Peasant Art in Europe
Author: Helmuth Theodor Bossert
Publisher:
Published: 1926
Total Pages: 336
ISBN-13:
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Author: Helmuth Theodor Bossert
Publisher:
Published: 1926
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKAuthor: Helmuth Theodor Bossert
Publisher: Rizzoli International Publications
Published: 1990
Total Pages: 27
ISBN-13: 9780847811946
DOWNLOAD EBOOKIllustrationer af folkekunst omfattende tekstilkunst, tæpper, broderi, keramik, træ, metal m.v.
Author: Helmuth Theodor Bossert
Publisher: Tübingen : E. Wasmuth
Published: 1966
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKAuthor: Larry Silver
Publisher: University of Pennsylvania Press
Published: 2012-01-04
Total Pages: 393
ISBN-13: 0812222113
DOWNLOAD EBOOKLarry Silver investigates the origins of new pictorial types and their media as a phenomenon of sixteenth-century Antwerp and interprets several pictorial genres as he charts their evolution and their role in the development and marketing of individual artistic styles.
Author: Nina Lübbren
Publisher: Manchester University Press
Published: 2001
Total Pages: 270
ISBN-13: 9780719058677
DOWNLOAD EBOOKThis ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.
Author: Grace Brockington
Publisher: Peter Lang
Published: 2009
Total Pages: 376
ISBN-13: 9783039111282
DOWNLOAD EBOOKThis collection of essays stems from the conference 'Internationalism and the Arts: Anglo-European Cultural Exchange at the Fin de Siècle' held at Magdalene College, Cambridge, in July 2006. The growth of internationalism in Europe at the fin de siècle encouraged confidence in the possibility of peace. A wartorn century later, it is easy to forget such optimism. Flanked by the Franco-Prussian war and the First World War, the late nineteenth and early twentieth centuries were marked by rising militarism. Themes of national consolidation and aggression have become key to any analysis of the period. Yet despite the drive towards political and cultural isolation, transnational networks gathered increasing support. This book examines the role played by artists, writers, musicians and intellectuals in promoting internationalism. It explores the range of individuals, media and movements involved, from cosmopolitan characters such as Walter Sickert and Henri La Fontaine, through internationalist art societies, to periodicals, performance, and the mobility of the Arts and Crafts Movement. The discussion takes in the geographical breadth of Europe, incorporating Belgium, Bohemia, Britain, France, Germany, Hungary, Italy, Norway, Poland, Russia and Slovakia. Drawing on the work of scholars from across Europe and America, the collection makes a statement about the complexity of European identities at the fin de siècle, as well as about the possibilities for interdisciplinary research in our own era.
Author: Felix Payant
Publisher:
Published: 1930
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKAuthor: Helmuth Theodor Bossert
Publisher:
Published: 1938
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Kathleen Mann
Publisher:
Published: 1936
Total Pages: 138
ISBN-13:
DOWNLOAD EBOOKAuthor: Stephanie Porras
Publisher: Penn State Press
Published: 2016-02-23
Total Pages: 217
ISBN-13: 027108457X
DOWNLOAD EBOOKThe question of how to understand Bruegel’s art has cast the artist in various guises: as a moralizing satirist, comedic humanist, celebrator of vernacular traditions, and proto-ethnographer. Stephanie Porras reorients these apparently contradictory accounts, arguing that the debate about how to read Bruegel has obscured his pictures’ complex relation to time and history. Rather than viewing Bruegel’s art as simply illustrating the social realities of his day, Porras asserts that Bruegel was an artist deeply concerned with the past. In playing with the boundaries of the familiar and the foreign, history and the present, Bruegel’s images engaged with the fraught question of Netherlandish history in the years just prior to the Dutch Revolt, when imperial, religious, and national identities were increasingly drawn into tension. His pictorial style and his manipulation of traditional iconographies reveal the complex relations, unique to this moment, among classical antiquity, local history, and art history. An important reassessment of Renaissance attitudes toward history and of Renaissance humanism in the Low Countries, this volume traces the emergence of archaeological and anthropological practices in historical thinking, their intersections with artistic production, and the developing concept of local art history.