2022 NAACP Image Award Winner Crystal Wilkinson combines a deep love for her rural roots with a passion for language and storytelling in this compelling collection of poetry and prose about girlhood, racism, and political awakening, imbued with vivid imagery of growing up in Southern Appalachia. In Perfect Black, the acclaimed writer muses on such topics as motherhood, the politics of her Black body, lost fathers, mental illness, sexual abuse, and religion. It is a captivating conversation about life, love, loss, and pain, interwoven with striking illustrations by her long-time partner, Ronald W. Davis.
As seen on TikTok, Daniel Black’s Perfect Peace is the heartbreaking portrait of a large, rural southern family’s attempt to grapple with their mother’s desperate decision to make her newborn son into the daughter she will never have—“a complex, imaginative story of one unforgettable black family in mid-twentieth century Arkansas” (Atlanta Magazine). When the seventh child of the Peace family, named Perfect, turns eight, her mother Emma Jean tells her bewildered daughter, “You was born a boy. I made you a girl. But that ain’t what you was supposed to be. So, from now on, you gon’ be a boy. It’ll be a little strange at first, but you’ll get used to it, and this’ll be over after while.” From this point forward, Perfect’s life becomes a bizarre kaleidoscope of events—while the rest of his family is forced to question everything they thought they knew about gender, sexuality, unconditional love, and fulfillment. “A morality tale of the consequences of letting our selfish needs trap the ones we love into roles they weren’t born to play. The characters here are as flawed, their sins numerous, as any living human being held under the lens, but the author brings a compassion and understanding to their plights.”—Mat Johnson, award-winning author of Invisible Things “Part cautionary tale, part folk tale, part fable, Daniel Black’s Perfect Peace is a complete triumph...In Emma Jean Peace, Dr. Black has created a character as complex, equivocal and unforgettable as Scarlett O'Hara.”—Larry Duplechan, Lambda Literary Award-winning author of Got ’Til It’s Gone
The bachelor party/guy's weekend has become a staple of the Las Vegas strip. The Las Vegas Little Black Book knows what men want from their weekend in Sin City, where to find it, how much to pay for it and how to go home satisfied.
New York TimesBestseller Baratunde Thurston’s comedic memoir chronicles his coming-of-blackness and offers practical advice on everything from “How to Be the Black Friend” to “How to Be the (Next) Black President”. Have you ever been called “too black” or “not black enough”? Have you ever befriended or worked with a black person? Have you ever heard of black people? If you answered yes to any of these questions, this book is for you. It is also for anyone who can read, possesses intelligence, loves to laugh, and has ever felt a distance between who they know themselves to be and what the world expects. Raised by a pro-black, Pan-Afrikan single mother during the crack years of 1980s Washington, DC, and educated at Sidwell Friends School and Harvard University, Baratunde Thurston has more than over thirty years' experience being black. Now, through stories of his politically inspired Nigerian name, the heroics of his hippie mother, the murder of his drug-abusing father, and other revelatory black details, he shares with readers of all colors his wisdom and expertise in how to be black. “As a black woman, this book helped me realize I’m actually a white man.”—Patton Oswalt
In the early 1970s, the United States was much the same as in the radical '60s; Americans dying in Vietnam, anti-war demonstrations on college campuses, conflict between blacks and whites in most major cities. In predominantly white Dolton, a south Chicago suburb, busing had come to Thornridge High School. Black students from nearby Phoenix now attended school with whites from Dolton and South Holland. They were not warmly received. Then, the Thornridge basketball team started winning Fans in black and white communities came together as Thornridge captured consecutive Illinois championships. Led by the national high school athlete of the year, Quinn Buckner, the Falcons stormed to a perfect season in 1972. No team even came close. This is their story told in their own words. THORNRIDGE is about prejudice and acceptance, adversity and triumph, and a team that changed attitudes while the players were having the time of their lives.
A playboy bachelor helps a grieving widow learn to love again, but her heart is broken once more when she learns their relationship was based on a bet in the latest novel from Anna Black. Chase Storm is a rich, young bachelor with no intention of settling down. His reputation as the town's playboy is ruining his family's name, so his brothers decide to take action. To tame their youngest brother's appetite for women, they offer him a sweet deal. Unwilling at first, Chase finally agrees to take on the challenge and is introduced to Madison Atkins-Morgan. Madison, a widow, has moved back to her hometown of Tyler, Texas. After losing her husband and twin sons in a car wreck, she needs a fresh start. When things don't go as planned, she finds herself in a slump. Four years later, after having isolated herself, she decides to rejoin the real world and start living again. Unaware of Chase's reputation for being a ladies' man, she accepts his dinner invitation. They've met before, but he hadn't seemed interested in her during any of those brief encounters. Now, however, there is a definite connection between the bachelor and the widow. When his reputation comes to light, she chooses to continue their budding relationship. She is falling in love with the person the whole town warned her about, and she couldn't be happier--until she discovers she was part of a wager that could cost both of their hearts.
