No longer fearful to search for what lies beyond the known... beyond religious and ignorant boundaries. I'm embracing my own mind, my own spirituality and my own very out there ideas. Planting little weird seeds, for those who like the dark, unloved, thorny flowers. Attracting those with one foot in the world of the paranormal. Those that are not scared to think for themselves and love beyond man-made rules. Those that skip through the imaginary mists of time and those that baptise themselves in the rain. The light bearers, the shadow dancers... both sides of the same page. The lovers of poetry and hidden thoughts, desires and feelings. Those who are not afraid to look beyond boundaries.
Playful, sexy, and occasionally absurd, Bursky sifts through the detritus of American culture to reveal the sharp edges and breathtaking facets of life.
Vampires, werewolves, and zombies, oh my! Writing a paranormal novel takes more than casting an alluring vampire or arming your hero with a magic wand. It takes an original idea, believable characters, a compelling plot, and surprising twists, not to mention great writing. This helpful guide gives you everything you need to successfully introduce supernatural elements into any story without shattering the believability of your fictional world or falling victim to common cliches. You'll learn how to: • Choose supernatural elements and decide what impact the supernatural will have on your fictional world • Create engaging and relatable characters from supernatural protagonists and antagonists to supporting players (both human and non-human) • Develop strong plots and complementary subplots • Write believable fight scenes and flashbacks • Create realistic dialogue • And much more Complete with tips for researching your novel and strategies for getting published, Writing the Paranormal Novel gives you everything you need to craft a novel where even the most unusual twist is not only possible - it's believable.
A delightfully ghoulish array of specters and sorceresses, witches and ghosts, hags and apparitions haunt these pages–a literary parade of phantoms and shades to add to the revelry of All Hallow’s Eve. From Homer to Horace, Pope to Poe, Randall Jarrell to James Merrill, Poems Bewitched and Haunted draws on three thousand years of poetic forays into the supernatural. Ovid conjures the witch Medea, Virgil channels Aeneas’s wife from the afterlife, Baudelaire lays bare the wiles of the incubus, and Emily Dickinson records two souls conversing in a crypt, in poems that call out to be read aloud, whether around the campfire or the Ouija board. From ballads and odes, to spells and chants, to dialogues and incantations, here is a veritable witches’ brew of poems from the spirit world.
All Hallows’ Eve, Samhain, Day of the Dead… during this interval, the barriers between the two realms are thinnest. Normal turns paranormal; what's natural becomes the supernatural. That's when the messengers of the macabre are in their rightful element. Step inside this collaborative chapbook and embrace a haunted harvest of verses embracing bewitchment, boneyards, and all things that go... Boo!
Girl meets boy. Girl loses boy. Girl gets boy back... ...sort of. Ava can't see him or touch him, unless she's dreaming. She can't hear his voice, except for the faint whispers in her mind. Most would think she's crazy, but she knows he's here. Jackson. The boy Ava thought she'd spend the rest of her life with. He's back from the dead, as proof that love truly knows no bounds.
The Eddic poem Vafþrúðnismál serves as a representation of early pagan beliefs or myths and as a myth itself; the poem performs both of these functions, acting as a poetic framework and functioning as sacred myth. In this study, the author looks closely at the journey of the Norse god Óðinn to the hall of the ancient and wise giant Vafþrúðnir, where Óðinn craftily engages his adversary in a life-or-death contest in knowledge.
Famous for his visionary book, 'The Greeks and the Irrational' (1951), E.R. Dodds was not only a remarkable classical scholar, but also a poet with extensive links to 20th-century English and Irish literary culture. This volume explores his life, career, and legacy, including a group of memoirs by some of his pupils and friends.
An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.
