Perennial Decay
Perennial Decay

Author: Liz Constable

Publisher: University of Pennsylvania Press

Published: 1999

Total Pages: 327

ISBN-13: 0812216784

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When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force. Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies.

Westcott's Plant Disease Handbook
Westcott's Plant Disease Handbook

Author: Cynthia Westcott

Publisher: Springer Science & Business Media

Published: 2008

Total Pages: 1338

ISBN-13: 1402045840

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Westcott’s Plant Disease Handbook, 7th Edition, should be useful to anyone with a keen interest in gardening. The seventh edition uses the traditional convenient format of previous editions providing easy access to essential information quickly with special dictionary-type entries on plant hosts and on symptoms. It provides useful cross references, indexes, illustrative plates of 34 key diseases, and 40 black and white illustrations of other diseases. New and updated material includes: significant taxonomic changes in fungi, bacteria, viruses and nematodes, and recently discovered diseases and new hosts for previously known plant-pathogens.

Symbolism, Its Origins and Its Consequences
Symbolism, Its Origins and Its Consequences

Author: Rosina Neginsky

Publisher: Cambridge Scholars Publishing

Published: 2010-08-11

Total Pages: 665

ISBN-13: 1443824526

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The notion of the symbol is at the root of the Symbolist movement, but this symbol is different from the way it was used and understood in the Middle Ages and Renaissance. In the Symbolist movement, a symbol is not an allegory. The Belgian writer Maurice Maeterlinck defined its essence in an article that appeared on April 24, 1887, in L’Art moderne. He wrote that the notion of a symbol in the Symbolist movement is the opposite of the notion of the symbol in classical usage: instead of going from the abstract to the concrete (Venus, incarnated in the statue, represents love), it goes from the concrete to the abstract, from “what is seen, heard, felt, tasted, and sensed to the evocation of the idea.” This volume attempts to give a glimpse into the power of the Symbolist movement and the nature of its fundamental and interdisciplinary role in the evolution of art and literature of the twentieth century. It records the studies of a group of scholars, who met and discussed these topics together for the first time in 2009. While illuminating the specificity of Symbolism in art, architecture and literature in different European countries, these articles also demonstrate the crucial role of French Symbolism in the development of the international Symbolist movement. The authors hope that an expanding group, a society of Art, Literature and Music in Symbolism and Decadence (ALMSD), born out of the first meeting, will continue to further this discussion at future conferences and in the printed conference proceedings.

Westcott's Plant Disease Handbook
Westcott's Plant Disease Handbook

Author: R. Kenneth Horst

Publisher: Springer Science & Business Media

Published: 2013-06-29

Total Pages: 1031

ISBN-13: 1475733763

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It was a compliment to me to be asked to prepare the fourth edition of Westcott's Plant Disease Handbook, and the decision to accept the respon sibility for the fourth edition, the fifth edition, and now the sixth edition was not taken lightly. The task has been a formidable one. I have always had great respect professionally for Dr. Cynthia Westcott. That respect has grown considerably with the completion of the three editions. I now fully realize the tremendous amount of effort expended by Dr. Westcott in de veloping the Handbook. A book such as this is never finished, since one is never sure that everything has been included that should be. I would quote and endorse the words of Dr. Westcott in her preface to the first edition: "It is easy enough to start a book on plant disease. It is impossible to finish it. . . " This revision of the Handbook retains the same general format contained in the previous editions. The chemieals and pesticides regulations have been updated; major taxonomie changes have been made in the bacteria, fungi, nematodes and viruses; the changing pieture in diseases caused by viruses and/ or viruslike agents have been described. New host plants have been added, and many recently reported diseases as weIl as previously known diseases listed now on new hosts have been included.

The Decadent Republic of Letters
The Decadent Republic of Letters

Author: Matthew Potolsky

Publisher: University of Pennsylvania Press

Published: 2012-10-15

Total Pages: 242

ISBN-13: 0812207335

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While scholars have long associated the group of nineteenth-century French and English writers and artists known as the decadents with alienation, escapism, and withdrawal from the social and political world, Matthew Potolsky offers an alternative reading of the movement. In The Decadent Republic of Letters, he treats the decadents as fundamentally international, defined by a radically cosmopolitan ideal of literary sociability rather than an inward turn toward private aesthetics and exotic sensation. The Decadent Republic of Letters looks at the way Charles Baudelaire, Théophile Gautier, and Algernon Charles Swinburne used the language of classical republican political theory to define beauty as a form of civic virtue. The libertines, an international underground united by subversive erudition, gave decadents a model of countercultural affiliation and a vocabulary for criticizing national canon formation and the increasing state control of education. Decadent figures such as Joris-Karl Huysmans, Walter Pater, Vernon Lee, Aubrey Beardsley, and Oscar Wilde envisioned communities formed through the circulation of art. Decadents lavishly praised their counterparts from other traditions, translated and imitated their works, and imagined the possibility of new associations forged through shared tastes and texts. Defined by artistic values rather than language, geography, or ethnic identity, these groups anticipated forms of attachment that are now familiar in youth countercultures and on social networking sites. Bold and sophisticated, The Decadent Republic of Letters unearths a pervasive decadent critique of nineteenth-century notions of political community and reveals the collective effort by the major figures of the movement to find alternatives to liberalism and nationalism.