Paradoxical Japaneseness
Paradoxical Japaneseness

Author: Andrew Dorman

Publisher: Springer

Published: 2016-11-22

Total Pages: 230

ISBN-13: 1137551607

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This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.

Western Japaneseness: Intercultural Translations of Japan in Western Media
Western Japaneseness: Intercultural Translations of Japan in Western Media

Author: Frank Jacob

Publisher: Vernon Press

Published: 2021-03-02

Total Pages: 174

ISBN-13: 1648891543

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Our images of non-Western cultures are often based on stereotypes that are replicated over the years. These stereotypes often appear in popular media and are responsible for a pre-set image of otherness. The present book investigates these processes and the media representation of otherness, especially as an artificial construct based on stereotypes and their repetition, in the case of Japan. 'Western Japaneseness' thereby illustrates how the Western image of Japan in popular media is rather a construct that, in a way, replicated itself, instead of a more serious encounter with a foreign and different cultural context. This book will be of great value to students and academics who hold interest in media studies, Japanese studies, and cultural studies. It will also appeal to a broader audience with interests in Japan more generally.

Transcendence and Spirituality in Japanese Cinema
Transcendence and Spirituality in Japanese Cinema

Author: Melissa Croteau

Publisher: Taylor & Francis

Published: 2022-11-14

Total Pages: 215

ISBN-13: 1000755916

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This book explores significant representations of Shinto and Buddhist sacred space, spiritual symbols, and religious concepts that are embedded in the secular framework of Japanese films aimed at general audiences in Japan and globally. These cinematic masterpieces by directors Akira Kurosawa, Hayao Miyazaki, Hirokazu Kore-eda, and Makoto Shinkai operate as expressions of and, potentially, catalysts for transcendence of various kinds, particularly during the Heisei era (1989–2019), when Japan experienced severe economic hardship and devastating natural disasters. The book’s approach to aesthetics and religion employs the multifaceted concepts of ma (structuring intervals, liminal space-time), kū (emptiness, sky), mono no aware (compassionate sensibility, resigned sadness), and musubi (generative interconnection), examining the dynamic, evolving nature of these ancient principles that are at once spiritual, aesthetic, and philosophical. Scholars and enthusiasts of Japanese cinema (live action and anime), religion and film, cinematic aesthetics, and the relationship between East Asian religions and the arts will find fresh perspectives on these in this book, which moves beyond conventional notions of transcendental style and essentialized approaches to the multivalent richness of Japanese aesthetics.

The Japanese Cinema Book
The Japanese Cinema Book

Author: Hideaki Fujiki

Publisher: Bloomsbury Publishing

Published: 2020-04-02

Total Pages: 625

ISBN-13: 1844576817

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The Japanese Cinema Book provides a new and comprehensive survey of one of the world's most fascinating and widely admired filmmaking regions. In terms of its historical coverage, broad thematic approach and the significant international range of its authors, it is the largest and most wide-ranging publication of its kind to date. Ranging from renowned directors such as Akira Kurosawa to neglected popular genres such as the film musical and encompassing topics such as ecology, spectatorship, home-movies, colonial history and relations with Hollywood and Europe, The Japanese Cinema Book presents a set of new, and often surprising, perspectives on Japanese film. With its plural range of interdisciplinary perspectives based on the expertise of established and emerging scholars and critics, The Japanese Cinema Book provides a groundbreaking picture of the different ways in which Japanese cinema may be understood as a local, regional, national, transnational and global phenomenon. The book's innovative structure combines general surveys of a particular historical topic or critical approach with various micro-level case studies. It argues there is no single fixed Japanese cinema, but instead a fluid and varied field of Japanese filmmaking cultures that continue to exist in a dynamic relationship with other cinemas, media and regions. The Japanese Cinema Book is divided into seven inter-related sections: · Theories and Approaches · * Institutions and Industry · * Film Style · * Genre · * Times and Spaces of Representation · * Social Contexts · * Flows and Interactions

Japanese Horror and the Transnational Cinema of Sensations
Japanese Horror and the Transnational Cinema of Sensations

