Barbara Chase-Riboud, Sculptor

Barbara Chase-Riboud, Sculptor

Author: Peter Selz

Publisher: ABRAMS

Published: 1999

Total Pages: 152

ISBN-13:

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This richly illustrated book presents the first comprehensive overview of Chase-Ribound's 30-year career as a sculptor & draftsman. Distinguished art historians Peter Selz & Anthony F. Janson show how history, archaeology, spiritualism, the Baroque tradition, & Chase-Riboud's parallel career as a poet-novelist have influenced her work, from the Malcolm X, Tantra, Zanzibar, & Cleopatra series to her recent monument "Africa Rising."


A Century of Artists Books

A Century of Artists Books

Author: Riva Castleman

Publisher: ABRAMS

Published: 1997-09

Total Pages: 0

ISBN-13: 9780810961814

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Published to accompany the 1994 exhibition at The Museum of Modern Art, New York, this book constitutes the most extensive survey of modern illustrated books to be offered in many years. Work by artists from Pierre Bonnard to Barbara Kruger and writers from Guillaume Apollinarie to Susan Sontag. An importnt reference for collectors and connoisseurs. Includes notable works by Marc Chagall, Henri Matisse, and Pablo Picasso.


Nature Transformed

Nature Transformed

Author: Sean M. Ulmer

Publisher: Hudson Hills

Published: 2004

Total Pages: 184

ISBN-13: 9781930561083

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This publication presents a selection of wood-based works from the collection of Robert Bohlen, one of the finest and most thorough collectors of wood art. The artistic progress of the medium is analyzed by a wide array of essays.


High & Low

High & Low

Author: Kirk Varnedoe

Publisher: ABRAMS

Published: 1990

Total Pages: 468

ISBN-13:

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Readins in high & low


The Art of Assemblage

The Art of Assemblage

Author: William Chapin Seitz

Publisher:

Published: 1961

Total Pages: 188

ISBN-13:

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"Assemblage art consists of making three-dimensional or two-dimensional artistic compositions by putting together found-objects."--Boundless.


Albers and Morandi: Never Finished

Albers and Morandi: Never Finished

Author: Josef Albers

Publisher: David Zwirner Books

Published: 2021-11-16

Total Pages: 144

ISBN-13: 9781644230596

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An unprecedented catalogue exploring the formal and visual affinities and contrasts between Josef Albers and Giorgio Morandi—two of modern art’s greatest painters. Rarely seen together, the artworks of Josef Albers (1888–1976) and Giorgio Morandi (1890–1964) share many similarities. Although they never met, both artists worked in series as they explored difference and potential through their distinctive treatment of color, shape, form, and morphology. They were also both influenced by Cezanne. As master illusionists and experts in proportion, they tackled similar conceits from different perspectives. Albers focused on the effects of subtle or bold changes and interactions in color, while Morandi made still lifes that treat simple objects as a cast of characters on a stage, exploring their relationship in space. Published on the occasion of the critically acclaimed exhibition Albers and Morandi: Never Finished at David Zwirner New York in 2021, the book illuminates the visual conversation between these two artists. With the exhibition hailed by The New Yorker’s Peter Schjeldahl as “one of the best … I’ve ever seen,” this publication brings this unusual, thought-provoking pairing to your home. Gorgeous reproductions are accompanied by a roundtable about form and color between the exhibition’s curator, David Leiber; Heinz Liesbrock, the director of the Josef Albers Museum Quadrat Bottrop; and Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, as well as an essay by Laura Mattioli, the Morandi expert and founder of the Center for Italian Modern Art.


Performance Artists Talking in the Eighties

Performance Artists Talking in the Eighties

Author: Linda M. Montano

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 588

ISBN-13: 0520919661

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Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community. Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.