle between North and South Vietnam.Hunt concentrates on the American role, setting pacification in the larger political context of nation building. He describes the search for the best combination of military and political action, incorporating analysis of the controversial Phoenix program, and illuminates the difficulties the Americans encountered with their sometimes reluctant ally. The author explains how hard it was to get the U.S. Army involved in pacification and shows the struggle to yoke divergent organizations (military, civilian, and intelligence agencies) to serve one common goal. The greatest challenge of all was to persuade a surrogate--the Saigon government--to carry out programs and to make reforms conceived of by American officials.The book concludes with a careful assessment of pacification's successes and failures. Would the Saigon government have flourished if there had been more time to consolidate the gains of pacification? Or was the regime so fundamentally flawed that its demise was preordained by its internal contradictions? This pathbreaking book offers startling and provocative answers to these and other important questions about our Vietnam experience.
Amongst the Ruins explores the loss of ancient civilizations, the collapse of ruling elites, and the disappearance of more recent communities and their local traditions. Some of these are now sealed under 3,000-year-old peat, others lost to rising seas or sands, and the carcasses of twentieth-century buildings which serve as reminders of the destructive power of war. These compelling stories of fallen or lost places are brought together through themes of war, climate change, natural hazards, human self-destruction, and simple economics. From the ice of the Arctic fringe, through to the desert landscapes of North Africa, by way of South America's high mountains and Southeast Asia's urban sprawl, Amongst the Ruins charts the rise and fall of places and communities around the world, the fascinating characters associated with them, and the important events that punctuate their history. Exploring wide-ranging examples from prehistory to the present day, John Darlington challenges us to recognize past failures and identify what we need to do to protect the cultures of our current world.
Why are contemporary secular theorists so frequently drawn to saints, martyrs, and questions of religion? Why has Joan of Arc fascinated some of the most important thinkers of the twentieth century? In a book that faces crucial issues in both critical and feminist inquiry, Françoise Meltzer uses the story of Joan as a guide for reading the postmodern nostalgia for a body that is intact and transparent. She argues that critics who place excessive emphasis on opposition and difference remain blind to their nostalgia for the pre-Cartesian idea that the body and mind are the same. Engaging a number of theorists, and alternating between Joan's historical and cultural context, Meltzer also explores the ways in which postmodern thinkers question subjectivity. She argues that the way masculine subjects imagine Joan betrays their fear of death and necessitates the role of women as cultural others: enigmatic, mysterious, dark, and impossible. As such, Joan serves as a useful model of the limits and risks of subjectivity. For Meltzer, she is both the first modern and the last medieval figure. From the ecclesial jury that burned her, to the theorists of today who deny their attraction to the supernatural, the philosophical assumptions that inform Joan's story, as Meltzer ultimately shows, have changed very little.