Master Teruyuki Okazaki, Chairman and Chief Instructor of the International Shotokan Karate Federation, is revered as one of the greatest karate masters of our time. At 75 years of age, he moves with the speed and grace of an athletic man in his twenties. He smiles broadly and laughs easily, defying the somber stereotype of a martial arts master. His warmth, humility, and understanding of the human condition are obvious to all who encounter him. "Karate practitioners and other martial artists must know that the martial arts are about more than physical development, self-defense, and competition; most importantly, they are about continually striving to perfect one's character," Master Okazaki explains. This is the message that Master Okazaki's own teacher, Master Gichin Funakoshi, the father of modern karate, most wanted to emphasize as well. To this end, Master Funakoshi articulated two sets of principles, the Dojo Kun, and the Niju Kun. The Dojo Kun are the five guiding, general principles of karate; and the Niju Kun are the twenty specific and subordinate principles of karate, which encompass morality, technique, and proper mindset. In this book, Master Okazaki draws out the deep and hidden wisdom from these seemingly simple principles in a light and lucid fashion, and emphasizes that the principles of karate are principles for living a peaceful, fulfilling, and happy life. This profound book is not just for karate practitioners and martial artists; it is a book for all who genuinely seek to become the best person they can be.
′In quite a profound, high-modernist way, this succinct but comprehensive book deems its subject worthy of careful scholarly analysis. I applaud and recommend it for taking much of the nonsense out of McLuhan′ - Topia Journal ′Feted and reviled in his own lifetime, Marshall McLuhan has made a dramatic comeback in recent years. Marchessault gives a balanced and carefully considered appraisal of McLuhan′s contribution to cultural theory, which may be even more pertinent now, in the early twenty-first century, than when he originally formulated it in the 1950s and ′60s′ Jim McGuigan, Professor of Cultural Analysis, Loughborough University Why is McLuhan important? What use can we make of his approach to the media today? In this insightful critical introduction, McLuhan′s contribution is carefully explained and his reputation reassessed. The book: · Explains McLuhan′s key ideas · Engages with critical issues in media and contemporary art · Demonstrates the relevance of his work for students of media and communications · Addresses his methodological contribution · Revises our understanding of his place in the history of ideas. Illustrated with many examples from the network society, the book works as a guide to anyone who wants to know why McLuhan is important.
This book recovers and recommends the core conviction of Victorian liberal theory that human beings, with the help of the state, can achieve an objective moral perfection. The first half of the book considers the diverse modern biases that have blinded us to the merit of this core conviction and weaves together disparate new scholarship (primarily in political theory and Victorian Studies) to set the stage for a reconsideration of that conviction. The second half of the book is that reconsideration outlining the various policies the Victorian liberals (John Stuart Mill and Matthew Arnold, primarily, with a half dozen other nineteenth-century British and American authors) recommended the state employ in the perfection of human beings.
