Peeps Into Fairyland

Peeps Into Fairyland

Author: Ernest Nister

Publisher: Philomel

Published: 1987

Total Pages: 20

ISBN-13: 9780399213946

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Stories by E. Nesbit, M.A. Hoyer, and others explore the world of fairies, giants, and talking birds


A Prisoner in Fairyland

A Prisoner in Fairyland

Author: Algernon Blackwood

Publisher:

Published: 1913

Total Pages: 536

ISBN-13:

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A curious, unusual, puzzling type of book. The story of the awakening of a London financier who, after long years spent in the amassing of a fortune, reverts to his early dream of becoming a great philanthropist.


A Prisoner in Fairyland

A Prisoner in Fairyland

Author: Algernon Blackwood

Publisher: tredition

Published: 2022-05-10

Total Pages: 390

ISBN-13: 3347644441

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A Prisoner in Fairyland - Algernon Blackwood - In the train, even before St. John's was passed, a touch of inevitable reaction had set in, and Rogers asked himself why he was going. For a sentimental journey was hardly in his line, it seemed. But no satisfactory answer was forthcoming -- none, at least, that a Board or a Shareholders' Meeting would have considered satisfactory. The old vicar spoke to him strangely. "We've not forgotten you as you've forgotten us," he said. "And the place, though empty now for years, has not forgotten you either, I'll be bound." Rogers brushed it off. Just silliness -- that was all it was. But after St. John's the conductor shouted, "Take your seats! Take your seats! The Starlight Express is off to Fairyland! Show your tickets! Show your tickets!" And then the forgotten mystery of his childhood came back to him. . . . Algernon Henry Blackwood, CBE (14 March 1869 – 10 December 1951) was an English broadcasting narrator, journalist, novelist and short story writer, and among the most prolific ghost story writers in the history of the genre. The literary critic S. T. Joshi stated, "His work is more consistently meritorious than any weird writer's except Dunsany's." and that his short story collection Incredible Adventures (1914) "may be the premier weird collection of this or any other century". Blackwood was born in Shooter's Hill (now part of south-east London, then part of north-west Kent). Between 1871 and 1880, he lived at Crayford Manor House, Crayford and he was educated at Wellington College. His father, Stevenson Arthur Blackwood, was a Post Office administrator; his mother, Harriet Dobbs, was the widow of the 6th Duke of Manchester. According to Peter Penzoldt, his father, "though not devoid of genuine good-heartedness, had appallingly narrow religious ideas." After he read the work of a Hindu sage left behind at his parents' house, he developed an interest in Buddhism and other eastern philosophies. Blackwood had a varied career, working as a dairy farmer in Canada, where he also operated a hotel for six months, as a newspaper reporter in New York City, bartender, model, journalist for The New York Times, private secretary, businessman, and violin teacher. Throughout his adult life, he was an occasional essayist for periodicals. In his late thirties, he moved back to England and started to write stories of the supernatural. He was successful, writing at least ten original collections of short stories and later telling them on radio and television. He also wrote 14 novels, several children's books and a number of plays, most of which were produced, but not published. He was an avid lover of nature and the outdoors, as many of his stories reflect. To satisfy his interest in the supernatural, he joined The Ghost Club. He never married; according to his friends he was a loner, but also cheerful company. Jack Sullivan stated that "Blackwood's life parallels his work more neatly than perhaps that of any other ghost story writer. Like his lonely but fundamentally optimistic protagonists, he was a combination of mystic and outdoorsman; when he wasn't steeping himself in occultism, including Rosicrucianism, or Buddhism he was likely to be skiing or mountain climbing." Blackwood was a member of one of the factions of the Hermetic Order of the Golden Dawn, as was his contemporary Arthur Machen. Cabalistic themes influence his novel The Human Chord.


Playing with the Book

Playing with the Book

Author: Hannah Field

Publisher: U of Minnesota Press

Published: 2019-07-02

Total Pages: 374

ISBN-13: 1452959595

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A beautifully illustrated exploration of how Victorian novelty picture books reshape the ways children read and interact with texts The Victorian era saw an explosion of novelty picture books with flaps to lift and tabs to pull, pages that could fold out, pop-up scenes, and even mechanical toys mounted on pages. Analyzing books for young children published between 1835 and 1914, Playing with the Book studies how these elaborately designed works raise questions not just about what books should look like but also about what reading is, particularly in relation to children’s literature and child readers. Novelty books promised (or threatened) to make reading a physical as well as intellectual activity, requiring the child to pull a tab or lift a flap to continue the story. These books changed the relationship between pictures, words, and format in both productive and troubling ways. Hannah Field considers these aspects of children’s reading through case studies of different formats of novelty and movable books and intensive examination of editions that have survived from the nineteenth century. She discovers that children ripped, tore, and colored in their novelty books—despite these books’ explicit instructions against such behaviors. Richly illustrated with images of these ingenious constructions, Playing with the Book argues that novelty books construct a process of reading that involves touch as well as sight, thus reconfiguring our understanding of the phenomenology of reading.


The Early Education of Children

The Early Education of Children

Author: Laura L. Plaisted

Publisher:

Published: 1918

Total Pages: 448

ISBN-13:

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Plaisted, an experienced teacher, discusses educational activities and educational goals for young children which mirror middle class values in the early 20th century.


Interactive Books

Interactive Books

Author: Jacqueline Reid-Walsh

Publisher: Routledge

Published: 2017-09-27

Total Pages: 393

ISBN-13: 113509814X

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Movable books are an innovative area of children’s publishing. Commonly equated with spectacular pop-ups, movable books have a little-known history as interactive, narrative media. Since they are hybrid artifacts consisting of words, images and movable components, they cross the borders between story, toy, and game. Interactive Books is a historical and comparative study of early movable books in relation to the children who engage with them. Jacqueline Reid-Walsh focuses on the period movable books became connected with children from the mid-17th to the early-19th centuries. In particular, she examines turn-up books, paper doll books, and related hybrid experiments like toy theaters and paignion (or domestic play set) produced between 1650 and 1830. Despite being popular in their own time, these artifacts are little known today. This study draws attention to a gap in our knowledge of children’s print culture by showing how these artifacts are important in their own right. Reid-Walsh combines archival research with children’s literature studies, book history, and juvenilia studies. By examining commercially produced and homemade examples, she explores the interrelations among children, interactive media, and historical participatory culture. By drawing on both Enlightenment thinkers and contemporary digital media theorists Interactive Books enables us to think critically about children’s media texts paper and digital, past and present.