Author: Steven T. Brown

Publisher: Springer

Published: 2018-02-05

Total Pages: 340

ISBN-13: 3319706292

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Japanese Horror and the Transnational Cinema of Sensations undertakes a critical reassessment of Japanese horror cinema by attending to its intermediality and transnational hybridity in relation to world horror cinema. Neither a conventional film history nor a thematic survey of Japanese horror cinema, this study offers a transnational analysis of selected films from new angles that shed light on previously ignored aspects of the genre, including sound design, framing techniques, and lighting, as well as the slow attack and long release times of J-horror’s slow-burn style, which have contributed significantly to the development of its dread-filled cinema of sensations.

Tracing Pathways 雲路
Tracing Pathways 雲路

Author: Diego Cucinelli

Publisher: Firenze University Press

Published: 2021-03-20

Total Pages: 158

ISBN-13: 8855182595

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This volume collects contributions written by eight authors interested in different research areas in East Asian Studies. Divided into a Japanese and a Chinese section, it explores topics ranging from East Asian literatures to contact linguistics and sociology. The Japanese section contains four essays about contemporary Japanese cinema and different aspects of Japanese modern and contemporary literature (i.e. the literary motif of kame naku, ‘crying turtle’, yuri manga, and tenkō bungaku, the ‘literature of conversion’). The Chinese section concerns two main macro-topics: on the one hand, it focuses on issues related to cultural contacts between Italy and China; on the other hand, it deals with Chinese migration to Italy, highlighting socio-historical aspects and cultural production.

Picturing Japaneseness
Picturing Japaneseness

Author: Darrell William Davis

Publisher: Columbia University Press

Published: 1996

Total Pages: 336

ISBN-13: 9780231102315

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Explores the role of 1930s Japanese cinema in the construction of a national identity and in the larger context of Japan's encounter-and struggle-with the West and modernity. Davis lends a new perspective to such celebrated films as Gate of Hell, Kagemusha, and Ran.

The Paths of Zatoichi
The Paths of Zatoichi

Author: Jonathan Wroot

Publisher: Rowman & Littlefield

Published: 2021-10-01

Total Pages: 203

ISBN-13: 1793601224

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The Paths of Zatoichi charts the history and influence of the Japanese film and television franchise about Zatoichi the blind swordsman. The franchise is comprised of 29 films and 100 TV episodes (starring the famous Shintaro Katsu, who starred in 26 of the 29 feature films). They all follow the adventures of a blind masseur in medieval Japan, who wanders from village to village and often has to defend himself with his deadly sword skills. The first film was released in 1962 and the most recent in 2010. These dates demonstrate how the franchise can be used as a means of charting Japanese cinema history, via the shifts in production practices and audience preferences which affected the Zatoichi series and numerous other film and TV texts. Zatoichi signifies a huge area of Japanese film history which has largely been ignored in much existing scholarly research, and yet it can reveal much about the appeal of long-running characters, franchises, and their constant adaptation and influence within global popular culture.

The Japanese Restaurant
The Japanese Restaurant

Author: Iori Hamada

Publisher: Taylor & Francis

Published: 2023-08-04

Total Pages: 134

ISBN-13: 1000921964

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This book explores the growth and operations of the Japanese restaurant in Australia since the early 2000s from perspectives of both restaurant workers and consumers. Through first-hand testimonies, collected from chefs, restaurateurs, gourmets and casual diners, it demonstrates how Japanese restaurants act as cultural hubs, connecting a diverse community of migrants, Australian citizens and international tourists, while also disseminating knowledge of Japanese culinary cultures. The ethnographic evidence presented challenges the colonialist and essentialist understandings of the ‘exotic’ and ‘Japaneseness’ as the ‘inferior other’ to the West. In so doing, the book highlights the complex manifestations of cross-cultural desires, translating practices and the performative racial-ethnic mimesis of Japanese ethnicity. Featuring critical investigation into the fixed notions of otherness, race, ethnicity and authenticity, this book will be a valuable resource to students and scholars of Japanese society and culture, particularly Japanese food culture.