Dieses Buch stellt eine der größten Zivilisationen der Welt durch seine Miniaturmalerei vor und erzählt die Geschichte des großartigen Perserreiches mithilfe seiner Tradition einer kleinen, aber pulsierenden Kunstform. Die farbenfrohen Bilder, die eigentlich Buchillustrationen darstellen, führen ein in eine seltsame Welt voller Abenteuer, Helden und Herrscher. Das Layout dieser Mega Square-Ausgabe hebt drei Details jedes Bildes hervor und lässt den Betrachter so wundervolle Einzelheiten erkennen. In seinem praktischen Format ist diese einzigartige Sammlung das perfekte Geschenk für alle Kunstliebhaber.
The mention of Persian painting conjures up images of beautifully illuminated manuscripts filled with tiny, intricate pictures, each a miniature festival of color. Anyone who has seen Persian miniatures up close will attest to their captivating power. In this book, the renowned historian of Islamic art Oleg Grabar introduces Western audiences to Persian painting, which consists primarily of miniatures illustrating works of literature, but also includes murals and small ceramics decorated with pictures. The masterpieces of this painting have a visual richness that requires the use of the intellect as well as the eye for their appreciation, and Grabar seeks to situate the reader within their world, that of Islamic culture in Iran from the Middle Ages to Modern times. Through a series of chapters on various aspects of Persian painting, he helps us understand its history, the characteristics that define it, and the delights to be discovered in it. Grabar argues that this genre of painting offers a remarkable example of how books are illustrated in general and of how an Iranian secular taste emerged during centuries dominated by religious art. He shows that the peculiarities of its historical background gave rise to specific characteristics: striking colors, dematerialization of space, subtle evocations of emotions, simultaneous lyricism and epic. The qualities of Persian painting created a unique aesthetic mood that is related to Persian poetry and Islamic mysticism. It was only at the beginning of the twentieth century that the Western art world began to discover Persian painting. Inspired by its use of pure geometry and vivid palette, Matisse and Kandinsky were among the first modernists to incorporate attributes of Persian art into their work. And now, a century later, interest among museum-goers continues to increase. The allure of Persian painting lies in its absorbing complexities and in the surprising way it speaks to large questions about the nature of art and the perception of its masterpieces. Grabar has written an incomparable book that both explains and re-creates the pleasures of this art.
Dieses Buch stellt eine der größten Zivilisationen der Welt durch seine Miniaturmalerei vor und erzählt die Geschichte des großartigen Perserreiches mithilfe seiner Tradition einer kleinen, aber pulsierenden Kunstform. Die farbenfrohen Bilder, die eigentlich Buchillustrationen darstellen, führen ein in eine seltsame Welt voller Abenteuer, Helden und Herrscher. Das Layout dieser Mega Square-Ausgabe hebt drei Details jedes Bildes hervor und lässt den Betrachter so wundervolle Einzelheiten erkennen. In seinem praktischen Format ist diese einzigartige Sammlung das perfekte Geschenk für alle Kunstliebhaber.
Persian Miniatures is a picture book showcasing the Metropolitan Museum of Art's collection of popular Persian illustrations from the 14th to early 17th century. The book contains an introduction by M. S. Dimand which briefly explains the history and importance of these Persian miniatures and the artists who made them
The thirteenth volume based on the Giorgio Levi Della Vida conference reassesses the role of the Iranian peoples in the development and consolidation of Islamic civilization. In his key essay, Ehsan Yarshater casts fresh light on that role challenging the view that, after reaching a climax in Baghdad in the ninth century, Islamic culture entered a period of decline. In fact, he maintains, a new and remarkably creative phase began in Khurasan and Transoxania, symbolized by the adoption of Persian as a medium of literary expression. By the mid-sixteenth century, Persian literary and intellectual paradigms had spread from Anatolia to India, encompassing the greater part of the Islamic world. Yarshater also challenges traditional assumptions about the 'Islamization of Persia'. In the essays which follow, six distinguished scholars consider the historical, cultural, and religious aspects of the Persian presence in the Islamic world.
