This full-color book offers a vibrant collection of paintings by popular Atlanta artist Steve Penley. It is logically organized according to the variety of distinct subjects that have gained him a following around the country: flowers, nudes, portraits of American icons, and well-known landmarks.
In this investigation and celebration of America's fascination with space, Constance Penley, a professor of film studies and women's studies at the University of California, illustrates issues of sex and sexuality in the world of science and technology and examines the widely held prejudices against women in this area. 20 photos.
The brilliance of Penley is that he brings a modern flourish to Americas history. Its especially heartening to see a young modern American artist who hearkens to the past while speaking in a modern vernacular.
Artist Penley reconstructs the great heroes, icons, and institutions of America, to tell a story of the people, places, and ideas that are inspiring, amusing, sad--and yet are a reminder of the inherent goodness of this country.Mercer University Press
First published in 1988. Feminism and Film Theory traces the major issues in feminist film theory as they have evolved over the last decade. Comprised of essays that are classics of this intellectually sophisticated area of cultural studies, Feminism and Film Theory makes available much sought after essays that are often difficult to find. Emphasizing the polemical challenge of feminism to film theory, this anthology forces us to reconsider film theory's most basic ideas about genre, narrative, image, spectatorship, and audience. The essays offer a model for a politically engaged critique of contemporary thought. Feminism and Film Theory will be of great interest to students and scholars concerned with film, critical theory, art and media, cultural studies, or feminism.
Throughout the compelling true story of Della Raye Rogers, her determination, strength, and faith stand as testaments of the enduring resilience of the human spirit against adversity. For twenty years, Della Raye lived at the Partlow State Asylum for Mental Deficients in Tuscaloosa, Alabama. Left there by her uncle in 1929 at the age of four, along with her mother, aunt, and brother, she would know her mother only as another threat the attendants of the institution employed against her. She was subjected to beatings, made to work like a slave, and was given little formal education. Growing up as she did, a small child in a world of people suffering from a variety of mental disabilities, it is amazing that for twenty years she would continue to hope that she would someday be free, that she would continue to fight to be treated with basic respect, and that she would emerge, finally, a whole and vital adult. Della Raye not only continued to hope and to fight, for her trials were not ended with her release, but she learned to forgive those who sought, by intent or by inaction, to destroy her. Della Raye became a beautician and married Floyd Hughes, a widower with five daughters, in 1951. Together they also had two boys, Donny and Butch. She has visited a number of the people who worked at Partlow in nursing homes and hospitals and has remained in contact with many of the people she met during her confinement.
The Future of an Illusion was first published in 1989. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Future of an Illusion documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates center on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism, and the implicitly male bias in psychoanalytically oriented film theory. Essential to anyone studying the sexual policies of representation, The Future of an Illusion ranges from avant-garde films to video, popular cinema, television, literature, and critical and cultural theory. Constance Penley is associate professor of English and film studies at the University of Rochester. A co-editor of the journal Camera Obscura,she is the editor of Feminism and Film Theory.