First published on the occasion of Paul Sandby (1731-1809): picturing Britain, a bicentenary exhibition, first shown at Nottingham Castle Museum and Art Gallery, 25 July-18 October, 2009.
At the Royal Academy exhibition of 1794, Paul Sandby (1725-1809) exhibited his newly paintedA View of Vinters at Boxley, Kent, with Mr. Whatman's Turkey Paper Mills.Sandby, one of the founding members of the Royal Academy and one of the preeminent British landscape painters of the day, included the celebrated Whatman papermaking mill at the center of this landscape composition. James Whatman I and his son James Whatman II were the most famous English papermakers of the eighteenth century, and by 1760 Turkey Mill was the largest paper mill in the country. This handsome and engaging book looks at how theView of Vinters and Turkey Millis both a superb example of Sandby's art and an important document of the rise of industry in the British countryside and of the intertwined developments of papermaking and the art of painting in watercolor. It also features other watercolors by Sandby and materials relating to the processes of papermaking and to the Whatman family and its mill.
Chapter 1. The 1740s: Scotland -- Chapter 2. The 1750s and 1760s: London and Windsor -- Chapter 3. The 1770s and 1780s: Wales, Warwick and Windsor and the Development of Aquatint -- Chapter 4. Place in the Print World: Collaboration and Copying
With considerable learning and insight, Broglio reveals how artists are both complicit with such objectification of nature, and at other moments work toward a more vivid connection to the environment."--BOOK JACKET.
'Cries', artistic representations of the various denizens of London's streets including prostitutes, beggars and tinkers, were produced between 1580 and 1900. This study analyses the representation behind the art of the 'Cries' in a social, cultural and historical context.
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.