Regarded by many as the most comprehensive anthology of all time, ‘The Harvard Classics’ was first published in 1909 under the supervision of the Harvard president Charles W. Eliot. An esteemed academic, Eliot had argued that the elements of a liberal education could be gained by spending 15 minutes a day reading from a collection of books that could fit on a five-foot shelf. The publisher P. F. Collier challenged Eliot to make good on this statement and ‘Dr. Eliot's Five Foot Shelf’ was the result. Eight years later Eliot added a further 20 volumes as a sub-collection titled ‘The Harvard Classics Shelf of Fiction’, offering some of the greatest novels and short stories of world literature. The exhaustive anthology of the ‘The Harvard Classics’ comprises every major literary figure, philosopher, religion, folklore and historical subject up to the twentieth century. This comprehensive eBook presents the complete anthology, with Eliot’s original introductions, numerous illustrations, rare texts and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to life and works of the authors featured in the anthology * All 51 volumes of ‘The Harvard Classics’ * Eliot’s original concise introductions * Eliot’s general introduction to the anthology (Volume 50) * The complete 20 volume edition of ‘The Harvard Classics Shelf of Fiction’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Major works include the original illustrations that accompanied the text * Easily locate the chapters and sections you want to read with individual contents tables * Precise arrangement of texts into the original anthology order * A veritable digital library comprised in a single eBook! Please visit www.delphiclassics.com to see the full contents - too many titles to list fully here. CONTENTS: Vol. 1: FRANKLIN, WOOLMAN, PENN Vol. 2. PLATO, EPICTETUS, MARCUS AURELIUS Vol. 3. BACON, MILTON’S PROSE, THOS. BROWNE Vol. 4. COMPLETE POEMS IN ENGLISH, MILTON Vol. 5. ESSAYS AND ENGLISH TRAITS, EMERSON Vol. 6. POEMS AND SONGS, BURNS Vol. 7. CONFESSIONS OF ST. AUGUSTINE, IMITATION OF CHRIST Vol. 8. NINE GREEK DRAMAS Vol. 9. LETTERS AND TREATISES OF CICERO AND PLINY Vol. 10. WEALTH OF NATIONS, ADAM SMITH Vol. 11. ORIGIN OF SPECIES, DARWIN Vol. 12. PLUTARCH’S LIVES Vol. 13. AENEID, VIRGIL Vol. 14. DON QUIXOTE, PART 1, CERVANTES Vol. 15. PILGRIM’S PROGRESS, DONNE & HERBERT, BUNYAN, WALTON Vol. 16. THE THOUSAND AND ONE NIGHTS Vol. 17. FOLKLORE AND FABLE, AESOP, GRIMM, ANDERSON Vol. 18. MODERN ENGLISH DRAMA Vol. 19. FAUST, EGMONT, ETC. DOCTOR FAUSTUS, GOETHE, MARLOWE Vol. 20. THE DIVINE COMEDY, DANTE Vol. 21. I PROMESSI SPOSI, MANZONI Vol. 22. THE ODYSSEY, HOMER Vol. 23. TWO YEARS BEFORE THE MAST, DANA Vol. 24. ON THE SUBLIME, FRENCH REVOLUTION, ETC., BURKE Vol. 25. AUTOBIOGRAPHY, ETC., ESSAYS AND ADDRESSES, J.S. MILL, T. CARLYLE Vol. 26. CONTINENTAL DRAMA Vol. 27. ENGLISH ESSAYS: SIDNEY TO MACAULAY Vol. 28. ESSAYS: ENGLISH AND AMERICAN Vol. 29. VOYAGE OF THE BEAGLE, DARWIN Vol. 30. FARADAY, HELMHOLTZ, KELVIN, NEWCOMB, ETC Vol. 31. AUTOBIOGRAPHY, BENVENUTO CELLINI Vol. 32. LITERARY AND PHILOSOPHICAL ESSAYS Vol. 33. VOYAGES AND TRAVELS Vol. 34. FRENCH AND ENGLISH PHILOSOPHERS Vol. 35. CHRONICLE AND ROMANCE Vol. 36. MACHIAVELLI, MORE, LUTHER Vol. 37. LOCKE, BERKELEY, HUME Vol. 38. HARVEY, JENNER, LISTER, PASTEUR Vol. 39. PREFACES AND PROLOGUES Vol. 40. ENGLISH POETRY 1 Vol. 41. ENGLISH POETRY 2 Vol. 42. ENGLISH POETRY 3 Vol. 43. AMERICAN HISTORICAL DOCUMENTS Vol. 44. SACRED WRITINGS 1 Vol. 45. SACRED WRITINGS 2 Vol. 46. ELIZABETHAN DRAMA 1 Vol. 47. ELIZABETHAN DRAMA 2 Vol. 48. THOUGHTS AND MINOR WORKS, PASCAL Vol. 49. EPIC AND SAGA Vol. 50. INTRODUCTION AND READER’S GUIDE Vol. 51. LECTURES The Harvard Classics Shelf of Fiction 20 Volumes: FIELDING to TURGENEV