A lyrical exploration of love and loss, this book centers on several generations of women in a bucolic southern Black township as they live with and sometimes surrender to madness. The Goode-Brown family, led by matriarch and pillar of the community Minnie Mae, is plagued by old secrets and embarrassment over mental illness and illegitimacy. Meanwhile, single mother Francine Clark is haunted by her dead, lightning-struck husband and forced to fight against both the moral judgment of the community and her own rebellious daughter, Mona. The residents of Opulence struggle with vexing relationships to the land, to one another, and to their own sexuality. As the members of the youngest generation watch their mothers and grandmothers pass away, they live with the fear of going mad themselves and must fight to survive. The author offers up Opulence and its people in lush, poetic detail. It is a world of magic, conjuring, signs, and spells, but also of harsh realities that only love - and love that's handed down - can conquer.
NEW YORK TIMES BESTSELLER • Tarana Burke and Dr. Brené Brown bring together a dynamic group of Black writers, organizers, artists, academics, and cultural figures to discuss the topics the two have dedicated their lives to understanding and teaching: vulnerability and shame resilience. Contributions by Kiese Laymon, Imani Perry, Laverne Cox, Jason Reynolds, Austin Channing Brown, and more NAMED ONE OF THE BEST BOOKS OF THE YEAR BY MARIE CLAIRE AND BOOKRIOT It started as a text between two friends. Tarana Burke, founder of the ‘me too.’ Movement, texted researcher and writer Brené Brown to see if she was free to jump on a call. Brené assumed that Tarana wanted to talk about wallpaper. They had been trading home decorating inspiration boards in their last text conversation so Brené started scrolling to find her latest Pinterest pictures when the phone rang. But it was immediately clear to Brené that the conversation wasn’t going to be about wallpaper. Tarana’s hello was serious and she hesitated for a bit before saying, “Brené, you know your work affected me so deeply, but as a Black woman, I’ve sometimes had to feel like I have to contort myself to fit into some of your words. The core of it rings so true for me, but the application has been harder.” Brené replied, “I’m so glad we’re talking about this. It makes sense to me. Especially in terms of vulnerability. How do you take the armor off in a country where you’re not physically or emotionally safe?” Long pause. “That’s why I’m calling,” said Tarana. “What do you think about working together on a book about the Black experience with vulnerability and shame resilience?” There was no hesitation. Burke and Brown are the perfect pair to usher in this stark, potent collection of essays on Black shame and healing. Along with the anthology contributors, they create a space to recognize and process the trauma of white supremacy, a space to be vulnerable and affirm the fullness of Black love and Black life.
CROSS-STITCH GOES WITCHY WITH DARK AND ELEGANT DESIGNS From spooky skulls to ghoulish graveyards, Lindsay Swearingen of Tusk and Cardinal gives cross-stitch a dark yet whimsical update. Curious creatures like phantom felines, legendary fixtures from folklore like Baba Yaga and all manner of haunted houses make the perfect subjects for these needlework masterpieces. Fun and easy to learn, cross-stitch is an art form that truly anybody can master. Lindsay gives you a crash course in the basics to ensure you have all the materials and techniques you need to start off on the right foot. Then, dive into her incredible patterns and stitch yourself some oddities that range from quirky to downright eerie. Anyone with an appreciation for the macabre will swoon for patterns like Lovers’ Graves, which features twin headstones and a heart-shaped weeping willow. Meanwhile, the ghosts, ghouls and ghastly bats of Trick or Treat and Haunted Wings are perfect pieces to hang on your wall to keep the spirit of Halloween in your home year-round. With moody tones, muted hues and spooky subjects, this collection of bewitching patterns makes it easy to add a little subversive charm to your cross-stitch repertoire.
Malcolm They say opposites attract, but I never understood the phrase until Leni Abbott walked into my office-or more specifically-into my office bathroom, while I was naked. Even as the pink stained her cheeks and she stuttered to speak, I was completely intrigued. She's unlike anyone I've met before and, wildly enough, seems immune to my charms. She also has a son. A young five-year-old boy, Trace, who blindsides me with his toothless grin and worms his way into my heart. Together, they make me feel things. Things I've never expected. This single mom might not know it, but she could be everything I never knew I wanted. Leni I've heard all the rumors about Malcolm Wright, the playboy mayor with a trail of broken hearts left in his wake. I try to resist him, really I do, but he's always there with those devastatingly gorgeous eyes and a sexy smile full of wicked intent. When he hires my business to clean his impressive house, I know I should stay away, yet find my resolve slipping. Then he meets my son. I fully expect him to run for the hills, but that doesn't happen. In fact, being near Trace only seems to draw Malcolm and I closer. Now there are two hearts on the line as I put my trust and faith into the one man in Mason Creek who may not be able to give his own heart in return.
